Mercabarna-Flor by WMA

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Willy Müller Architects have designed a flower market in Barcelona, Spain (via Yatzer).

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The zinc roof and walls are covered with geometric patterns, intended to evoke an aerial view of cultivated-flower fields.

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A multicoloured band of striped panels wraps around the structure. Above and below photos by Ricardo Loureiro.

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The building contains three different markets selling cut flowers, plants and accessories.

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It also includes offices, two floristry education centres, an events space and parking.

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Photos by Jordi Puig except where stated otherwise.

The text below is from WMA:

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New Flower Market – Mercabarna-Flor - Barcelona

Mercabarna has opened the new building for the flower market Mercabarna-Flor, an innovative market for flower, plant and accessory wholesalers. The market aims to become one of the principal markets in Catalonia and the rest of Spain, and a reference for facilities on European level.

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The project of the market maintains in its exterior façade the archetypical image of traditional markets, in which the roof turns into the real protagonist, like an icon of public architecture. The roof of the new market consists of a combination of folds between the floor, the wall and the roof, dissolving those elements to create entrances, loading zones or protected areas around the entire perimeter of the building. Its analogy with a shell gives the building an organic character that is associated with the activity and movement that is happening on the inside.

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While the roof is the big integrating element of this market, in the interior three conceptually different markets are located each of them with its own specific characteristics and logistic and technical conditions, according to the product on sale.

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One part is meant for the Cut Flower Market, with modern industrial cooling systems, where the temperatures can be maintained between 2˚C and 15˚C, since the product has a fast turn over with a selling time of only three days. Above photo by Ricardo Loureiro.

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On the other end of the complex the Plant Market is located, designed with heating systems with a radiant industrial floor, one of the biggest in Europe with 4000m². It has passive cooling systems that introduce humidity, which guarantee that the temperatures will never be below 15˚C, or above 26˚C, especially designed for the needs of this product that requires more selling time, about 15 days. This means that besides being a vending zone, this sector is also a storage zone or greenhouse during this period of time.

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Finally in the middle of these two opposite sector the Accessory Market is located, an especially delicate sector, because of its elevated fire risk, due to fact that they work with dried flowers and that the sale requests a considerable storage area. This subsector has especially been designed to detect and extinguish fires, based on the experience that in a traumatic way forms part of the history of the Market, which caught fire and was destroyed in the year 2001.

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The complex also includes 500 parking spaces, a loading zone, a gastronomic restaurant, which has the capacity to turn into a reference amongst the offer on the highway of Castelldefels, an office zone and two florist education centers and in addition a multipurpose space for events.

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From the point of view of location this building is framed within a series of singular operations with a marking architectonic character, which are being carried out between Plaza España and the new terminal of the Airport, like the works for the Fira de Barcelona (Fair of Barcelona) by Toyo Ito, The Hesperia Tower by Richard Rogers or the new international terminal by Ricardo Bofill.

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The building claims to transmit an iconic value that is marking its public use. A skin has been designed that besides its formal language and its special character based on folds, expresses several characteristics of identity related to the activities of this sector. Following this concept, the big zinc roof that covers the whole market is designed with parallel linear geometries with different tones in a nonsymmetrical way, imitating the aerial view of the cultivated flower fields, marked by a big frame with a multitude of colors that descends and rises to organize entrances along the building, a distinct movement and graphic image that is in line with this Flower Market.

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NUEVO MERCADO CENTRAL DE LA FLOR - MERCABARNA-FLOR

Site: Mercabarna, Sant Boi de Llobregat, Barcelona
Competition date: (restricted) 2002, first prize
Execution: 2005/2008
Area: 15.000 m2
Cost: 9.200.000 euros
Developer: Mercabarna

Architects : WMA - Willy Müller Architects
Willy Müller, Principal Architect
Frédéric Guillaud, Associate Architect

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Architects: Caterina Morna, Rupert Maurus (modelos 3D), Isabella Pintani, Valeria Santoni, Bruno Louzada, Francisco Villeda, Iris cantante, Marco Loperfido, Mara Cascais, Sabine Bruinink, Mario Perez Botero.
Collaborators: Sérgio Pinto, Ricardo Amaral, Joana Lagès, Anne-Irène Valais, Christof Larbig, Jean-baptiste Scharffhausen, Deborah Schor, Jetske Kox, Andre Mota, Andres Ferner, Kelly Hendricks, Christian Lasch, Martin Ober-Hascher, Anja Summermatter, Kelly Klein, Gilda Camacho, Sérgio Ramos, Elke Gall.

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Consultant structure: Area 5.
Consultant installations: Greccat.
Constructor: Iconsa

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Project pictures and virtual images: WMA – Willy Müller Architects
Model pictures: Adria Goula Sarda

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| 16 comments

Posted on Thursday, April 9th, 2009 at 1:10 pm by . See our copyright policy. Before commenting, please read our comments policy.

  • http://www.yatzer.com yatzer

    Thank you!

  • pop

    interesting…. i wish all the IKEA stores look like this..

  • james

    Unremarkable. Very poor use of textures and patterns.

  • two

    Paul Smith!!!

  • Tyler

    I absolutely love this. Great example of the Venturi “decorated shed”. I only wish it weren’t drowning in a sea of surface parking!!!

  • Prof. Z: a pocket full of posies

    ‘Poor use of texture and patterns’

    lighten up. live a little. this building is vibrant much like the flowers which will be inside. Think in the context. congratilation to all involved! a little different but with some character

  • http://jjohnson.carbonmade.com Jeremiah

    I like this example. It’s not perfect, but it shows what can be done in a large scale retail setting. The design doesn’t try to hide its warehouse heritage, it just works with it. Well done.

  • MADianito

    i think is remarkable if you knew the kind of budget they had (very low), the restrictions in terms of materials (they almost got zinc imposed) and fire security and the real character of the building, lost in the middle of an industrial area in the Industrial/logitstical area of the Barcelona Port… this is no fancy house in the hill with no context, therefore, i think is an amazing accomplishment, and a nice solution for an INDUSTRIAL building

  • Simon

    Very interesting scheme with its materials and colours.
    I was in Barcelona last week trying to find this building but failed. I went to the Mecabarna Market but they re-directed me somewhere else. I knew it was near the airport but wasn’t sure how near. Nobody knew…! maybe next time

  • Shengel

    it is located next to the railway, running from the airport to Barcelonaaaaaaaaaaaa. Right side if you arrive.

  • Q

    “this building is vibrant much like the flowers which will be inside”

    it would be interesting if the building was in neutral tones so the colors in the flowers can be the center of attention. nice design though

  • PACMAN

    Simple idea…one roof for 3 different markets…i appreciate that.
    Basic, yet with all the boldness and creativity of other “easier to be fun” buildings with better program and budget…
    …in times where apparently you have to build a museum or an entire city to say something relevant,… i find this project refreshing, fun and gratifying…
    great work!! WMA

  • ideaL

    I like it very much… thumbs up!

  • http://www.plusmood.com David

    the building looks great!

  • Roger

    this confirms one of mankinds favourite sayings: beauty is only skin deep

  • arch R

    esempio di "non architettura". terribile