Comments on: TwentyTwo by Jaime Hayón for Ceccotti http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/ architecture and design magazine Fri, 10 Feb 2012 12:21:52 +0000 hourly 1 http://wordpress.org/?v=3.3 By: miket http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/comment-page-1/#comment-273200 miket Fri, 29 May 2009 14:55:07 +0000 http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/#comment-273200 such skill in making driven down the wrong road of fantasy such skill in making driven down the wrong road of fantasy

]]> By: Hoang To Hoa http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/comment-page-1/#comment-265804 Hoang To Hoa Thu, 14 May 2009 09:31:41 +0000 http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/#comment-265804 This chair's so amazing and fantasy. Great job and congratulation. I love the way it was connected between morden and flexibal style. ps: I love it ;D This chair’s so amazing and fantasy. Great job and congratulation.
I love the way it was connected between morden and flexibal style.

ps: I love it ;D

]]> By: bronxelf http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/comment-page-1/#comment-265003 bronxelf Mon, 11 May 2009 23:44:46 +0000 http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/#comment-265003 @royal creme In looking at it again, I think I figured out what the issue is for me with the buttons. It's not JUST the buttons. It's the grid pattern that they help to create. The frame is so fluid and the rigidity of that grid just fights with the flow of the frame. The buttons merely accentuate the intersection of the lines on the grid, which is why I'm focusing on them. But I think that's my issue with the buttons- the frame wants one thing and the cushions want another. @royal creme

In looking at it again, I think I figured out what the issue is for me with the buttons. It’s not JUST the buttons. It’s the grid pattern that they help to create. The frame is so fluid and the rigidity of that grid just fights with the flow of the frame. The buttons merely accentuate the intersection of the lines on the grid, which is why I’m focusing on them. But I think that’s my issue with the buttons- the frame wants one thing and the cushions want another.

]]> By: yako yanabe http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/comment-page-1/#comment-264972 yako yanabe Mon, 11 May 2009 22:09:46 +0000 http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/#comment-264972 Dear Jed is not painted i saw it in the fair , it was wenge wood i think or maybe another wood , so you can see the joins in the chair very well , it was so beautiful and very special , i really feel Jamie is doing a great move with this new work .I did not know much about ceccotti but is amazing i must admit . Dear Jed is not painted i saw it in the fair , it was wenge wood i think or maybe another wood , so you can see the joins in the chair very well , it was so beautiful and very special , i really feel Jamie is doing a great move with this new work .I did not know much about ceccotti but is amazing i must admit .

]]> By: BH http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/comment-page-1/#comment-264955 BH Mon, 11 May 2009 21:05:20 +0000 http://www.dezeen.com/2009/05/11/twentytwo-by-jaime-hayon-for-ceccotti/#comment-264955 I am still trying to get my head around the grey finish... Maybe it adds a level of deliberate deception? By knowing that it is of crafted timber but by concealing the joints of the 22 pieces it seems to create a kind of ambiguity. It is constantly positioned somewhere between the old and the new... but neither here or there... interesting! I am still trying to get my head around the grey finish…
Maybe it adds a level of deliberate deception? By knowing that it is of crafted timber but by concealing the joints of the 22 pieces it seems to create a kind of ambiguity. It is constantly positioned somewhere between the old and the new… but neither here or there… interesting!

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