Above: Cabinet Cart
Called Cut and Paste, the collection is on show at the Secondome gallery in Rome.
Above: Crate Shade
After hundreds sketches and several models, van Eijk produced seven final pieces combining clocks, wire, furniture, ladders and bird cages.
Compositions include a tiny golden lamp in a box perched on a ladder, a circular container slung between a wooden frame and a cabinet stacked above a chair and low table.
Above: Machine Box
Here's some more information from the Gallery:
āCut & Pasteā collection by Kiki Van Eijk for Secondome
āAn imaginary world in which everything is mixed, combined and questioned: Small & big scaleā¦Farm and bourgeoisā¦Simple & luxurious materialsā¦Basic & complicatedā¦ Sketch & final resultā¦ Inspirations & processesā¦Different techniques & personal fascinations... Old & new projects...Reflections & impulsesā¦Like an enormous patchwork of ideas, collection of thoughts & curiosities.āHere's some more information from the Gallery:
Above: Stack of Furniture
This is the soul of this new collection born of the collaboration between Kiki Van Eijk and Secondome director Claudia Pignatale. Two young women in their early thirties with a fresh and poetic look on design, take a very new and fresh approach, which is all about the joy of āmaking and sketching thingsā by hand, without any computer involved.
The project is all about the personality and emotion found within an object. Now, more than 1 year after the first inspiration, this special collection for Secondome is finished and will have itās world premiere in Rome.
Above: Vertical Clock
By first making hundreds of sketches, 7 final objects have just āappearedā with diverse references such as wheel, cart, high clock, bird cage, niche, farm, bourgeois, primitive, complicated, rich, poor; they almost transform into 7 curiosities. Each curiosity becomes much more than just an object; it creates its own imaginary and personal world; very autonomous.
Above: Crate Shade
Each object is an assembly of colours, forms and materials such as solid wood, brass, copper, ceramics, textiles, mirror, steel. It represents the joy and importance of āmaking thingsā by hand without computers and really ādesigning by makingā.
The pieces show Kikiās big love for materials, experimentation, tactility, research, sketches, context, settings, proportions, curiosities and every-day beauty.
Itās also a reflection of Kiki herself within the work sheās been making throughout the years and tells of the direction she will go from here.