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	<title>Comments on: Zaha Hadid and Suprematism at Galerie Gmurzynska Zurich</title>
	<atom:link href="http://www.dezeen.com/2010/07/12/zaha-hadid-and-suprematism-at-galerie-gmurzynska-zurich/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.dezeen.com/2010/07/12/zaha-hadid-and-suprematism-at-galerie-gmurzynska-zurich/</link>
	<description>architecture and design magazine</description>
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		<title>By: ambright</title>
		<link>http://www.dezeen.com/2010/07/12/zaha-hadid-and-suprematism-at-galerie-gmurzynska-zurich/comment-page-1/#comment-996880</link>
		<dc:creator>ambright</dc:creator>
		<pubDate>Sun, 16 Sep 2012 14:00:00 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=86956#comment-996880</guid>
		<description>You know what I appreciate, to be able to design a single building in Africa with this style of design.  </description>
		<content:encoded><![CDATA[<p>You know what I appreciate, to be able to design a single building in Africa with this style of design.  </p>
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	<item>
		<title>By: Juan</title>
		<link>http://www.dezeen.com/2010/07/12/zaha-hadid-and-suprematism-at-galerie-gmurzynska-zurich/comment-page-1/#comment-529588</link>
		<dc:creator>Juan</dc:creator>
		<pubDate>Tue, 19 Oct 2010 02:38:27 +0000</pubDate>
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		<description>I wanna see you designing that &quot;just dark gray paintings&quot; </description>
		<content:encoded><![CDATA[<p>I wanna see you designing that &quot;just dark gray paintings&quot; </p>
]]></content:encoded>
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	<item>
		<title>By: rik</title>
		<link>http://www.dezeen.com/2010/07/12/zaha-hadid-and-suprematism-at-galerie-gmurzynska-zurich/comment-page-1/#comment-499940</link>
		<dc:creator>rik</dc:creator>
		<pubDate>Mon, 02 Aug 2010 15:28:40 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=86956#comment-499940</guid>
		<description>This looks SO Arne Quinze though. </description>
		<content:encoded><![CDATA[<p>This looks SO Arne Quinze though. </p>
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	<item>
		<title>By: HECTOR TERRONES PLASCENCIA</title>
		<link>http://www.dezeen.com/2010/07/12/zaha-hadid-and-suprematism-at-galerie-gmurzynska-zurich/comment-page-1/#comment-492648</link>
		<dc:creator>HECTOR TERRONES PLASCENCIA</dc:creator>
		<pubDate>Fri, 16 Jul 2010 23:44:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=86956#comment-492648</guid>
		<description>Hola

Me encanto la reseña de la exposicion y aprender mas sobre la inspiracion de la arquitecta Zaha Hadid. Asi como entender que el arte esta mas alla de las ideologias o de los muros que dividen a las personas.

Saludos

Héctor</description>
		<content:encoded><![CDATA[<p>Hola</p>
<p>Me encanto la reseña de la exposicion y aprender mas sobre la inspiracion de la arquitecta Zaha Hadid. Asi como entender que el arte esta mas alla de las ideologias o de los muros que dividen a las personas.</p>
<p>Saludos</p>
<p>Héctor</p>
]]></content:encoded>
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	<item>
		<title>By: siavash</title>
		<link>http://www.dezeen.com/2010/07/12/zaha-hadid-and-suprematism-at-galerie-gmurzynska-zurich/comment-page-1/#comment-492486</link>
		<dc:creator>siavash</dc:creator>
		<pubDate>Fri, 16 Jul 2010 19:30:23 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=86956#comment-492486</guid>
		<description>Cost of showing conflict  
    in situational design we have to match our ideas to the compulsory properties ,what ever it is,  it can be a wall or a step  because the main concept of our design (or individuals) should be achieved in every point of our base plane ,i think she&#039;s tried to get your eyes attention to the end , left side of the room (in first picture) if you stay in front of steps you don&#039;t get the concentration of lines you just see a non-artistic black and white shapes but when you go back then you get the meaning of the shapes .
     i think she wanted to show a quarrel between spaces and also she wanted to change her regular design because if you put Hadid ideas in a distiller the result will be a box cut with ovals or open oval curve lofting  . by the way she has a beautiful imagination and i love her as a teacher and i am sure she is the best .

@Abe : i know lots of designers who they have rich payment supports but they are wasting money and their own time .</description>
		<content:encoded><![CDATA[<p>Cost of showing conflict<br />
    in situational design we have to match our ideas to the compulsory properties ,what ever it is,  it can be a wall or a step  because the main concept of our design (or individuals) should be achieved in every point of our base plane ,i think she&#8217;s tried to get your eyes attention to the end , left side of the room (in first picture) if you stay in front of steps you don&#8217;t get the concentration of lines you just see a non-artistic black and white shapes but when you go back then you get the meaning of the shapes .<br />
     i think she wanted to show a quarrel between spaces and also she wanted to change her regular design because if you put Hadid ideas in a distiller the result will be a box cut with ovals or open oval curve lofting  . by the way she has a beautiful imagination and i love her as a teacher and i am sure she is the best .</p>
<p>@Abe : i know lots of designers who they have rich payment supports but they are wasting money and their own time .</p>
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