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	<title>Comments on: Sun Moon Lake visitor centre by Norihiko Dan and Associates</title>
	<atom:link href="http://www.dezeen.com/2011/02/17/sun-moon-lake-visitor-centre-by-norihiko-dan-and-associates/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.dezeen.com/2011/02/17/sun-moon-lake-visitor-centre-by-norihiko-dan-and-associates/</link>
	<description>architecture and design magazine</description>
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		<title>By: aooth</title>
		<link>http://www.dezeen.com/2011/02/17/sun-moon-lake-visitor-centre-by-norihiko-dan-and-associates/comment-page-1/#comment-706469</link>
		<dc:creator>aooth</dc:creator>
		<pubDate>Tue, 22 Feb 2011 13:58:10 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=117212#comment-706469</guid>
		<description>totally agree with your comment, rac </description>
		<content:encoded><![CDATA[<p>totally agree with your comment, rac </p>
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		<title>By: Salu</title>
		<link>http://www.dezeen.com/2011/02/17/sun-moon-lake-visitor-centre-by-norihiko-dan-and-associates/comment-page-1/#comment-706219</link>
		<dc:creator>Salu</dc:creator>
		<pubDate>Tue, 22 Feb 2011 09:29:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=117212#comment-706219</guid>
		<description>really interesting this work! the phrase &quot;to propose a new model for a relationship between the building and its natural environment&quot; reminded me of a structure that I have seen in Croatia, the Zamet Centre, &lt;a href=&quot;http://www.florimsolutions.com/en/pg-s-31-456-1-zamet_centre.asp&quot; rel=&quot;nofollow&quot;&gt;http://www.florimsolutions.com/en/pg-s-31-456-1-z...&lt;/a&gt;  where the urban structure respected throughout the territory, indeed, the structure improved it </description>
		<content:encoded><![CDATA[<p>really interesting this work! the phrase &quot;to propose a new model for a relationship between the building and its natural environment&quot; reminded me of a structure that I have seen in Croatia, the Zamet Centre, <a href="http://www.florimsolutions.com/en/pg-s-31-456-1-zamet_centre.asp" rel="nofollow"></a><a href="http://www.florimsolutions.com/en/pg-s-31-456-1-z" rel="nofollow">http://www.florimsolutions.com/en/pg-s-31-456-1-z</a>&#8230;  where the urban structure respected throughout the territory, indeed, the structure improved it </p>
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		<title>By: rac</title>
		<link>http://www.dezeen.com/2011/02/17/sun-moon-lake-visitor-centre-by-norihiko-dan-and-associates/comment-page-1/#comment-705601</link>
		<dc:creator>rac</dc:creator>
		<pubDate>Mon, 21 Feb 2011 14:34:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=117212#comment-705601</guid>
		<description>surprised to see such impulsive judgement and shortsightedness at comparing this interesting project with zaha.. neither the form (beyond being freeform and curvilinear) nor the texture/feel of material are any close to her works...besides, these days for her designs, they rarely show inside views, drawings and never detail drawings..   
agree with tadao ando comment... can relate to some extent to oscar niemeyer..  love the Japanese sparsity and austere simplicity of spaces, the quality of light and the rough texture of concrete reminiscent of the wood used to give it the form... glad to see a work which will stand the test of time and be as beautiful over the years unlike aluminum clad  facades and graphic plans.. </description>
		<content:encoded><![CDATA[<p>surprised to see such impulsive judgement and shortsightedness at comparing this interesting project with zaha.. neither the form (beyond being freeform and curvilinear) nor the texture/feel of material are any close to her works&#8230;besides, these days for her designs, they rarely show inside views, drawings and never detail drawings..<br />
agree with tadao ando comment&#8230; can relate to some extent to oscar niemeyer..  love the Japanese sparsity and austere simplicity of spaces, the quality of light and the rough texture of concrete reminiscent of the wood used to give it the form&#8230; glad to see a work which will stand the test of time and be as beautiful over the years unlike aluminum clad  facades and graphic plans.. </p>
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	<item>
		<title>By: 立早嘉</title>
		<link>http://www.dezeen.com/2011/02/17/sun-moon-lake-visitor-centre-by-norihiko-dan-and-associates/comment-page-1/#comment-704624</link>
		<dc:creator>立早嘉</dc:creator>
		<pubDate>Sun, 20 Feb 2011 16:03:12 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=117212#comment-704624</guid>
		<description>張基義老師說：日本建築師團紀彥(Norihiko Dan)設計的日月潭向山遊客中心由國際網路建築雜誌Dezeen刊登，無需觀光局花錢買廣告或外交部買外交。建築設計力，絕對是國家展現實力與決心的重要指標。 
我返台17年，厭倦評選案委員空泛要求設計單強調地方特色。團紀彥的作品告訴我們，創造出一個與地景環境融合的作品。設計彰顯日月潭的寧靜氛圍，遠比幼稚的圖騰雕花來得動人。⋯⋯大膽開放國際競圖往前走，台灣還是會留下來世界一流建築。開放鐵定是雙向的，外國建築師走進來，台灣建築師走出去。多年旅行目睹世界上千個一流作品，過半為外國建築師作品。 
現在的創新，絕對是未來的歷史。正視建築設計品質是契機。 </description>
		<content:encoded><![CDATA[<p>張基義老師說：日本建築師團紀彥(Norihiko Dan)設計的日月潭向山遊客中心由國際網路建築雜誌Dezeen刊登，無需觀光局花錢買廣告或外交部買外交。建築設計力，絕對是國家展現實力與決心的重要指標。<br />
我返台17年，厭倦評選案委員空泛要求設計單強調地方特色。團紀彥的作品告訴我們，創造出一個與地景環境融合的作品。設計彰顯日月潭的寧靜氛圍，遠比幼稚的圖騰雕花來得動人。⋯⋯大膽開放國際競圖往前走，台灣還是會留下來世界一流建築。開放鐵定是雙向的，外國建築師走進來，台灣建築師走出去。多年旅行目睹世界上千個一流作品，過半為外國建築師作品。<br />
現在的創新，絕對是未來的歷史。正視建築設計品質是契機。 </p>
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	<item>
		<title>By: Nicole B</title>
		<link>http://www.dezeen.com/2011/02/17/sun-moon-lake-visitor-centre-by-norihiko-dan-and-associates/comment-page-1/#comment-703955</link>
		<dc:creator>Nicole B</dc:creator>
		<pubDate>Sat, 19 Feb 2011 20:07:58 +0000</pubDate>
		<guid isPermaLink="false">http://www.dezeen.com/?p=117212#comment-703955</guid>
		<description>This only resembles Zaha Hadid&#039;s aesthetic superficially. Just because there are curves doesn&#039;t necessarily mean it&#039;s automatically inspired by her brand of design. It&#039;s disappointing that there is so much shortsightedness and critical shorthand among those making comments here. Where is the depth of insight here? 
 
I&#039;d say this is probably closer to Tadao Ando more than anything else in its use of concrete and its dialogue with landscape. </description>
		<content:encoded><![CDATA[<p>This only resembles Zaha Hadid&#039;s aesthetic superficially. Just because there are curves doesn&#039;t necessarily mean it&#039;s automatically inspired by her brand of design. It&#039;s disappointing that there is so much shortsightedness and critical shorthand among those making comments here. Where is the depth of insight here? </p>
<p>I&#039;d say this is probably closer to Tadao Ando more than anything else in its use of concrete and its dialogue with landscape. </p>
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