Origin part II: Balance by BCXSY

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Origin part II Balance by BCXSY

Milan 2011: Eindhoven designers BCXSY present a collection of rugs woven by Bedouin women in Israel at Spazio Rossana Orlandi in Milan this week.

Origin part II Balance by BCXSY

The rugs are woven by hand in four sizes on ground looms using wool from local desert sheep.

Origin part II Balance by BCXSY

The four pieces are then joined in different configurations to create rugs of the required size and shape.

Origin part II Balance by BCXSY

Colours are taken from the desert surroundings where the pieces are made and details from traditional rug making crop up like fringing on selected edges and a single green tassel on each piece.

Origin part II Balance by BCXSY

Called Balance, the project forms the second phase of their Origin series where the duo work closely with skilled craftspeople. See the first in the series in our earlier story.

Origin part II Balance by BCXSY

The project remains on show at Spazio Rossana Orlandi, Via Matteo Bandello 14/16, 20123 Milan until 17 April.

Origin part II Balance by BCXSY

See all our stories about Milan 2011 »

Origin part II Balance by BCXSY

See all our stories about BCXSY »

Origin part II Balance by BCXSY

The text below is from BCXSY:


Origin part II: Balance

Origin – our explorations into traditional crafts from a variety of backgrounds and disciplines. Lakiya Negev Weaving – an organization of Bedouin artisans, initiated by SIDREH, a non-profit organization focused on improving the socioeconomic situation of Bedouin women living in Israel’s Negev Desert.

Origin part II Balance by BCXSY

Balance – the results of our collaboration with SIDREH and the women weavers in Lakiya. Balance consists of a series of seven area rugs woven in the Bedouin tradition by the women in Lakiya, Israel. Each rug is hand woven on traditional ground looms using the wool of local desert sheep.

Origin part II Balance by BCXSY

From the dying of the yarn to the weaving and final construction, each rug is the result of the collaborative efforts of many of the women in Lakiya. Through a craft that is central to Bedouin social and cultural heritage, the weavers are able to produce an extremely high-quality, durable and beautiful material.

Origin part II Balance by BCXSY

By creating a culturally acceptable employment opportunity for women, Lakiya Weaving produces short-term and long-term benefits to the Arab Bedouin community. The project remains the only possible employment for many isolated women who have suffered from the impacts of social upheaval.

Origin part II Balance by BCXSY

SIDREH’s focus is to empower, represent, and improve the socioeconomic situation of these Bedouin women, women who exist in a constant state of inequality, of imbalance.

Origin part II Balance by BCXSY

During our second visit to Lakiya, we had the opportunity to visit some villages in the area that remain unrecognized by the authorities. Throughout our time in these villages, we were continually overwhelmed by the positive attitudes of the women we encountered.

Origin part II Balance by BCXSY

We became increasingly inspired by the choice they have made to focus on their optimistic progress, rather than their more obvious hardships.

Origin part II Balance by BCXSY

Balance is our response to this optimism, that in the midst of adversity and misfortune there is a lasting element of proportion and beauty.

Origin part II Balance by BCXSY

Drawing from the surrounding landscape of the Negev Desert in both color and texture, each piece in Balance pushes the perceived confines of traditional woven dimensions and expected application of decorative elements.

Origin part II Balance by BCXSY

The rugs are the result of working within the boundaries of the Bedouin weaving practice, where it is only possible to weave long, narrow strips of material. The strips are then cut and repositioned to create non-traditional and innovative silhouettes that generate new and exciting placement possibilities within the interior. Balance embodies the possibility of finding a modern context for an ancient craft.


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  • riiice

    fantastic idea!
    as a compliment it gives a designer the unique opportunity to avoid the typical grid furniture arrangement.

  • Gabriel

    So refined and elegant. As most of what they do…