Extrusion by Philippe Malouin
for Carwan Gallery at Ventura Lambrate

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Extrusion by Philippe Malouin for Carwan Gallery

Hackney designer Philippe Malouin worked with traditional craftsmen from Beirut to create a series of bowls and plinths by shaping wooden blocks made of many smaller, tessellating batons.

Extrusion by Philippe Malouin for Carwan Gallery

Commissioned by Carwan Gallery, his Extrusion project combines the techniques used to make decorative wooden inlays with those of a lathe-worker.

Extrusion by Philippe Malouin for Carwan Gallery

The constructed block would normally be sliced into thin layers and used to decorate boxes but Malouin freezes the traditional process at this point and hands it over to be turned on a lathe.

Extrusion by Philippe Malouin for Carwan Gallery

The Extrusion collection was shown at Design Days Dubai in March, Ventura Lambrate in Milan in April and will travel back to Carwan Gallery in Beirut this summer.

Born in Canada and graduating from Design Academy Eindhoven in 2008, Malouin now has a studio in Homerton and you can read all our stories about his work here.

Here are some more details from Malouin:


Carwan Gallery was kind enough to invite me to visit Beirut last year. During my visit, I was taken around the city to visit the many inspiring landmarks, including the Oscar Niemeyer international fair (below). Construction stopped in 1975 at the outbreak of the Lebanese civil war and was never restarted. We also visited local craftsmen and manufacturers in order that we might produce the gallery’s next collection in Beirut.

One specific craft interested me, which was intarsia making. Intarsia makers produce amazing wood-inlayed and patterned boxes. These inlays are used only for decorative purposes on the outside of the boxes. I was especially interested in the way in which a thin patterned sliver comes to life from a bigger ‘wooden sushi roll,’ which will be sliced into wafer-thin pieces in order to be inlayed on the exteriors of the wood boxes.

The geometric patterns were very beautiful, but it’s the ‘wood-sushi’ block itself that inspired me the most. I was also interested in using more than one craft, or more than one craftsman in order to realize the final piece. I was introduced to a local lathe-worker and the idea came together: I wanted the intarsia worker to create intricately patterned wood logs to then give to the lathe-worker, who would transform them into objects.


Designed in Hackney map:

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Key:

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Yellow = brands

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Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

  • Horst Zuckerfrei

    Very Impressive!
    I can't wait to see the next step. Maybe a solid extruded rectangular tube?

  • Jake

    oh what? a "designer" "designed" what any woodworker has been able to do for hundreds of years?

    dezeen pls.

    • xtiaan

      well no, of course not, but he did recontectualise it. I think THAT is the point they are making.

    • mks

      One can hardly critisize a wooden chair not to have invented wood, the saw, sandpaper and wood-joints. Product design is applied art – or how-to-bring-together-technique-material-and-shape-in-a-functional-meaningfull-and-attractive-way; there's no need for a guitarist to invent a new guitar to create a new sound.

      Both in 'ingredients' as in 'recipe' i think this project is excellent, and I'm very curious to see where it goes from here.

  • james orf

    please please please can we see some design from phillipe – surely this nonsense was conceived in the back of a bashed up mercedes (without suspension) between beirut and tripoli

  • aoife

    Woodworkers in the hands of a genius mind – nothing more needs to be said.