Chinneck has been working on a melting house to be built in Kent, England, in the summer of 2014, but recently demonstrated the concept by constructing a two-metre-high wax wall that gradually became a pile of drips and rubble over the course of a day.

"Architecture and light have such an inseparable relationship and a building is rarely designed or built without consideration to the sun's movement around it," the artist told Dezeen. "The melting house is being designed to describe this relationship in a literal and theatrical way because the sun physically shapes the form."

He continued: "I felt that my work was becoming so computer designed and engineered that I wanted to create a situation that sacrificed this kind of control. I like the idea of these wax structures being taken as far as a computer will allow before releasing the fate of the form to chance."

Each block used to build the wall was made from dyed paraffin wax, cast to the same dimensions of a standard brick used in the British construction industry. The artist added sand to the steel casting trays, giving each brick a subtly different texture with its own unique imperfections.

He documented the melting of the wall for Art Licks Magazine. Although it was designed to diminish in just one day, it took longer than expected and Chinneck had to use a blowtorch to accelerate the process, highlighting the unpredictability of the design.

The house will be installed in Margate, Kent, next summer. Unlike the wall, it is expected to melt slowly over a period of eight weeks. "I like the idea of spectacle having a subtlety, so this steady transformation feels pleasingly calm in contrast to the bold concept," added the artist.

Chinneck's past artworks include a series of identically smashed windows at a derelict factory.

See more art installations on Dezeen »

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by Alex Chinneck appeared first on Dezeen.

Presented in association with the Sumarria Lunn Gallery, the installation draws attention to issues of economic and social decline in an area that was hoping to benefit from the regenerative effect of the games.

The project plays on the common assumption that unrepaired broken windows signify this kind of decline.

Chinneck spent four months clearing out soil, water tanks and heat lamps from the abandoned factory, which had last been used to grow cannabis plants.

He used industrial processes to replicate the same smashed window 312 times, with four pieces of glass creating the same break in every pane.

The installation can be viewed until November 2012, after which the building will be demolished.

The building is located on the corner of Mare Street and Tudor Road in Hackney, E9 7SN. Scroll down to see the site in our Designed in Hackney map.

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Here's some more information about the sculpture:

Everyone knows the broken window theory – that vandalised windows signal an acceptance of social decline. Not so in Hackney where 312 identically smashed windows are causing passers-by to double take. Nicknamed ‘the Banksy of glass’ by local residents, artist Alex Chinneck is replacing broken factory windows with... broken factory windows. Presented by Alex Chinneck in association with Sumarria Lunn Gallery and located just one mile from the Olympic stadium, this intervention transforms a derelict factory building into a public art project.

Growing up surrounded by the industrial architecture of London’s East End, the work of Alex Chinneck removes everyday construction materials from their utilitarian context. Inspired by the landscape of London’s industrial architectural heritage, he finds raw beauty in these solid, purpose-made buildings. Smashed windows in former industrial neighborhoods come as no surprise; but where others see vandalism, Alex Chinneck saw potential: "There is something mesmerising about the way light catches a broken window pane, not only is the glass shattered but so is the reflection."

Starting with an abandoned factory that had been used to grow cannabis, Chinneck spent a gruelling four months removing the remnants: piles of soil, wires, grow bags, water tanks, plant pots and heat lamps. Following an intense period of preparation, Chinneck then used industrial processes to precisely replicate one smashed window 312 times, replacing each original factory window.

All the visible windows in this building have now been replaced with identically broken sheets of glass – the combination of engineering and accident helping to complete the illusion: "This project always evolved with consideration to sculpture, architecture and engineering but ultimately I like the simple idea of performing a magic trick on such a scale." In total 312 panes from 13 windows have been replaced with 1,248 pieces of glass – four pieces form the perfect break in every pane. Fast becoming a Hackney landmark, the former factory will soon be demolished, the work disappearing with it.

About the artist:
Alex Chinneck was born in 1984 and is a graduate of the Chelsea College of Art and Design. Most recently he was nominated for the Royal British Society of Sculptors’ Bursary Award. Using contemporary methods of fabrication, Chinneck finds new and ambitious applications for everyday construction materials, removing them from their functional context to create playful installations. By making work that is unconcerned with creative disciplines his sculptures and installations co-exist across the realms of art, design and architecture.

Title: Telling the Truth Through False Teeth
Artist: Alex Chinneck in association with Sumarria Lunn Gallery
Location: corner of Mare Street and Tudor Road, Hackney, E9 7SN
Installation on view: now until November 2012

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Designed in Hackney is a Dezeen initiative to showcase world-class architecture and design created in the borough, which is one of the five host boroughs for the London 2012 Olympic Games as well as being home to Dezeen’s offices. We’ll publish buildings, interiors and objects that have been designed in Hackney each day until the games this summer.

More information and details of how to get involved can be found at www.designedinhackney.com.

The post Telling the Truth Through False Teeth
by Alex Chinneck appeared first on Dezeen.