Portuguese architects Cerejeira Fontes inserted this slatted timber chapel inside a school for friars in Braga, Portugal (photos: Nelson Garrido).

An opening in the corner of the rectangular Tree of Life Chapel leads visitors into a faceted interior, where an altar provides a place for individual prayer.

Gaps between the wooden beams allow them to function as shelves for storing bibles and other items.

A jagged opening in the ceiling of the chapel creates a window for anyone standing on the mezzanine above.

Some other popular chapels we've published include a boulder-shaped mausoleum and a seaside temple - see more stories about places of worship here.

Here's some text about the project from the architects:

Tree of Life Chapel- Conciliar Seminary of Braga

The intervention strategy results on the insertion of a Chapel at the Seminary of St. James. It is a volume released into the antechamber of the Seminar which takes for its centrality. The design of this project-"body" wants this to be a unique structure, balanced and visible, making a piece with this exceptional presence within the building.

After outlining the vision of the sacred space that surrounds this body, we look for a proposal to absorb the religious character of the set, creating spaces and environments that promote a spirit of inwardness, reflection and retreat thus maintaining the same language.

The design of the new volume is articulated to the pre-existence, creating some openings and new forms of perception of the surrounding area. This semi-compact body is distinguished by the existing because of the form but is completed in symbolism.

The space surrounding the new volume is assumed as a time of transition. The aim of the project proposal is to create curiosity of those who wander there, inviting them to walk in his direction.

Walking along the Seminar we are faced with a rigorous "quiet" imposed by the rhythmic position of the access doors to the rooms. It was the intention of the proposal, break the rigidity designing an access door to the chapel in one of its corners, coinciding with the center of the antechamber. Thus, a subtle gesture drew an element with unique characteristics. This design is not in any way due to chance or the result of purely formal constraints and is purely aesthetic, but rather a consequence of the fact giving another dimension to the very concept of space causing a special attention and symbolism.

The internal layout of the chapel was designed taking into account two levels of appreciation and two types of vision. These moments distinct but closely related, refer to the celebration of the word space and the area of the Eucharistic celebration. These two moments are given by the asymmetry between the ambo and the altar.

Inside also reserves an area for the celebration of the word, which appears as an element of surprise, giving a moment of mystery when they approach. This space for individual prayer can be visible from common space of community prayer and vice versa, by the imposition of blades on the walls surrounding it. This constant relationship between the interior and exterior conveys feelings of permeability and "expands" the space visually while giving some privacy visible on the outside.

The structure of the chapel is designed by hand, developing in almost sculptural contours coated wooden blades that create moments of opening, allowing light to filter the power from inside to outside and vice versa giving greater dignity to the structural elements a result of manual labor. Banks arise from the excavation walls, as if it were a cave.

The culmination of this composition unfolds horizontally, with moments of rupture, which is drawn freely through a single gesture, a body. It is like a hug, an arm embracing something that is precious - the Chapel.
In short, the proposal surprises by the simplicity of its complexity. Peacefully framed in the pre-existence, is part of the history of religious architecture, which enables innovation in continuity, showing that the new architectural styles are able to belong to the Christian architectural tradition.

Architecture - Cerejeira Fontes arquitectos (António Jorge Fontes, Asbjörn Andresen, André Fontes)
Location: Braga Portugal
Project year: 2010
Construction year: 2010
Finished year: 2010

The post Tree of Life Chapel by Cerejeira Fontes appeared first on Dezeen.

Portuguese studio Nuno Capa have completed the interiors for a hair salon in Braga, Portugal, featuring translucent curtains to partition the space into smaller zones.

Designed for hairdresser Pedro Remy, exposed concrete features throughout the New Room salon and the areas requiring a bit more privacy are divided using corrugated metal.

Double height curtains running on circular tracks enclose workstations to create semi-private booths.

The salon also functions as a training academy.

Photographs are by Rui Pires.

More salons on Dezeen »

More fabric interiors on Dezeen »

Here's some more information from the graphic designer João Loureiro:

New Room is the latest space of the Portuguese hairdresser Pedro Remy. Hosted in the city of Braga, this innovative space designed by the architect Nuno Capa, it’s contemporary and minimalist.

Aiming to keep sight of the initial construction raw elements such as structural elements in concrete, these dialogues with the intervention of new fixed elements, ensuring the visual balance of a relaxing, comfortable and informal environment. It promotes the spatial fluidity for those who circulate, giving a special and different character to the workroom.

Alongside innovation, New Room offers an extensive menu of hairdressing and aesthetical services, targeted to customers who worry about their image and looking for new trends.

Our stylists are internally trained by our own academy to ensure a high quality service, always directing their attention to the customer’s life concept, personality, personal habits, appearance and hair type. This workspace is also a training academy, aiming to support all hairdressing and make-up professionals.

In the schedule is already a plan for continuous and quality training in the area of new methods and practical techniques. The business training in management of hairdressers, leadership and motivation of teams, marketing, among others, will enhance the diversity of educational knowledge offer, differentiation factors and enhance today’s professionals.

We advocate an equal degree of knowledge for all professionals, in order to glamorize this as one of the most important artistic interventions in the area of beauty that comes with the past, present and future of human civilization.

New Room is a new change, modernity and sharing knowledge for everyone's future. We want to maximize the value of the concept and lifestyle for all our customers.

Project: New Room
Client: Pedro Remy
Architect: Nuno Capa
Design: João Loureiro

See also:

.

kilico. hair salon by Makoto Yamaguchi	Nagi by Eiri Ota and Irene Gardpoit Chan	Boa Hairdressers Salon by Claudia Meier

The post New Room by Nuno Capa appeared first on Dezeen.