Named Daeyang Gallery and House, the copper-clad building has two pavilions that rise up above the water to provide an entrance and an event space for the private gallery, while a third is the home of the owner.

The architects claim that the building's proportions follow the patterns of a musical score by Hungarian-Canadian composer Istvan Anhalt, which they say can be best observed in the arrangement of 55 skylights on the roofs of the three blocks.

More skylights are scattered across the base of the pool, so daylight must pass through the water before entering the gallery.

Above: photograph is by Inho Lee

See all our recent stories about projects in South Korea here and see more architecture by Steven Holl here.

Above: photograph is by Inho Lee

Photography is by Iwan Baan, apart from where otherwise stated.

Here's some more information from Steven Holl Architects:

Daeyang Gallery and House Seoul, Korea
2008 - 2012

The private gallery and house is sited in the hills of the Kangbuk section of Seoul, Korea.

The project was designed as an experiment parallel to a research studio on “the architectonics of music.”

The basic geometry of the building is inspired by a 1967 sketch for a music score by the composer Istvan Anhalt, “Symphony of Modules,” which was discovered in a book by John Cage titled “Notations.”

Above: photograph is by Inho Lee

Three pavilions; one for entry, one residence, and one event space, appear to push upward from a continuous gallery level below. A sheet of water establishes the plane of reference from above and below.

Above: photograph is by Inho Lee

The idea of space as silent until activated by light is realized in the cutting of 55 skylight strips in the roofs of the three pavilions.

Above: photograph is by Inho Lee

In each of the pavilions, 5 strips of clear glass allow the sunlight to turn and bend around the inner spaces, animating them according to the time of day and season. Proportions are organized around the series 3, 5, 8, 13, 21, 34, 55.

Views from within the pavilions are framed by the reflecting pool, which is bracketed by gardens that run perpendicular to the skylight strips.

In the base of the reflecting pool, strips of glass lenses bring dappled light to the white plaster walls and white granite floor of the gallery below.

A visitor arrives through a bamboo formed garden wall at the entry court, after opening the front door and ascending a low stair.

He or she can turn to see the central pond at eye level and take in the whole of the three pavilions, floating on their own reflections.

The interiors of the pavilions are red and charcoal stained wood with the skylights cutting through the wood ceiling. Exteriors are a rain screen of custom patinated copper which ages naturally within the landscape.

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by Steven Holl Architects appeared first on Dezeen.

Shanghai Riddle, an exhibition of new work by Dutch designer Maarten Baas, will open at Contrasts Gallery in Shanghai next month.

The show will present work produced by Baas while on the gallery's residency programme in China, as well as new pieces from Baas' existing collections.

The exhibition runs from August 15 to September 4.

Here's some info from Contrasts Gallery:

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CONTRASTS GALLERY PRESENTS THE SHANGHAI RIDDLE
THE FIRST SOLO EXHIBITION OF THE WORK OF DUTCH DESIGNER MAARTEN BAAS IN CHINA
AUGUST 15 – September 4, 2008

No. 133 Middle Sichuan Road, 5/F / Shanghai, China 200002
Vernissage: August 15, 2008 / 6pm-8pm

SHANGHAI - Contrasts Gallery will present The Shanghai Riddle, Dutch designer Maarten Baas’ first solo exhibition in China from August 11 – 30, 2008 (TBC). Featuring works inspired by the designer’s experiences in China, the exhibition will include the latest iterations of his Sculpt, “Hey, chair, be a bookshelf!” and Smoke series, as well as new versions of his carved wood interpretations of plastic furniture. The exhibition will be on view at Contrasts’ Sichuan Road gallery (No. 133 Middle Sichuan Road, 5/F) and will open with a vernissage on August 15, 2008, from 6pm – 8pm.

While participating in Contrasts’ residency program, which brings Western artists to China to study local artistic and cultural practices, Baas became fascinated with traditional Chinese woodcarving; this exhibition is dominated by the results of this interest. His work pushes the boundaries of this time-honored Chinese craft, while also revealing the designer’s playful imagination.

“Shanghai is a city full of contradictions: old/new, high-tech/low-tech, tradition/revolution, fake/real, cheap/expensive, original/copy, etc. Together, all these contradictions seem to form a big and interesting paradox, the complexity of which you can't exactly define. What you can feel is the atmosphere, the energy coming from it, a kind of chemical reaction to what's happening. This was what encouraged me to develop the exhibition ‘The Shanghai Riddle,’ also full of paradoxes and experiments, inspired by a city in which everything seems possible.”

The intersection of traditional craft and China’s contemporary culture of mass production are addressed with Baas’ wood carved furniture. Pieces like Plastic Chair In Wood, which reproduces a basic plastic lawn chair in luxurious hand-carved elm, reference the contrast between disposable, mass-produced goods and treasured, handcrafted objects. Baas’ Transformation installation plays with traditional Chinese furniture forms; handcrafted elm and camphor wood furniture look like they are melting into a wooden pool.

Baas’ original “Hey, chair…” series consists of found furniture and other objects assembled to form sculptures that act as multi-functional bookshelves. Baas made a unique piece from this series especially for Contrasts Gallery. The piece is made up of various objects, handpicked by Baas from the streets of Shanghai during his visits, and finished with traditional Chinese red lacquer.

Chinese Objects Object is based on the “Hey, chair…” series. Baas made an assemblage of different kinds of wooden Chinese objects, which was then carved out of solid wood by local Chinese craftsmen.

The lighthearted, purposefully imperfect Sculpt series, which Baas began in his Netherlands studio in 2007, has evolved in China with the addition of two new works. The concept behind the series is to capture the spontaneity and roughness of a sketch in a fully realized, life-sized object. The Sculpt concept, which was initially applied to furniture, has expanded to include two musical instruments: a typical Chinese “pipa” and a western piano. Baas hopes the instruments can be played during the exhibition.

Mutation is a surreal carved wood installation, derived from Odds & Ends, Baas’ first collaboration with Contrasts Gallery. In Mutation, everyday objects seem to have mysteriously mutated—a comb is rendered useless when it sprouts a second row of extra teeth that point every which way, wooden clothes hangers appear to be cloning themselves by growing out of each other and chairs protect themselves with spiky clothespin armor.

New additions to the designer’s celebrated Smoke series will also be on view. The series, which began as Baas’ graduation project at Design Academy Eindhoven, consists of pieces of wooden furniture that have been set alight. The remained charcoaled pieces are preserved in a clear epoxy.

Baas’ collaboration with Contrasts Gallery began in 2006 with Odds & Ends, a collection of miscellaneous carved wood objects for the exhibition Contrasts & Contradictions Chapter 1: CROSSOVERS // beyond art & design. Designers were asked to create non-functional objects, while artists were asked to create functional works using traditional Chinese art and craft techniques. Baas’ organic piece featured ordinary objects like an apple core, a clothes hanger and a violin, all painstakingly hand carved.

About Contrasts Gallery

Contrasts Gallery is aptly named because its philosophy is to celebrate and exaggerate differences. Founded in Hong Kong in 1992, the Gallery from inception set itself the task of exploring the relationships between art, architecture, and design by fusing individual creative talents without prejudice. As the first art gallery in Asia (outside Japan and Korea) to exhibit the international avant-garde, the Gallery shows artworks from cutting-edge artists and commissions pieces from designers worldwide. The Gallery’s mission is to show artists who explore Western and Eastern influences on art by creating a new aesthetic that defines the dynamic changes of today.

About Maarten Baas

Maarten Baas was born in 1978 in Arnsberg, Germany, but grew up in the Netherlands. His graduation project at the Design Academy Eindhoven introduced his Smoke series, which resulted in commissions from Moooi and Moss Gallery. His work has been exhibited at the Groninger, Stedelijk, Victoria & Albert museums and Design Museum London. He has also participated in numerous international design fairs, including the Salone del Mobile, Design Miami/ and the International Contemporary Furniture Fair. Maarten Baas lives and works in Waalre, near Eindhoven, in the Southern region of the Netherlands, where he produces his handmade furniture and is continually developing new concepts and designs.

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