Spanish architects Cor & Asociados have completed a pearlescent music hall in a village near Alicante.

Shimmering porcelain tiles clad the multi-purpose auditorium, which adjoins converted civil guards quarters to comprise the new two-storey music centre.

Staircases encased within glass boxes link the existing U-shaped building to the extension.

The new block encloses a central courtyard for open-air music rehearsals.

Layered screens create overlapping fins on the interior walls of the auditorium, which are backlit in stripes.

Another recent project to feature ceramic tiles was a library with a mosaic rainbow at its centre - see the story here.

Photography is by David Frutos.

The following text was written by Cor & Asociados:

Music Hall and House in Algueña MUCA
Cor & Asociados. Miguel Rodenas + Jesús Olivares

The memory of existing architecture and the opportunity of a new program. Algueña is a small village in the interior of Alicante County, with a population of two thousand and an economy based in agriculture and marble industries.

We were asked for a building able to bring together all the activities related to music and culture that took place in the village, and also promoting its cultural future. We were commissioned to search for an opportunity, articulate it and carry it out. Under these circumstances, that also comprised the definition of an extensive musical schedule of activities and a maximum budget of 562.800 €, we proposed in a first phase the rehabilitation of old Guardia Civil’s quarter that was in disuse since the 80s.

That allowed us to have a surface area of 670 m2 that we only had to adequate, and the construction on a new Auditorium of 350m2 and 230 seats. In a second phase, we proposed the construction of a park with an open-air auditorium that will join the village and its zone of future urban development. The definition of the architectural program is the opportunity in this project.  Sometimes, as in this case, the decisions of the architects have to do more with the “building of an opportunity” and the creation of a dense and appropriate schedule of activities for the village, than strictly with the discipline, the aesthetics, the materiality, the form...

The intervention is located in the west entrance to the village, near from classical local wineries, in a city limit that the new urbanistic plan will develop around this plot. We propose to reserve a green zone beside the building, to develop in second phase an open-air auditorium and a garden with jacarandas, that will have enough entity to separate the new urbanistic development of the existing one, and generating a joining place and giving it ambiental quality. The responsibility in the approach and the impossibility of failing are important parameters in this kind of villages, where the opportunities come rarely, and there’s no possibility of increasing the budget. That’s why it is very important to construct a complex reality linked closely with the village, and auditing the process with all the agents and citizens involved.

Besides, in the plot exits a building of the 60s, an old Guardia Civil quarters, that is in disuse from years and that has a load-bearing wall structure in good state of maintenance. And its shaped in U with an interesting central courtyard for this architectural program. We propose to rehabilitate it for developing that program. The new construction is separated from the old by new adapted stairs that are enclosed in glass boxes lighted from overhead, that try to add fragility to the rotundness of the whole. The multipurpose hall houses 230 seats, these seats are moveable and the installations are able to accommodate different kind of functions, from a concert to a new year’s eve party, that’s why it also houses a warehouse where organize all these elements that allow use change.

The central courtyard is designed to house the rehearsals of the music band in open-air, or any other kind of functions as award giving parties, etc. without any fixed element. Moreover, it’s designed together with the back courtyard, in which we propose to develop another open-air hall. The intervention has a great potential to be used and we propose more for less. In the existing building we propose the rehabilitation without formal changes. Simply recovering all the old constructive techniques and turning them white with different grades of shine with the intention of generating tension between what the users remember about the building and what it is now, we search for surprise perceptions and the generation of a new surface. Instead the new hall is a blind box, a strange element because of its shape and dimensions. To emphasize this sensation we propose a cladding that vibrates and shines with a pearly-iridescent material.

The generation of a “low cost” landmark: vibration and brightness

The generation of this recognizable landmark, architecturally speaking, usually has to do with expensive budgets, amazing materials and sculptured shapes. However, this project generates this landmark with a low cost solution relying on two concepts, one concerns “psychology of perception” and uses vibration and brightness, and the other concerns shape and uses the rotund appearance with proportions similar to its industrial landscape. Brand architecture is used in big cities to offer a recognizable image that can be easily remembered and associated to a city and its values.

Using this kind of marketing at village level has to be reflected, because they only need a building for a determinate program. Here it allows starting sketching a strategy to reactivate the exterior image of the village, and helping strengthen it for the imminent economical change it’s immersed.

The ceramic: pearly and iridescent

The use of a ceramic surfacing with pearly and iridescent finishing responds the intention of generating a vibrant volume in constant change, due to lighting changes o observatory movements, this solution makes the building vibrate, changing its colour, saturation and profundity.

The bet on this material, made “exnovo” for this building, with the use of existing techniques of firing, vitrifying and metals deposition, give this appearance and respond to the necessity of not creating a tectonic or shape solution, but a perceptive one.

This technique is based on a porcelain base material that resists frost and is guaranteed in exterior. Each of these plates is pressed in dry and is fired 3 times: first of them at 950ºC to biscuit it, second to fire the white enamel and vitrifying the biscuit at 1180ºC in rapid cicle, and third that obtains the iridescent-pearly finishing or the metal reflections at 780ºC approximately. The opportunity of the project is the creation of an architectural program audited with the village. For many years music is an important part of the culture in Algueña. This building is the opportunity to bring together in a same space all the activities that are spread through the village.

The program departs form music realm and we lead it to a more indeterminate situation, linked to multipurpose uses.After doing the work of defining the architectural programs, that we developed in multiple meetings with different agents and citizens, the building houses a wide range of activities form music lessons, rehearsals and concerts of the municipal music band, the “rondalla” and choir, lessons and performances of the regional dance group, the “dolçaina and tabalet” group, rock bands, composition workshops and electronic music lessons; to exhibition rooms, conference rooms, assembly rooms, place to hold popular feasts, and even a municipal warehouse.

The music as social enhancer in a village

Music bands are a great valencian tradition because in almost every village and town it exists at least one of these musical groups. The musical quality of these bands is recognized around the world, some of them reaching more than 125 members.

These groups are not only cultural entities but also social, with a high degree of participation in the village that goes far beyond the music and concerns social integration, formation and group work. Algueña’s band is a good example of this. Each event or concert, and even the rehearsals are followed by the people; not only the results (concerts) are appreciated but also the process (rehearsals, auditions, lessons, meetings) are shared. As an example: as they have few cultural events, people assists to weekly rehearsals of the band.

As a result, in the Comunidad Valenciana exists a network of bands and music centers that are the birthplace of internationally prestigious musicians. This encouraged the creation in 1968 of the Musical Societies Federation of the Comunidad Valenciana. Its aim is to promote and spread the love, teaching and practice of music and enhancing associationism and allowing society a mean of cultural development. In Europe, the Comunidad Valenciana is the region where more music bands exist with Austria and Holland.

The historical marc of the building. Working with collective memories.

When you decide to work in an existing building with a profound historical mark, so profound as can be in a Guardia Civil quarter and checkpoint, it’s commonly assumed that one of the challenges of the project will be erasing that historical mark.

To do so we developed with the Art Agency “La Ballena Imantada”, directed by Luisa Martí, a social and artistic event in the building: “60 glances” whose objective was to take 60 artists paint during a day each one of the jambs and lintels of the doors and windows.

We generated a “transcendent social act” that brought together more than 500 people around the building among artists, musicians, spectators, familiars,.. allowing us to show the building while still in construction and start to weave a consensus atmosphere between the citizenship, detaching authorship and leave the building up to its future users.

This work concerning sociology and anthropology is vital in this project to provoke a shift in the collective memories.

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by Cor & Asociados appeared first on Dezeen.

Spanish studio Cor have completed this Alicante bar with floors and walls clad in wood.

The upper half of the walls and ceiling are white, imprinted with rows of black dots.

The bar lines one side of the space and seating is on the opposite side.

Photographs are by David Frutos.

Also by Cor: Funeral Home and Garden in Pinoso.

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Here's some more information from Cor:

26 Lounge Bar

The Portal de Elche has been a very popular meeting place in Alicante for centuries, situated at the corner of the Rambla and the Esplanade of Spain the two most important streets of the city. It was an urban space emerged on the occasion of the demolition of the walls that gripped the city.

In this place, was placed the Tower of San Bartolomé and beside it a door that had several names: Portal de Murcia, Portal de Orihuela and, of course, Portal de Elche. At present, it is possibly one of the busiest places in the city center. The proposal of our team was to create a 'commercial and emotional window': a place where looking and being looked beneath the huge ficus on the 'portal', which would generate a stable emotional link that made customers come back.

'From inside you look outside.' An ancient interior wounded by multiple reforms, from a tavern to a shoe store, through a thousand different businesses from s. XIX brought out an uneven volume. Given this situation we propose the construction of a 'controlled interior volume' able to suit lighting, temperature and acoustic sensation.

Built with two faced 'u's: one made of industrial timber that fits on the floor, at the bar and forms the bench going up to 1.8 m height, and another punched 'u' completely white, descending from the ceiling where all facilities (air conditioning and sound) are accommodated. These 'u' are crossed in a weightless way by two adjustable light sets that bathe the room from its center, and try to emphasize and define the interior space, letting perceive 'a box within a very old local'.

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A phenomenological project. The states of light are very important due to temporary uses and change on supplies depending on the time of day. Say it is not an area that changes depending on the time, but rather different premises, where different scenarios are set, almost like a stage. Ground lighting takes all its power at night, diminishing its intensity wallwashers and the two great lamps, getting a room similar to the bistros of W. Allen.

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In contrast, in the morning are the two great lamps that catch the spotlight, making appear clearly defined spatial boundaries, something that reminds the photography of Slawomir Idziak.

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Project Outline

Architecture : COR Consulting of Creative Resources
Client: Private
Location: Alicante, Spain
Principal Use : Cafe, lounge and bar
Floor Area: 110 square meters
Budget: 91.050 €

See also:

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D’espresso by Nemaworkshop	Switch Restaurant by Karim Rashid	Barrio North by Anarchitect

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This funeral home in Alicante, Spain, is by Spanish studio Cor.

Called Funeral Home and Garden in Pinoso, the building has been arranged around four courtyard areas and sits in a landscaped garden featuring 29 Japanese maples.

The garden rises up to meet the building's roof at one end.

Full-height glazing wrapping the courtyards permit sight lines between different areas of the building.

Photographs are by David Frutos.

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Here's some more information from the architects:

Funeral home and garden in Pinoso (Alicante, Spain)

A public building in a crisis country. The fear of death is considered wise, without being, since it is believed to know about what you do not know.

“Death is perhaps the greatest blessing of human beings, no one knows, and yet everyone is fears as if he knew with absolute certainty that the worst of evils” (Socrates, 470 BC, 399 BC)

Historically we find different definitions of death that we demonstrate how this concept has moved from positions closer to the darkness, pain and fear, into positions related to the concept of sadness, change and light.

Designing a building where you'll find, perhaps, the least known stage of human existence necessarily involves the assumption of uncertainty as a concept to include in the process of ideation.

We understand this building as a place that will resist being forgotten, left in the retinas of their users, and therefore a place where the sensitive has to be controlled.

Parameters such as sound, temperature, light, humidity, lighting, privacy, relationship with nature take great importance.

The plot is situated on the outskirts of town, at the end of a cul-de-sac, close to the municipal sports centre and behind a cultural centre, both of great activity.

This creates some urban tension, since the building is in the middle of various activities incompatible.

In this situation it is proposed to order the mattress assembly plant generating sufficient identity to establish itself as 'centre' of all these public buildings and activities.

We have created a forest of 29 Japanese maples, able to articulate, differentiate and limit the variety of uses.

Additionally, the building is buried in the back, and as if it was a cave, its main facade eaves the field forward, what prevents glances between buildings and various activities.

It is for this reason that the building is set around five holes in the form of courtyard or 'bitten space', which allow the relationship with the outside world is controlled and there is no interaction.

From the interior you only can see the sky and the inside.

The interior-exterior permeability becomes very important in this new town site.

A public building in a crisis country.

We must not forget the effort that contains behind this building.

The project has a 495 square meters and a budget of 431,583€, which involves a considerable effort to finding solutions building techniques, systems maintenance to cost reduction, and maximum degree of ecological adaptation and sustainability at the landscape level.

This is an intervention that gives more for less.

Credit Information
Architecture : COR Consulting of Creative Resources

Project Outline
Client - Town Council of Pinoso, Alicante

Location: Alicante, Spain

Principal Use : Public Building, Funeral home

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Floor Area: 495 square meters

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Budget - 431.583 €

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See also:

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Rennes Métropole Crematorium by Plan01	Ortona Cemetery by Giovani Vaccarini	Family Tomb by Pedro Dias

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