Called Vermis, the wallpaper was made for an exhibition last autumn with art and design collective Studio Manifold at William Morris's Red House in Bexleyheath, England.

Hartmann Rasmussen hand-modelled the ceramic worms and glazed and fired them before taking photographs to be worked into a repeated digital pattern.

"At first glance the wallpaper seem harmless and decorative, but after staring at it too long, uncanny malicious faces appear," explained the designer.

"The motifs have the ambiguity of a Rorschach test," she added, "mimicking different things such as the floral patterns of the Arts & Crafts wallpapers Morris designed, depictions of fantastical creatures such as the Green Man, and visual interpretations of the human reproductive anatomy."

The wallpaper will be on display again at the Crafts and Design Biennale in Denmark between 29 June and 18 August.

Hartmann Rasmussen studied for her BA at the School of Design in Bornholm, Denmark, before completing an MA in Ceramics and Glass at the Royal College of Art in London. For her RCA graduation show, she created a ceramic installation evoking a surreal forest hut from a Brothers Grimm fairytale.

To mark the launch of Fornasetti's whimsical wallpaper collection for Cole & Son, we recently spoke to Barnaba Fornasetti, son of the eccentric Italian designer Piero Fornasetti, who told us the story behind the design house he now heads.

Other wallpaper we've featured previously includes a stripy patterned wallpaper that invites passers-by to add their own scribbles and a colourful design that changes under different lighting conditions – see all wallpaper.

Here's some more information from the designer:

Vermis is a site-responsive piece made for a show together with Studio Manifold called This Is How To Live at the founder of The Arts & Crafts Movement William Morris’ Red House in Bexleyheath. The house is national heritage and run by The National Trust.

The origin of the digital printed wallpaper is hand modelled ceramic worms, photographed and reworked in Photoshop as a repeat pattern. At first glance the wallpaper seem harmless and decorative, but staring at it too long uncanny malicious faces appear. The pattern tells the story of a nature that perhaps does not mean to harm, but have the intention of manifesting itself, to take over and take control.

It is a tale of life and death. The motifs have the ambiguity of a Rorschach test, mimicking different things such as flora and the floral patterns of The Arts & Crafts wallpapers Morris designed, depictions of fantastical creatures such as the Green Man but also visual interpretations of the human reproductive anatomy.

Materials: digital printed wallpaper, ceramics
Size: height, varies; width, 74 cm

The post Vermis by Malene Hartmann
Rasmussen appeared first on Dezeen.

Show RCA 2011: Royal College of Art graduate Malene Hartmann Rasmussen created this ceramic installation evoking a surreal forest hut from a Brothers Grimm fairytale for her graduation show earlier this summer.

Entitled If I Had A Heart I Could Love You, the installation features a stove at its centre that's filled with burning logs, which on closer inspection are shaped like human hearts.

The wooden boards of the hut are nailed down but continue to grow, and a spiky kettle overflows with smoke on top of the stove.

See all our stories about this year's Royal College of Art graduate show here and all our stories about ceramics here.

The information below is from Malene Hartmann Rasmussen:

In this project I work with how we perceive the world, twisting and changing the perception of the space to create an eerie surreal and otherworldly feeling. The setting is a wooden hut as we know it from the folk tales of Brothers Grimm. The viewer is intruding this reality-shifting dark place. It is a fake wooden hut, a piece of theater-like scenery made from drawn wood planks, the “Flintstones” aesthetic and Technicolor quality of the ceramics underlines the hyper real dreamlike feeling.

In the hut there is a fireplace, the burning logs look like hearts, but the hearts look like real hearts and the branches sticking out of them resembles blood filled arteries and veins. The hut is in a forest or maybe the hut is the forest; the wooden planks are sprouting and coming to life, or maybe they were alive and someone is cutting them down? This uncanny and dark fairytale is fragmented, like in a crime story the clues are scattered around, the viewer is the detective trying to make sense of it all.

I am working with mixed media sculpture, making and arranging multiple components into complex narrative sceneries, the dialogue between components and the way one's unconscious can direct the composition interests me. The intention is to impose personal feelings and stories onto container objects that traditionally have no feelings. Initially the viewer may, mistakenly, be drawn to my figures thinking them to be toys; however closer examination reveals their rather darker narrative. They invite you into an absurd and surreal world where things are not what they seem…

I want my work to look like a very skilled child could have made it, clumsy and elaborate at the same time. My intention is to create compositions that have an underlying story and mood. I hope the interpretation of my work isn't too fixed; my intent is to make it open for the viewer to filter their own references through, to make sense and contribute to the story themselves. My aim is to create a visual poetry based on my own personal story.

Size: height: 200 cm. width: 200 cm. depth: 130 cm.
Materials: ceramics, MDF, polyester fiber, pins, print, found object

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by Malene Hartmann Rasmussen appeared first on Dezeen.