MVRDV's masterplan covers a 4.5 hectare site at the intersection of Shenhai Express Way and Shenbin Road. Straddling two sides of the junction, the new Central Business District will comprise a large southern plot and a smaller northern plot, which together will accommodate ten office towers and an underground shopping centre designed by architecture firm Aedas.

Sunken plazas are proposed for both sites, creating pedestrian zones that are sheltered from the busy roads. Wide stairs will be added to create informal seating areas, plus the larger of the two plazas will be surrounded by the windows of the new shopping centre.

Entrances to the shopping centre will also be added at ground level in the form of two giant glass cubes.

Nine of the office buildings will be located on the southern plot. Each will be between five and nine storeys in height and will feature rounded edges to create streamlined shapes.

The tenth office block is planned for the northern plot and is conceived as a cluster of four connected towers that the architects describe as "flower shaped". A series of cultural facilities will be housed in the lowest floors of this building.

MVRDV will use indigenous plants to give every building a green roof, while the flower building will feature a rooftop jogging track.

The Central Business District is set to complete in 2015.

Other recent masterplans by MVRDV include a square-shaped peninsula in the Dutch city of Almere and a district beside a motorway in the French town of Villeneuve d'Ascq. See more architecture by MVRDV.

Here are more details from the architects:

MVRDV start construction of business district at Shanghai Hongqiao Airport after winning competition

Sincere Property, MVRDV and Aedas have started construction on a Central Business District at Shanghai's mostly domestic airport Hongqiao. The 4.5ha site is located near Hongqiao Airport train station at the corner of Shenhai Express Way and Shenbin Road. The plan comprises ten office towers, an underground shopping centre, cultural program, parking and a sunken plaza which will bring a more intimate form of urban life into an area currently dominated by large boulevards and urban expressways. The project's completion is planned for 2015.

Just weeks after winning the competition, construction has already started on this urban masterplan for an office and retail centre near the fourth busiest airport in mainland China. The 4.5ha site is divided into a small northern plot of 8,409 m2 and a larger southern plot. The team won the competition with highly energy-efficient architecture combined with an intimate urban plan which allows for pedestrian-friendly spaces.

The 110,000m2 offices are divided into ten towers in total: nine office towers on the southern plot ranging from five to nine floors, facilitating rental to different sized companies. The towers are flexibly designed to contain one or more companies. On the northern plot, the tops of four towers will merge into one building, forming a flower shaped landmark of four floors, cantilevered high above the ground.

The 47,000m2 retail space will be located partly on the ground floor and partly along a sunken plaza sheltered from vehicle traffic. Two glass cubes mark the entrances to the shopping centre and are part of the neighbourhood's pedestrian route, which meanders through the site. The shopping centre is designed by Aedas. On both plots a spacious sunken plaza features wide stairs that can be used as seating, allowing cultural events to be hosted on the site.

Facade area has been minimized by introducing round cornered towers which, together with the continuous 50,5% transparency stone façade, leads to an efficient energy consumption. The façade presents a subtle shifted grid with a delicate bamboo forest reference. The self shading shape of the flower building has lead to a façade with smaller openings on the upper floors for efficient energy consumption. Hidden hatches next to the windows allow for natural ventilation.

The ground floor of the flower building is reserved for 1.790 m2 of cultural program. A 55.000m2 parking garage is located underneath the shopping centre.

The Hongqiao CBD will reach three stars, the highest ranking of the Chinese 'Green Building Label'. Sustainable building features that will be used include high performance insulation, optimised building forms, shaded spaces, natural ventilation, rainwater collection, permeable road surfaces, links to public transport and a reduction in the urban heat island effect. Nine office towers will feature green roofs growing local plant species and the flower building will offer a sky garden with a continuous jogging path.

MVRDV was selected from a competition with 3 competitors to design the business park. The shopping centre is designed by Aedas. Completion is planned for 2015.

In 2003 MVRDV realised the successful Unterföhring. Park Village office campus near Munich in which urban intimacy was introduced into a large, business park environment.

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Located in the market square of small Dutch town Schijndel, this shop and office complex by MVRDV is disguised as an old farmhouse from afar but is actually made of glass, printed with collages compiled from photographs of local farmhouses.

The building is intentionally out of scale, so it appears to be two-storeys-high when in reality it's three, while images of doors measure at a height of around four metres. This is intended to give visitors the illusion of being a small child again. To add to this sense of distortion, the doors and windows are mis-aligned with the printed images so that real entrances look like they pass through brick walls. Find out more about the Glass Farm in our original story.

Photography is by Daria Scagliola and Stijn Brakkee.

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- night shots appeared first on Dezeen.

As the first phase in a wider redevelopment programme, the mixed-use complex is intended to signify the presence of the town to passing drivers. At present a number of oversized shopping malls are the only thing visible from the motorway, so the architects wanted to create a visual reference for the town centre.

Buildings are to be arranged around a series of grassy courtyards and will contain shops, offices and a new hotel. Surface parking areas that currently occupy the site will be relocated underground, freeing up space for pedestrian pathways.

MVRDV and de Alzua+ are progressing the plans alongside development corporation ADIM Nord. Construction is scheduled to begin in 2015.

MVRDV has completed a number of projects in recent months, including a shop and office complex disguised as an old farmhouse and a public library inside a glass pyramid. See more architecture by MVRDV.

Here's a project description from MVRDV:

MVRDV win Competition with 'The Beam', Marking the Urban Renewal of Villeneuve d'Ascq, France

Development corporation ADIM Nord with MVRDV and de Alzua+ have been announced the winners of an urban renewal competition in the French town of Villeneuve d'Ascq, beating four other entries. The masterplan for a crucial site in the town centre adjacent to an inner city motorway, is the starting point of a wider regeneration of the area's public space. An iconic building, The Beam, will hover over the motorway signalling urban renewal and acting as visual reference point for the town's centre. A hotel, offices and retail space, totalling 15.000 m2, will be built on the site of a former petrol station, with construction expected to start in 2015.

Villeneuve d'Ascq is a new town located near Lille in the very north of France. The Beam will be icon of a larger urban generation effort in the town centre which is currently characterised by parking lots, large volumes and undefined green spaces. On an urban level the masterplan aims at a more sustainable form of development by densifying the town centre and adding identity and diversity to the site. The creation of pedestrian zones, and the demarcation and connection of the existing green spaces together also form part of the plan.

The parking spaces on the main square will be relocated into a 274 space underground car park on the new site. The adjacent buildings, which face away from the site will be extended to form urban blocks; each with a green patio at its centre. At the corner of the inner city motorway and the service road leading towards the main square of Villeneuve d'Ascq, The Beam will create an address for the town centre on the motorway.

The site, one of the few places visible from this sunken dual-carriageway, allows the town centre to be visible to drivers passing by. The project is currently under development and will contain offices, a hotel and some retail space with a total area of around 15,000 m2, and the underground car park offering 274 parking spaces. The team ADIM with MVRDV and co-architect Jérôme de Alzua beat four competitors in a competition organised by Commune de Villeneuve d'Ascq.

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The building is located in the market square of small Dutch town Schijndel, where MVRDV partner Winy Maas grew up. The town suffered damages during World War II, and Maas has been campaigning since the 1980s to replace a destroyed structure in the space between the church and the town hall.

Thirty years and six failed proposals later, the architects and the town council agreed to develop the site within the traditional building envelope specified by the town planners.

MVRDV reinterpreted this volume in glass, then compiled photographs of traditional local farmhouses by artist Frank van der Salm and created a collage of images to apply to each surface of the facade. Using a fritting technique the architects were able to print the images straight onto the glass, creating the illusion of brick walls and a thatched roof.

The building is out of scale with the original farmhouses, so it appears to be two storeys high rather than three, while visible doors measure at a height of around four metres.

"When adults interact with the building, they can experience toddler size again, possibly adding an element of nostalgic remembrance to their reception of the building," say the architects.

The actual windows and doors don't line up with the printed images, so entrances look like they pass through brick walls and windows appear as semi-transparent blobs.

Above: photograph is by Jeroen Musch

The architects explain that the building is "more or less translucent" and at night it is illuminated from the inside to appear as a glowing presence in the square.

Named Glass House, the building contains shops, restaurants, offices and a health centre.

MVRDV has completed a number of projects in recent months, including the new Oslo headquarters for Norwegian bank DNB and a public library inside a glass pyramid.

See more architecture by MVRDV, including the Balancing Barn holiday home.

Here's a project description from MVRDV:

Completion of MVRDV Glass Farm, Schijndel, Netherlands

Today RemBrand developers, the Town of Schijndel and MVRDV complete the Glass Farm, a multifunctional building in the village square. The building with a total surface area of 1600m2 contains shops, restaurants, offices and a wellness centre. The exterior is printed glass with a collage of typical local farms; a monument to the past but 1,6 times larger than life. This concept can be seen as a contemporary response to retro-architecture whilst respecting the public's wish for vernacular authenticity. In 1944 the small Brabant town of Schijndel which is the birthplace of Winy Maas suffered from WWII Operation Market Garden damages resulting in an oversized market square. In 1980 the then 20 year old Winy Maas urged the mayor to fill in the gap, 23 years after this first initiative the building is now completed.

Schijndel’s market square suffered from Operation Market Garden damages during the Second World War and has been subject to numerous enlargements and refurbishments. Winy Maas wrote a letter in 1980, and in 2000 the town council adopted the idea of a new structure in the square between the church, town hall and main street. MVRDV since then iteratively proposed new options that could fill the gap of this unusually large village square. The Glass Farm is MVRDV’s seventh proposal for the site, earlier designs included a theatre.

The village engaged vividly in the process resulting in heated debates, polls and polemics in the local press - by supporters and adversaries. The 1600m² building which is entirely covered by a glass facade consists primarily of a series of public amenities such as restaurants, shops and a wellness centre.

By coincidence, the maximum envelope that was defined by the town planners had the form of a traditional Schijndel farm. All remaining historical local farms were measured, analyzed and an ‘ideal’ average was conceived from this data. In collaboration with MVRDV, artist Frank van der Salm photographed all the remaining traditional farms, and from these an image of the ‘typical farm’ was composed. This image was printed using fritted procedure onto the 1800m2 glass facade, resulting in an effect such as a stained glass window in a cathedral. The print is more or less translucent depending on the need for light and views.

At night the structure will be illuminated from the inside, becoming a monument to the farm. At a height of 14 metres the Glass Farm is intentionally designed out of scale and is 1.6 times larger than a real farm, symbolizing the village growing into a town. The printed image follows this 'augmented history', with the superimposed farm door for example appearing 4 metres tall. When adults interact with the building, they can experience toddler size again, possibly adding an element of nostalgic remembrance to their reception of the building. To enhance this further, there will be a table and swing next to the building, a scaled up farmyard.

Above: photograph is by Jeroen Musch

Coinciding with the completion of the building, an exhibition opens in the local Museum Jan Heestershuis about Context and Authenticity. Later this year a book will be published by NAi Publishers exploring the development of the Glass Farm, including a literary description of the lengthy processes which lead to its realisation.

Above: photograph is by Jeroen Musch

MVRDV realised the building for RemBrand developers, a combination of Van Den Brand Real Estate and Remmers Construction Group, together with Hooijen Engineers, IOC Ridderkerk for installations, Brakel Atmos for the facade and AGC for the print.

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by MVRDV appeared first on Dezeen.

The irregular arrangement of the six-metre wide cubes creates recessed openings across the facade, which MVRDV has used to add sheltered terraces to each floor and a new route from the waterfront towards the nearby railway station.

"We started with a massive slab and by removing pixels one by one we were able to create an arcade, terraces, a public passage, etcetera," project architect Jeroen Zuidgeest told Dezeen. "By carving out volumes, we made sure every floor has access to interior and exterior terraces."

The DNB Bank Headquarters is located within the waterfront development of Bjørvika Barcode that MVRDV masterplanned in collaboration with Norwegian architects A-Lab and Dark Arkitekter. Each studio has designed one building for the bank and MVRDV's is the first to complete.

At 17 storeys high, the building provides over 2000 flexible work spaces for employees and each floor accommodates a series of glass cubes where staff can hold informal meetings, have lunches or take phone calls.

Wooden bridges and staircases connect the floors both inside and outside, and it is possible to walk up one side of the building to the canteen and then back down on the other side.

"On one hand, you have this proud, strong iconography, and on the other hand you're offered social spaces and human character on every floor," said Zuidgeest. "None of the floors are the same and when you manoeuvre through the building you experience how each floor has its own character and qualities; each one has its own surprises."

The building is already in use, although the complex is scheduled to open officially in May 2013.

Above: photograph is by Jeroen Musch

MVRDV has designed a few buildings with pixellated volumes, including a pair of skyscrapers that caused controversy for bearing a resemblance to the exploding World Trade Centre on 9/11. See more projects by MVRDV »

Above: photograph is by Jereon Musch

Photography is by Jiri Havran, apart from where otherwise stated.

Here's the full project description from MVRDV:

MVRDV completes DNB Bank Headquarters main building in Oslo

The central building of DNB’s new bank headquarter cluster developed by Oslo S Utvikling (OSU) is completed. The MVRDV designed main building has 17 unique floors and a surface of 36,500m2. The pixelated volume based on small-scale working units adapts to the various influences of the urban context, combining an efficient and flexible internal organisation with a variety of specific communal spaces such as the main entrance lobby, a transparent trading floor, a sheltered public passage, respect for urban view lines and collective terraces overlooking the fjord to the south. The glass and brick exterior expresses both the transparency and stability of DNB as a modern financial institution.

Above: photograph is by Jeroen Musch

The development of the new headquarter cluster is a strategic operation concentrating the DNB offices formerly spread out over Oslo at one location, aiming for synergy and a clear identity. The objective was to translate the social and democratic character of the organisation into a building with excellent working conditions and spatial qualities that would stimulate efficiency, identity and collaboration.

The design is based on an ideal work group of the bank, a pixel of 6x6 metres, whose versatility permits adaptation to the flexible nature of the organisation. Besides more than 2,000 flexible work spaces the building contains a panoramic 140 seat canteen on the top level, the executive lounge with a view over the fjord, the board room, in the heart of the volume DNB's trading room with 250 work stations, and the main entrance with the reception and access to the concourse that connects to the two neighbouring volumes. The collective spaces are connected by a staggered continuous internal route of collective terraces, all being executed as glass pixels, encouraging informal meetings and communication between employees.

Above: photograph is by Jeroen Musch

This route meanders from the reception upwards through the building, connecting all 17 levels office levels with the communal areas. A series of wooden stairs and bridges allow employees to switch levels or even to walk up to the canteen on one side of the building and down on the other side. The route accommodates communal areas to the office floors and is made homely with a series of pantries, informal meeting areas, reading-rooms, lounges and fire places. It gives access to the various outdoor terraces and roof gardens. All these collective spaces offer views to the surroundings and transparency from out side. The route is naturally ventilated and has a high performance glass fit for the cold Norwegian winter.

The generic office floors recline and are recessed in various places to answer to the urban context creating communal indoor and outdoor areas and outstanding daylight conditions. At street level the building volume is opened to give space to sheltered entrance zones, and intersected by a public passage creating a public route between Oslo Central Station and the fjord. The pixelated design allows this specific response whilst being highly efficient and flexible. As a result, every floor of the building is both unique and generic: the pixelated volume makes the generic specific.

Above: photograph is by Jeroen Musch

The structure is conceived as a steel rack wrapped in a brick skin, covering all exterior terraces, walls and ceilings with bricks, which adopts Norwegian environmental standards and gives a human scale to the building. It appears as a rock, a strong shape within the boundaries of the Barcode.

The international Norwegian financial institution DNB decided to concentrate their twenty office locations currently dispersed over the city in the Bjørvika Barcode, an urban plan by MVRDV / DARK / a-lab next to Oslo Central Station. In 2007, the masterplan team was commissioned by developer OSU to design the urban concept for DNB’s headquarter complex. A new cluster of three volumes (80.000m2) and a common basement with a 3,000m2 underground concourse, which interlinks the three buildings of the bank, was developed. MVRDV was commissioned as architect for the central main building and co-responsible for the urban concept and concourse.

Above: photograph is by Jeroen Musch

MVRDV has collaborated with Norwegian co-architect DARK Arkitekter AS and various Norwegian engineering firms. Project management is executed by Norwegian firm Vedal Project AS. The second building of the DNB cluster is designed by A-lab and the third building by Dark Arkitekter, within the overall Bjørvika Barcode masterplan. The cluster will be officially opened May 14th 2013.

DNB is the largest financial services group in Norway. The Group consists of brands such as DNB, Vital, Nordlandsbanken, Cresco, Postbanken, DnB NORD and Carlson. In 2003, MVRDV, together with Norwegian firms Dark and a-lab, won the competition for the Bjørvika waterfront development with the design of the Bjørvika Barcode; a dense, open and differentiated urban master plan along Nyland Allé, that is developed and realised by OSU in phases. DNB Life Insurance (DNB Scandinavian Property Fund) bought the 3 buildings last year for 4,8 billion Norwegian krone.

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by MVRDV appeared first on Dezeen.