Giles Miller Studio designed a single, curved pixel element and collaborated with metal manufacturers Tecan to create 2433 stainless steel and etched brass pieces for its exterior.

The metal pixels are arranged at angles over the curved surface, forming patterns that change according to light conditions.

"We wanted to celebrate Clerkenwell as an architectural hub," Giles Miller told Dezeen, "the target shape stamps the district on the map."

A bullseye of brass panels sits in the centre of the glimmering structure, placed in front of a stone gate that was once part of St John's monastery. "St John's Gate is very iconic," said Miller. "We enjoyed the contrast of what we do against the old brick."

The installation in the central London district is Giles Miller Studio's latest iteration of imagery created by pixellated or reflective surfaces. For last year's Clerkenwell Design Week, the designers created an archway from 20,000 wooden hexagons at the entrance to the Farmiloe Building and designed a bar for a former petrol station the year before.

This year's event continues until Thursday 23 May. Find out who is exhibiting here or register to attend here.

Dezeen Watch Store also has a pop-up shop in the Farmiloe Building at Clerkenwell Design Week, where we are presenting a selection of our latest and best-selling watches - more details here.

Photography is by Jon Meade.

See more design by Giles Miller Studio »
See more installation design »

Giles Miller Studio sent us the following information:

Giles Miller Studio and Tecan present The Heart of Architecture, Clerkenwell 2013

Critically acclaimed Giles Miller Studio is delighted to team up with British precision metal fabricators Tecan, in presenting ‘The Heart of Architecture’. This innovative installation has been constructed at the iconic Saint Johns Gate as a part of this year's Clerkenwell Design Week.

London’s Clerkenwell boasts the highest number of architects per square mile in Europe. The ‘Heart of Architecture’ consists of a giant sculptural target built to stamp Clerkenwell and its inhabitants on the world stage, and to represent this thriving area as the creative core of the British Architectural and Interior design world.

Giles Miller Studio has created this unique installation alongside Tecan, a precision metal manufacturer based in Dorset, who'se intricate and specialist manufacturing process has generated the latest in the studio's range of reflective surface systems.

Featuring Giles Miller’s signature technique of manipulating light and shadow to show intriguing imagery, the installation has been formed from thousands of systematically hand laid stainless steel and brass ‘pixels’. By angling the specifically designed elongated pixels at opposing angles the surface of the installation will become an observation of light and shade, reflecting and bouncing light patterns in a celebration of its historic yet creatively progressive surroundings.

The post The Heart of Architecture
by Giles Miller Studio appeared first on Dezeen.

Dyson, who lives and works near to the Royal United Hospital, said he hoped the new centre would be able to replicate the success of the Dyson Centre for Neonatal Care.

"Research has shown the incredible effect that a healing environment can have on recovery," said the inventor, whose best-known products include a bagless vacuum cleaner and a fan heater with no blades.

"This new cancer centre will use cutting edge technology and well considered design to improve the health of its patients."

By reducing background noise from hospital machinery and increasing natural light, doctors at the hospital found that the condition of sick and premature newborns improved substantially.

"We have been hugely impressed by the outcomes," Dyson said of the baby unit, which was designed by local architects Feilden Clegg Bradley Studios.

A study funded by the James Dyson Foundation, the charitable body set up by the designer, found that 90% of babies recuperating in the unit went home breastfeeding, compared to 64% in the old building.

Large windows and skylights increased natural light by up to 50% and exposed babies to changing outside conditions, helping them gain awareness of day and night.

Noise levels were decreased by over 9 decibels on average, helping babies to sleep on average for 22% longer than in the old unit, while nurses in the new building spent 20% more of their time with the newborns.

The cot rooms are arranged in a clockwise circuit from intensive care through to high dependency, special care, the parents’ rooms and finally home, so that parents can clearly track their baby's route to recovery.

Medical equipment is fixed to the ceiling and pulled down when in use, reducing clutter at ground level.

Dr. Bernie Marden, a consultant neonatologist and paediatrician on the ward, said the study had allowed doctors to build up an accurate picture of how babies respond to their environment.

"We have found that the design of the building is leading to better fed and better rested babies, contributing to their recuperation," he said.

See more of The Dyson Centre in our earlier post, published shortly after the unit opened in 2011, or see more hospitals and healthcare centres on Dezeen.

Here's more information from Dyson:

The Dyson Centre for Neonatal Care is leading the way in improving the quality of life for sick and premature babies. Pioneering research funded by the James Dyson foundation, has found that of babies studied, 90% recuperating in the new unit went home breast feeding, compared to 64% in the old building. The study also showed that babies are better rested – sleeping on average for 22% longer than in the old unit.

Through award winning architecture, the new Neonatal Intensive Care Unit (NICU) creates a healthier environment for babies, parents, and nursing staff. The project was funded in partnership with the NHS and private donations, including £750,000 from the Dyson family and the James Dyson Foundation. The building has a progressive layout. A clockwise circuit of cot rooms, starting with intensive care and leading to special care and finally home. This creates a psychological effect of development. Large windows give controllable natural light throughout, allowing babies, parents and staff to be aware of changing outside conditions, gaining an awareness of day and night.

The Research

A £100,000 donation by the James Dyson Foundation is enabling research to ascertain the full benefits of the new building. Collecting data from both the old building and the new, the hospital is building up a picture of the ideal environment for recuperation.

Consultant neonatologist and paediatrician, Dr. Bernie Marden said: "We have collated vast amounts of data using new techniques to build up a really accurate picture of how babies respond to their environment. We have found that the design of the building is leading to better fed and better rested babies, contributing to their recuperation."

James Dyson said: "New technology has been specifically adapted to monitor a baby’s sleep cycle and respiratory patterns in a far less invasive way than ever before. The findings show the way in which design and technology can have an effect far beyond the hands of a single consumer – aiding health."

Accelerometers measure speed and movement; they are used in aircraft and smartphones and increasingly in sports and athletics. Bath Rugby Club uses the technology to analyse player training techniques and fitness.

This research is the first in the world to adapt and use accelerometers to measure the respiratory and sleep patterns in a baby in order to monitor their reaction to the surrounding environment, using an extremely low power, self contained wireless device. Previously intrusive methods including ECG and information from ventilator circuits have been used to measure this.

The accelerometers have been found to be sensitive enough to provide remote and wireless respiratory information. Doing away with invasive tubing and tangled wires. This is a significant result which may allow for remote monitoring of apnoea, effort of breathing and the quality of sleep. The studied babies in the new centre were found to be asleep or in a restful state for longer than in the old building.

Infrared tracking technology was used to pinpoint staff movements in the building and test the efficiency of the design. The study found that nurses in the new building spend 20% more of their time in the clinical rooms, with the babies. Meaning more time spent caring for the babies.

Lux meters were used to take light measurements according to specific times, dates and outside weather conditions. Up to 50% more natural light was measured in the new building. This ensures a more natural circadian rhythm – allowing the babies, parents and staff to perceive the changing day, aiding the babies sleeping and eating habits.

Sound pressure level meter readings were taken and an average level for each hour was documented in decibels. Noise levels in the special care unit have decreased by over 9dB on average from those in the old building. It is suggested that the increased sleep observed in the babies relates to this reduction in background noise.

Cot side diaries used in the research captured the physiological state of the babies in each environment and the interaction of parents with their babies. In addition a qualitative aspect of the project measured how the ‘intervention’ (the building) affected parental and staff experience, taking the form of semi structured psychological interviews.

The post Dyson to build cancer centre after his
ward redesign improves baby care appeared first on Dezeen.

News: British firm Foster + Partners has unveiled plans for two residential skyscrapers as part of a mixed-use development in north London.

The skyscrapers will form part of a cluster of residential towers proposed for the City Road area in Islington, including Dutch firm UNStudio's Canaletto building and another proposed by US architects SOM.

The 250 City Road project, led by property developers Berkeley Group, proposes the redevelopment of a 1.9 hectare site currently occupied by a cluster of commercial buildings.

Foster + Partners' plans include 800 homes across two towers, which, at 41 and 36 storeys in height, would be significantly taller than any other buildings in the surrounding area.

Additional buildings containing shops, cafes, restaurants and a community space would be arranged around a central public park and courtyard garden.

Berkeley Group initially employed London practice DSDHA to explore the potential of the site before a public consultation in July last year, after which the project was handed over to Foster + Partners.

The project team, which includes landscape architects Gillespies, has now submitted the planning application to the local council.

Last month UNStudio unveiled its own plans for a 30-storey residential skyscraper on City Road, which studio head Ben Van Berkel introduced to Dezeen at the launch event.

Elsewhere in London, Foster + Partners recently received planning permission for three residential towers on the south side of the river Thames near Lambeth Bridge.

The firm also recently completed a new gallery wing clad with golden pipes at the Lenbachhaus art museum in Munich and an airport terminal under a canopy of domes in Jordan – see all architecture by Foster + Partners.

The post Foster + Partners reveals plans for
two London skyscrapers appeared first on Dezeen.

News: Swiss firm Herzog & de Meuron has been granted planning permission for a school of government and public policy at the University of Oxford, UK.

The £30 million Blavatnik School of Government will be built within the Radcliffe Observatory Quarter, masterplanned by architect Rafael Viñoly.

Herzog & de Meuron's building will appear as stack of discs decreasing in size, unevenly aligned to create overhangs and terraces.

Inside, the building will be arranged like "an auditorium or a concert hall", say the architects, with interconnected terraces stepping up from the ground floor to the upper levels.

Lower levels will house teaching and public spaces, while the quieter upper levels will be occupied by academics and research programmes. The top level will contain a library overlooking an outdoor terrace.

The building is expected to be completed in 2015.

The school was launched in 2010 with a £75 million donation by American philanthropist Leonard Blavatnik, and offers a one-year master's degree in Public Policy with a curriculum drawn from across the university.

Herzog & de Meuron was recently chosen to design the new National Library of Israel in Jerusalem and shortlisted for a new headquarters for the Nobel Prize in Stockholm, Sweden – see all architecture by Herzog & de Meuron.

Other projects at the University of Oxford include Zaha Hadid's under-construction centre for Middle Eastern culture and Rick Mather's extension to the Ashmolean Museum, completed in 2009.

Image is copyright Herzog & de Meuron Basel.

Here's some more information from Herzog & de Meuron:

Blavatnik School of Goverment, Oxford, UK

Project 2011 - planned completion 2015

"The Blavatnik School of Government will become a global centre of excellence for the study of government and public policy. The School's aim is to teach the practice of government and leadership in ways which will strengthen communities, create opportunities and foster cooperation across the world. The School offers Oxford University a new way to contribute to the world." - Blavatnik School of Government Brochure

Such a vision requires a specific response and building. Our starting point is from the inside, from the heart of the building, the Forum. This space cuts through the school as a vertical public space connecting all the levels and programs together into one whole. Central to a school of government is the idea of openness, communication and transparency, the central forum takes this principle literally by stitching all levels together. In the first instance the Forum provides access between spaces, but more importantly it provides congregation, meeting and social spaces. In our proposal its arrangement is in many ways like that of an auditorium or a concert hall with a series of interconnected terraces that step up from the ground floor all the way to the upper levels of the School. Each terrace could operate as a separate space, for example as a study area or as part of one connected whole volume for a larger presentation. The Forum will be a space that allows and positively encourages communication and discussion, formal and informal, planned and accidental.

The Blavatnik School of Government will house teaching and academic spaces which are supported by meeting, administration, research and service areas which are all connected by the Forum. At its lower levels, the building houses large public and teaching programs. The upper levels around are occupied by academic and research programs that require a more quiet atmosphere to foster focus and concentration. Crowning the School will be the library research tower which overlooks an outdoor terrace, Library Square to the north, and the whole of Oxford beyond. The School offers a wide range of teaching-space types from small flexible seminar rooms to larger flat floor teaching rooms.

Prominently located at the southwest corner of the Radcliffe Observatory Quarter (ROQ) the School will be the first building pedestrians, visitors and students encounter when approaching this quarter from the south. The School has the potential to become a gateway into this new part of the University and a symbol of its development.

The immediate context is a complex situation with the adjacencies of St Paul's Church and Somerville College to both sides and the Oxford University Press across Walton Street. The concept of the Forum in the interior sets the decisive and room-defining impulse for the entire building. This circular hollow also defines the exterior appearance of the school. Its cylindrical shapes show analogies to government buildings and universities in different places all over the world.

Our proposal of a series of shifted discs, pure geometric circles, is developed from the parameters of the site and plot boundaries. The shifting in floors creates overhangs and covered volumes and reflects the principles of the masterplan massing with the mass of the building moved northwest towards the centre of the ROQ site. The main entrance is located, in a classical manner, in the middle of the Walton Street elevation, centred underneath the main teaching floor of Level 1 whose circular geometry at Library Square is transformed into a rectangular form along Walton Street, resulting in a 'Sheldonian' like shape. The introduction of this orthogonal form addresses the historic setting in a classical manner, both continuing the line of the St Paul's Church portico and echoing the symmetrical entrance of the Oxford University.

With this proposal we aim to provide a project that can act as a focal point both for the Radcliffe Observatory Quarter and the academic activity of the study of government and public policy; a landmark building housing a ground breaking School.

The post Herzog & de Meuron wins planning permission
for Oxford university building appeared first on Dezeen.

Referencing ornate baroque decoration from the seventeenth and eighteenth centuries, Brazilian designers Fernando and Humberto Campana created a series of items from jumbles of metal emblems and figures.

Gold and bronze keys, leaves, animals and figurines were all welded together to create elements such as the legs of stone tables and furry chairs.

Shades for floor and pendant lights were constructed in the same way, while small gold crocodiles pile up to form one of the candle holders.

Crafted in a Roman workshop specialising in bronze work, the detailed pieces were first shown at The Museum of Decorative Arts in Paris last year, though the small tables are now on show for the first time.

The Brazilian Baroque collection will be on show at David Gill St James’s, 2-4 King Street, London, until 15 June.

The duo recently exhibited five beds including one surrounded by hairy curtains in Milan and a series of items for Louis Vuitton in Miami.

See more design by the Campana Brothers »
See more architecture and design exhibitions »

Read on for the full press release:

Campana Brothers to show new ‘Brazilian Baroque' collection in first show at David Gill St James's, 1 May – 15 June 2013

Bernini meets Brazil as David Gill Galleries prepares to host a major exhibition of works by the internationally renowned designers, the Campana Brothers. Entitled Brazilian Baroque, the exhibition opens at David Gill St James’s, 2-4 King Street, London SW1Y 6QP from 1 May to 15 June 2013.

This Brazilian Baroque collection takes its inspiration from the intensively decorative and sumptuous Baroque style of the 17th and 18th centuries, combined with the Campana Brothers’ own take on Brazilian art and culture. The collection includes new coffee tables, to be shown for the first time at David Gill Galleries, as well as a selection of works first shown at The Museum of Decorative Arts in Paris last autumn.

The Brazilian Baroque collection introduces a strongly theatrical, gothic and sensual element to the Campana Brothers’ distinctive style. The pieces on show revel in a sense of luxury, channelling the glories of the Rococo period and its sumptuous gold and bronze decoration.

Each piece is made by craftsmen in a Roman workshop, specialising in bronze work, demonstrating magnificent skill in welding together a jumble of decorative motifs – keys, leaves, cupids and crocodiles - to create organic and playful shapes which are combined with other materials. The Campana Brothers’ fascination with the natural world and their sense of humour can be clearly seen, for example, in the tiny, detailed crocodiles, which can be seen clambering up the stem of the Candelabro Coccodrilli

David Gill says: ‘The work of the Campana Brothers never fails to surprise us. Their choice of material, research and use of found and created objects makes their work new and contemporary.’

Using the purest traditions of craft techniques, the Brazilian Baroque limited edition series is a personal allegory celebrating the riches of the Campana Brothers’ style.

This exhibition of Brazilian Baroque by the Campana Brothers will be on show at David Gill St James’s, 2-4 King Street, London SW1Y 6QP until 15 June.

The post Brazilian Baroque by the
Campana Brothers appeared first on Dezeen.