Called Wouldn’t it be Nice… Wishful Thinking in Art and Design, the exhibition will feature changing content and performances during its run.
The show is on until 7 December. Above: Bless, N° Car Cover 35 Automatica, 2008
Above: Bless , N°35 Automatica, Remote Controlled Cars #03 Planter, 2008
Above: Tobias Rehberger, MoF 94,7 %, 2007
Above: Ryan Gander, If I could see but a day of it, (Multiverse), 2007
Above: Dunne & Raby and Michael Anastsassiades, Huggable Atomic Mushrooms, 2004
Above: Superflex, Burning Car (video), 10 minutes, 2008
Above: Alicia Framis, China Five Stars, 100 Ways to Wear a Flag, 2007
Above: Martino Gamper, Gallery Furniture, 2007
Photographs by Sylvain Deleu.
The following information is from Somerset House:
Constantly changing contemporary art and design exhibition at Somerset House:
Wouldn’t it be nice…Wishful thinking in art and design
17 September – 7 December 2008
Somerset House is to stage a major exhibition of contemporary art and design full of wit and subversion. Featuring new and recent work from 10 leading practitioners from the world of art and design, the exhibition explores the common ground between the two fields. The exhibition’s content will change and develop with a programme of performance-based installations during its run. Wouldn’t it be nice.. will also include new commissions from Martino Gamper, Bless and Graphic Thought Facility and the first UK showing of a new film by Superflex.
The MacGuffin Library
One performance-driven installation will involve the design and fabrication in the gallery of 20 objects using a rapid prototyping machine. The MacGuffin Library by Onkar Kular and Noam Toran is based on a concept attributed to Alfred Hitchcock; a MacGuffin is a cinematic plot device that exists solely to drive the story forward. Kular and Toran will write 20 film synopses and then manufacture the accompanying collection of MacGuffins.
Korean artist Chosil Kil will spend a week in residence in the gallery, building a cocoon from found material as part of her project building shelters which visualise her assimilation process as a foreigner arriving in London.
In the exhibition:
Jurgen Bey, Bless, Dexter Sinister, Dunne & Raby with Michael Anastassiades , Alicia Framis, Martino Gamper, Ryan Gander, Martí Guixé, Tobias Rehberger and Superflex. Commissions by Graphic Thought Facility and performance installations by Noam Toran and Onkar Kular, Chosil Kil, Ǻbäke and Europa.
The exhibition will show how contemporary art and design have recently been fostering some intriguing shared ideals; rejecting traditional definitions of their practice and instead treating their work as an investigation. The exhibition focuses on art and design’s cultural role as a medium for experimentation, and as a catalyst for change. The ‘wishful thinking’ in the title refers to a determinedly optimistic approach to production, whether political, sthan delivering straight answers, it offers a space for reflection.
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