Serpentine Gallery Pavilion by SANAA

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Japanese architects SANAA revealed their design for this year's Serpentine Gallery Pavilion yesterday. Update: this project is included in Dezeen Book of Ideas, which is on sale now for £12.

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The structure will consist of an aluminium canopy, reflecting the surrounding park.

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It will open in July and remain in place until October. This is the ninth in the gallery's annual series of pavilions - see the previous projects on the gallery website.

Here are some more details from the Serpentine Gallery:

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Plans revealed for Serpentine Gallery Pavilion 2009 designed by Kazuyo Sejima and Ryue Nishizawa of SANAA

Plans were revealed today for the Serpentine Gallery Pavilion 2009 designed by Kazuyo Sejima and Ryue Nishizawa of the leading Japanese practice SANAA. The Pavilion, which is sponsored by NetJets, opens in July on the Serpentine Gallery’s lawn where it will remain until October.

Describing their structure the architects said: “The Pavilion is floating aluminium, drifting freely between the trees like smoke. The reflective canopy undulates across the site, expanding the park and sky. Its appearance changes according to the weather, allowing it to melt into the surroundings. It works as a field of activity with no walls, allowing views to extend uninterrupted across the park and encouraging access from all sides. It is a sheltered extension of the park where people can read, relax and enjoy lovely summer days.”

Sejima and Nishizawa have created a stunning transparent Pavilion that resembles a reflective cloud or a floating pool of water, sitting atop a series of delicate columns. The metal roof structure varies in height, wrapping itself around the trees in the park, reaching up towards the sky and sweeping down almost to the ground in various places. Open and ephemeral in structure, its translucent and reflective materials make it sit seamlessly within the natural environment, reflecting both the park and sky around it.

The Pavilion will be the architects’ first built structure in the UK and the ninth commission in the Gallery’s annual series of Pavilions, the world’s first and most ambitious architectural programme of its kind that annually gives preeminent architects their debut in this country and brings the best of contemporary architecture to London for everyone to enjoy.

There is no budget for the Serpentine Gallery Pavilion commission. It is paid for by sponsorship, sponsorship help-in-kind, and the sale of the finished structure, which does not cover more than 40% of its cost. The Serpentine Gallery collaborates with a range of companies and individuals whose support makes it possible to realise the Pavilion.

Julia Peyton-Jones, Director, and Hans Ulrich Obrist, Co-Director, Serpentine Gallery, said: “Kazuyo Sejima and Ryue Nishizawa’s design embraces the parkland around the Serpentine Gallery as never before with an extraordinarily innovative design, which reveals the subtle play on light and perception so characteristic of their work. This Pavilion will be a wonderful addition to London’s landscape this summer. It is our dream come true.”

Separate areas within the Pavilion contain spaces for a café and an auditorium, where public programmes will be presented, including performances, talks, film screenings and a Poetry Marathon in the Park Nights at the Serpentine Gallery programme.

Sejima and Nishizawa’s pioneering buildings have created an architecture that marries aesthetic simplicity with technical complexity, defining a new architectural language, which plays with light and perception. Sought after by high-profile clients the world over, from the Louvre Museum in Lens, France to the New Museum of Contemporary Art in New York, USA, SANAA’s projects are open stages which make visible the connection between the built structure, the users and the natural environment. Sejima, who in her early days studied at the Japan Women's University and worked with architect Toyo Ito, designer of the Serpentine Gallery Pavilion in 2002, began collaborating with Nishizawa in 1995. Sejima and Nishizawa will work with the structural design and engineering firm SAPS, led by Mutsuro Sasaki, and with the Arup team, led by David Glover and Ed Clark with Cecil Balmond, to realise this project.

NetJets Europe is the title sponsor for the Serpentine Gallery Pavilion 2009. Mark Booth, Executive Chairman said: “Sejima and Nishizawa’s design for the Serpentine Pavilion 2009 is truly breathtaking. The incredible light and openness of the concept will make for a stunning structure which will raise the bar even higher for the much-anticipated Pavilion. Design is an area that we’re passionate about at NetJets: we’re firmly focussed on how we can bring world-class design to our customers’ flight experience; just as the Serpentine Pavilion brings world class architecture to London. We’re delighted to be a partner in this project and are looking forward to seeing the finished Pavilion.”

Arup Partner Ed Clark commented: “Arup's eighth year of commitment to the Serpentine Pavilion reflects our belief in the project and the positive experience our teams get from collaborating with some of the most exciting architects of our time.

This year's Pavilion does not disappoint and reflects the exciting dynamism that SANAA bring to all of their projects.”

Peter Rogers, Director of Stanhope, will donate his expertise to all aspects of the Pavilion. He said: “The Serpentine Pavilion is a unique project whose innovative and challenging designs transcend normal building projects as well as fusing art and architecture in an exciting built form.”

Serpentine Gallery Pavilion Commission
The Serpentine Gallery Pavilion commission was conceived by Serpentine Gallery Director, Julia Peyton-Jones, in 2000. It is an ongoing programme of temporary structures by internationally acclaimed architects and designers. It is unique worldwide and presents the work of an international architect or design team who, at nthe time of the Serpentine Gallery's invitation, has not completed a building in England. The Pavilion architects to date are: Frank Gehry, 2008; Olafur Eliasson and Kjetil Thorsen, 2007; Rem Koolhaas and Cecil Balmond, with Arup, 2006; Álvaro Siza and Eduardo Souto de Moura with Cecil Balmond, Arup, 2005; MVRDV with Arup, 2004 (un-realised); Oscar Niemeyer, 2003; Toyo Ito with Arup, 2002; Daniel Libeskind with Arup,2001; and Zaha Hadid, 2000. Each Pavilion is sited on the Gallery’s lawn for three months and the immediacy of the process – a maximum of six months from invitation to completion – provides a peerless model for commissioning architecture.

Park Nights, the Gallery’s acclaimed programme of public talks and events, will take place in Sejima and Nishizawa’s Pavilion, and will culminate in the annual Marathon event that takes place in October. In 2006 the Park Nights programme included the now legendary 24-hour Serpentine Gallery Interview Marathon, convened by Hans Ulrich Obrist and architect Rem Koolhaas, which was followed, in 2007, by the Serpentine Gallery Experiment Marathon presented by artist Olafur Eliasson and Obrist, which featured experiments performed by leading artists and scientists. In 2008, Obrist led over 60 participants in the Serpentine Gallery Manifesto Marathon.

SANAA
SANAA, the collaborative office of Kazuyo Sejima and Ryue Nishizawa, is a practice established in 1995. The firm, based in Tokyo, Japan, operates internationally with an aim toward a broad range of architectural projects, landscaping, planning, interiors, exhibitions, furniture, and product design.

SANAA’s buildings allow for unrestrained movement between spaces that are often free of structure, and that have no hierarchy of purpose. While their practice may appear to have a relationship to essentialist minimalism, their buildings are not a construction of ideal forms, but instead reveal a desire to make the components and spaces explicit.

Their built structures often appear nearly virtual, aspiring to the immaterial; viewers are invited to explore their relationship with their surroundings through transparent or natural boundaries. There is often accessibility from many sides, resisting the location of a primary façade or entrance, and the buildings appear weightless and open, embodying the characteristics of lightness and transparency.

Kazuyo Sejima and Ryue Nishizawa
Kazuyo Sejima (b. 1956, Ibaraki Prefecture, Japan) studied architecture at the Japan Women’s University before joining the practice of architect Toyo Ito. She launched her own practice in 1987 and was named the Japan Institute of Architects’ Young Architect of the Year in Japan in 1992. In 1995, Sejima, with Ryue Nishizawa (b. 1966, Kanagawa Prefecture, Japan), founded the Tokyo-based firm SANAA (Sejima + Nishizawa and Associates). Nishizawa studied architecture at Yokohama National University and, in addition to his work with Sejima, has also maintained an independent practice since 1997. He holds professorships at prestigious institutions such as Yokohama National University and the Ecole Polytechnique Fédérale de Lausanne.

Sejima and Nishizawa were jointly awarded the Golden Lion at the 9th Venice Architecture Biennale in 2004. Sejima is a Visiting Professor at Tama Art University and Keio University in Tokyo and, with Ryue Nishizawa, holds the Jean Labatut Professorship at the School of Architecture at Princeton University, New Jersey, USA.

SANAA’s numerous celebrated buildings include a satellite of the Louvre Museum in Lens, France; Toledo Museum of Art's Glass Pavilion in Toledo, Ohio, USA; the New Museum of Contemporary Art in New York, USA; and the extension of the Institut Valencià d'Art Modern in Valencia, Spain. In Japan, SANAA's work includes the N-Museum in Wakayama; the 21st Century Museum of Contemporary Art in Kanazawa; and the Onishi Civic Center in Onishi.

Serpentine Gallery
Kensington Gardens
London W2 3XA

More Dezeen stories about SANAA:

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Mies van der Rohe pavilion

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At Vitra Campus

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New Muesum of Contemporary Art

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SANAA Houses

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Products for Alessi

  • jack the ripper

    can ‘ t wait to see this – SANAA are the masters of elegance …

  • http://www.spacelab.co.uk nick lyons

    i may sound pessamistic here but how many “lovely summer days ” do SANAA think we get in england.

  • Luxury Larry

    Yes they are very elegant but am a little disappointed as there isn’t much going on with this pavilion as the previous one!

  • Philip t

    hah, very true nick, but I can imagine that the sound of a heavy burst of rain pummeling down on this roof would be quite spectacular also, I wonder how thin the aluminium is actually going to be?

  • R

    This must be an April 1st joke?!

  • zetre

    Well, if you want lots “going on” you shouldn’t hire Sanaa..

  • A

    There is a fine line between minimal elegance and banality…

  • http://jjohnson.carbonmade.com Jeremiah

    While I have never had the pleasure of visiting any of the previous pavilions, based on what I have read and seen of those, this one seems to fall short. Simplicity and poetic expression are beautiful qualities, but sometimes they can undermine the project. This seems to have that feel.

  • jack the ripper

    No A.

    banal means common , whereas elegant means tasteful or graceful .

    I don ‘ t see the analogy here.

  • nomad

    so this is for the ps1, right?

    does not live up to the past serpentine pavilions.

  • aphasian

    Cute photo!!! But the pavilion, while very SANAA, is merely a giganticized retread of Ron Arad’s 1994 Fondation Cartier installation:

    http://www.nickelinstitute.org/multimedia/magazine/June_2007/Ron_Arad/cartier-foundation-650.jpg

  • http://www.planet3studios.com kanwal

    graphics is not upto the task guys….seems someone has done ina hurry..

    looks incomplete…

  • msa

    you would think an eye-level rendering would be part of the first pass effort at describing the design intent.

  • http://www.edmundsumner.co.uk Edmund Sumner

    I didn’t know SANAA could smile !

    great scheme though

    how did they know we were heading for a scorching summer

    ???

  • http://dimitrie.wordpress.com/ didi

    I love dezeen comments. always informative, raging from the highly appreciative trend describers (with and without a solid foundation) to the very informative, influence-revealing ones filled with spontaneous and sincere criticism.

    Keep it up.

    About the current serpentine gallery pavilion, i probably would have failed a project with that kind of graphics, but probably in two years’ time this will be the big thing. Of course, there’s insufficient material available to fully judge it – just one small childish graphic is not enough to make sense of a project – but maybe this is part of the whole “concept”.

    adding it all up, it seems the answer is 42.

  • gaque

    i think the image is beautiful! its very clear of the concept. as for the design, im most curious as to how the columns will be, and how they connect to the aluminum surface. but guessing sanaa…it will be very thin steel columns with an invisible joinery to the aluminum plane. i also wonder how it will feel like underneath this canopy…it is just basically a canopy in the landscape huh? but graet!

    anyway this is a breath of fresh air for the serpentine gallery. the several past designs (except that round one with the screen-string facade) have been just egotastic excercises…large and in-charge kind of style. this seems like it would be very impressive and peaceful. less is more reigns further!!!

  • Fizz

    Beautiful roof… where’s the rest of the building?

  • kumakuma

    fizz, it`s not a building, it`s a pavillion.

  • tom