Film
Brad Pitt brought on as executive producer for Peter Zumthor documentary
Gothic romance and 1980s slasher films informed sets of Teenage Sex and Death at Camp Miasma
Architects will “cringe a bit” at design horrors in Backrooms says production designer
Frame in Frame installation showcases rediscovered Swiss films during NYCxDesign
How Kasra Farahani created a “mid-century modern future world” for The Fantastic Four
Cameras were “also the client” for Love Island USA villa
Ohio State design students bring beauty to sound effects with Foley instruments
“The Brutalist somehow manages to get the architecture all wrong”
“There is no more controversial style of architecture” says The Brutalist director Brady Corbet
Tim Burton design exhibition explores work and mind of “unique director”
Six visions of the future at Sydney Design Week
Production designer Naaman Marshall adopted “utilitarian” approach for Alien: Romulus
“As so often seems to happen, Koolhaas got there first”
Why are we obsessed with liminal space?
“Metropolis’s prophetic vision of chaotic skylines and unequal social conditions still resonates”
The Testament of Ann Lee painstakingly re-creates Shaker craft
“You create a world” for every Wes Anderson film says set decorator Anna Pinnock
E-1027 film “is a present” to Eileen Gray says director Beatrice Minger
“David Lynch was a superb director of architecture”
“As architectural drama The Brutalist does not wholly convince”
John Akomfrah and LG OLED present video installation at Frieze London
“Megalopolis is a reminder that the heroic conception of the architect is an intoxicating one”
Production designer Patrice Vermette put himself “in the position of the architect” for Dune
