Opinion: the fight for London's Aylesbury estate – a negative symbol of the Modernist-inspired drive to standardise housing design – is about saving the ideas not the architecture, explains Owen Hatherley. More about "The places people are staking their lives on now aren't architectural icons"
Opinion: the visual style associated with cinema's super-villains has been transformed into a marketable asset for house builders, says Owen Hatherley. More about "More frightening than American Psycho"
Opinion: the Brutalist architecture of 1960s British university campuses may not have been popular among students at the time, but recent styles of education architecture suggest a far more cynical approach, says Owen Hatherley. More about "The project of education-via-marketisation has had ugly results"
Opinion: an unloved relic of 1950s socialist Yugoslavia is one of the finest buildings of its era. But in modern Serbia, its overtly political message doesn't chime well with the prevailing ideology, says Owen Hatherley. More about "It's no surprise that the government were reluctant to let members of the public in"
Opinion: the refurbishment of London's Imperial War Museum by Norman Foster is a "botched" job, but it's hardly surprising given the UK's strange attitude to its own history, says Owen Hatherley. More about "So spectacularly ill-judged that you almost long for Libeskind's earnestness"
Opinion: Scotland once boasted its own distinct regional building styles, but since devolution began in the 1990s Scottish architecture has fallen foul of the profit-chasing short-termism that has blighted the rest of the UK, says Owen Hatherley. More about "What might the future of Scottish architecture be in an independent state?"
Opinion: sober, well-mannered and increasingly well made – London's new housing developments are hiding their yuppie-dom behind a polite facade of brickwork that wouldn't look out of place in the 1960s, says Owen Hatherley. More about "London's new typology: the tasteful modernist non-dom investment"
Opinion: it's easy to criticise the Design Museum for awarding Zaha Hadid's Heydar Aliyev Centre the Design of the Year prize, but there are plenty of other celebrated projects that should be attracting the same scrutiny, says Owen Hatherley. More about "What is it exactly we're protesting about?"
News: the way architecture is consumed through websites like Dezeen is "utterly disastrous", according to UK critic Owen Hatherley (above). More about Architecture "no longer interested in anything but its own image"