Universita Luigi Bocconi by Grafton Architects

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A university faculty building in Milan by Irish practice Grafton Architects has been named World Building of the Year at the inaugural World Architecture Festival, held in Barcelona last week.

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Luigi Bocconi University was praised as a "magical subterranean realm" by judges including Robert Stern, Richard Burdett and Cecil Balmond.

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Here's a statement from the World Architecture Festival, followed by some text about the building from Grafton Architects:

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Luigi Bocconi University, Milan, named World Building of the Year

Judges praise the “magical subterranean realm” created by Irish practice Grafton Architects

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The new faculty building at Luigi Bocconi University, Milan, designed by Irish practice Grafton Architects, has become the first World Building of the Year at the inaugural World Architecture Festival Awards (WAF Awards) 2008, at the Centre Convencions International in Barcelona.

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The judges praised the architects who, though not from Milan, succeeded in distilling the essence of the city into a confident, contemporary form.

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The building includes offices for 1,000 professors, 5 conference halls, lecture theatres, courtyards and concourses, all accessible to the public, with offices for teaching staff suspended above.

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The WAF Awards are biggest architectural awards programme in the world, designed to celebrate the work, concerns and aspirations of the international architectural community.

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Luigi Bocconi was selected by a super-jury chaired by Robert Stern, Dean of Yale School of Architecture, which included Cecil Balmond, Deputy Chairman of Ove Arup & Partners, Richard Burdett, Centennial Professor in Architecture and Urbanism at the London School of Economics, and Suha Ozkan of the XXI Architecture Centre, Ankara.

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They selected the project from a total of 17 finalists, whittled down from a shortlist of 224 projects that were presented during World Architecture Festival between the 22nd and 24th October.

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Speaking at the WAF Awards Paul Finch, WAF programme director and editor of Architectural Review, said: “Our congratulations go to Grafton Architects. The super-jury had an interesting debate, which could have continued for several days. The winning building has a heavy relationship with the landscape of Milan and has the capacity to make a profound difference to the lives of its users. Grafton Architects have opened up the past of the city with a 21st century attitude.”

Judge Cecil Balmond, Arup, admired “the 3D design which took architecture, construction and design, using it to create an urban weave. Its effortless structural solution suspends offices over a subterranean concourse.”

Directors of Grafton Architects, Yvonne Farrell and Shelley McNamara commented: “We are delighted to have won this accolade for what is the biggest project we have ever undertaken. We were trying to make the University a miniature city where public realm connects with the rest of the city and the campus provides a window to Milan. Being in the city for 6 years we have grown to love this project, which has changed our lives. A wonderful client, place and ambition all contribute to good architecture, and we had all three.”

World Architecture Festival, organised by Emap is one of the most significant dates in the global architectural calendar. It is the biggest architectural event in the world, which looks beyond borders to celebrate the finest work from the world’s greatest architects.

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Universita Luigi Bocconi, Milan, Italy
A Piece of City

We saw this brief as an opportunity for the Luigi Bocconi University to make a space at the scale of the city. To this end we have built at the scale of the site,80m x160m. Inside, our building is thought of as a large market hall or place of exchange. The Building’s hall acts as a filter between the city and the university.

A Window to Milan

The northern edge of the site fronts onto the artery of Viale Bligny, with the clatter of trams, the rush of busses, general traffic, people passing. It addresses the throbbing urban life of Milan, weaves into the mesh of the city. This frontage becomes the architectural opportunity to have a ‘window’ to Milan, a memorable image to confirm the important cultural contribution that the Bocconi University plays in the life of this city. For this reason, the public space of the aula magna occupies this frontage, asserting a symbolic presence and a register of the prestigious status of the University.

Social Lebensraum

The building is set back from the Viale Bligny & Via Roentgen edges to make a public space 18m x 90m inspired by the space forward of Hospital Maggiore.This new deep ‘finger’ of space reaches out to the city and beckons the visitor into the heart of the interior. This public space continues into the building, bringing with it it’s stone surface, the floor of the city.

Moving Skyward

In order to make this grand place of exchange we thought about the research offices as beams of space, suspended to form a grand canopy which filters light to all levels. The offices form an inhabited roofscape. This floating canopy allows the space of the city to overlap with the life of the university. Allows internal and external public spaces to merge.

The beehive world of the research is physically separate but always visually connected to the life of the lower levels

Undercroft

The underground accommodation is treated as an erupting landscape which offers support to the inhabited light filters above. Spatially this underground world is solid, dense and carved. We tried to establish a continuity between the ‘landscape’ of the city and the ‘made landscape’ of this undercroft.

Aula

The external wall to the sunken Aula Magna reaches the full height of the building with the upper level offices inhabiting it’s roofscape /attic. The full bulk and scale of this great room ‘the embedded boulder’ sits directly on the street edge and is the anchor for the totality of the building.

  • Keunert

    i dig the wooden model the most

  • Max

    well… World Building of the Year 1928.

  • ldogge

    dynamic…exciting…well done.

  • kingmu

    elegant… and completely respectful to the context of the location without being pap.

  • mias

    this is so fucking awesome.

  • windbag

    a bit Paul Rudolph, a bit some chunky goverment building of kazakhstan,
    I think it is meant to communicate to the students that the weight of knowledge will crush them eventually.

  • ditherer

    finally some real architecture

  • tiago

    loved it

  • One

    70″s, Brutalism. Obsolete

  • Martin R

    They are joking? Its so cold.. (unlike the model). It reminds me of my old polytechnic building.. a soul-less brown 1970′s heap of bricks. Insipid and depressing. Anything but magical.

  • dries

    did you already start to block the negative comments or what???
    can’ t believe so many people like this ‘most boring agressive building of the year’??? where s the human scale in this creepy dead volume

  • iamreply

    Love this. Sharp and timeless.

  • kolohe

    this building seems like it would fit perfectly in milan.
    dark, heavy, cold, scale-less…
    i agree with some earlier comments…pretty brutal.

  • findjohnmichael

    Maybe the nay-sayers would like a more synthetic/pop veneer to satiate their faddish appetites. There is NOTHING fleeting about this building. From inception to realisation it’s utterly thorough. The spark is in the way the massive program is dealt with volumetrically across the site – get your heads into the sections, they are stunning. Details are a tour de force also. Re the palette – it’s called restraint; durable, local and permanent – and undetracting from the impressive spaces they create.
    Did somebody say ‘heap of bricks’, epunch @ your brain pal – thats local stone broken worked mindfully in relief along the elevations to respect the existing street rhythm. Gad! Get to know it some.. then we’ll fu kung. Meantime, peace-love-peace-luuurve Grafton Architects

  • M

    Stirling-esque…

  • http://www.eatas.com.au Thiefsie

    Thank the lord some blob didn’t take out this award.

  • marcos

    hope to see more good architecture (like this) in italy again!

  • JuiceMajor²

    They must like Brulatistic architecture in Italy. On the positive note, how well-done is the model!!

  • http://bojanavuksanovic.blogspot.com bojana v.

    what a powerfull project.. (that is a compliment)

  • DJ Euro Stoxx 500

    The massing is quite clever…but the materials and color emphasize the building’s too-large scale.

  • tyk

    nice. those sections sound good too, findjohnmichael.

  • Richie

    This is sharp and confidently expressed, not brutal. Thank goodness they didn’t feel the need to wrap it in something or decorate it with shiny baubles. Moreover, kneejerk reactions based on a handful of photos are missing the point, the reason why the project won is the superb resolution of complex spatial relationships. The interiors look stark in the photos of course but this is a university that hasn’t opened for business yet, it’ll be softened with occupation.

  • Martin R

    @findjohnmichael,

    I appreciate its stone, but its monolithic treatment of the concrete and stone *remind* me of the scant disregard for human occupation as demosntrated by my old university. And please don’t think I’m advocating self-indulgent shiny baubles, simply human scale and respect of matierals.

  • ‘emCookies

    I went to this building today, from the far end of the street; which really is throbbing. The sidewalks are narrow, and you feel like part of the action inside of shops you pass. It’s crowded with trams and people. Then, the broken asphalt goes away, and you’re on the stone that also covers the building, the benches, and the drains, with lights recessed in it. The “finger” the size of the space in front of Hospital Maggiore has only size in plan in common – at Maggiore you have a lovely park with height in the trees, here it’s flat and sealed in stone.

    It’s a lot of stone veneer, not so gracefully handled at corners. The overhangs were protecting me from the rain, but were too far away to feel sheltering. The room to the far left of the model has artwork in it now that says “contemporary sleek boutique” it was empty, then people started leaving the theater and filled this room and surprisingly, when it filled up with people, it was colder! (There was a big event with dignitaries, etc., and a lot of people dressed in black.) Overall, this is a misplaced portion of airy airport terminal, with blinders on – it’s most open views are of itself. It misses the rhythm and scale of the street in activity, detail and life, and turns a lot of blank faces onto the neighbors.

  • john graham

    i am tired of this kind of modernism. why say a little when you can say a lot?

  • Katsudon

    One> 21th century brutalism is awesome! :-)

  • amin serulle

    I love this work … It’s great confronted with the context… Is Milan too cold that is not possible to have some green ? anyway is Great.