December 10th, 2008

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Designer Brittany Bell, a student at Victoria University School of Design in Wellington, New Zealand, has designed a conceptual seed archive.

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“Seeds will be stored in the event of a future apocalypse,” explains Bell, who goes on to say that “Structure is a plant that has grown from the city.”

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The following text is from Brittany Bell:


Every year more and more species of plants are becoming endangered or extinct.  The New Zealand government has proposed the notion to create a seed archive for the Pacific Region to house its native plants and preserve them for future generations.

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The major problem to overcome will be constructing architecture that will adapt to the changing and unpredictable future environment.  Therefore the architecture will mimic the architecture of a plant, as plants have the innate ability to adapt to their changing environment.  The architecture of the seed archive is in the form of a growing cytoskeleton of a plant.

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It continues to grow and adapt to prevailing wind, rainfall and sun exposure.  For example the wings on the sides of the structure are heat sensitive and move to accommodate the protected plants within.

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The funnel forms in the interior act as the main structural columns, but also house the large trees that need to grow upwards towards the sun.  The architecture will be able to grow and expand overtime and rely on element-sensitive technology to exist without human presence.

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Posted by Rose Etherington

73 Responses to “Seed Archive by Brittany Bell”

  1. zd_di_zd Says:

    oh,it’s perfect,i like it!very very nice!But,is it real building?And it is just concept?

  2. silicon m Says:

    a wonderous magical delight of structural fluidity,
    idealism has to be a place where realism needs to adventure.

    silicon m

  3. nFormas Design Says:

    Great images!!! (from Brazil)

  4. Marcus Says:

    All that work, and that’s what the staircase looks like?

  5. jason Says:

    This girl is amazing, I checked out her blog and although its new and has little content what is there shows a person of enormous talent. What a tremendous aptitude for visual arts and the architecture isn’t bad either. Very inspiring work.

  6. Alisa Tolich Says:

    Sarah Schneider???

  7. mhfhs Says:

    very, very, extremely scary looking

  8. LOW Says:

    Oh Zaha! what have you done to us all!? You have infected everything!

  9. kolohe Says:

    swoopy.

  10. Indi Says:

    A lovely conceptual bubble and a nice Bond villain lair, but what do you know about archives of any sort, especially seeds and light and heat? Or am I mising the fact that this is underground? Which is not really a great choice in NZ.

  11. B Says:

    never knew conceptual seeds needed so much space

  12. modular Says:

    Student work… nice job. Yet…. too much Zaha Hadid spirit on this.

  13. MCA Says:

    Nice renders, i can see some of Calatrava’s Lyon railwaystation in it too.

  14. skiliftsjenkins Says:

    really cool!

  15. dariusz Says:

    Fantastic visuals and great imagination. quite beautiful..

  16. Samuel Says:

    aaaa…Calatrava revival.

  17. joe hat Says:

    love the “schwarzwald” like balustrade on the spiral stair.

  18. millerighe Says:

    Beatyfull

  19. antonius Says:

    I agree about this staircase. So we are in this fluid period now. After stabling boxes. mmh………

  20. critic Says:

    zaha meets calatrava.
    incredible 3d skills, beautiful images, eye candy, but not more.

  21. Dekodex Says:

    Even if this is not for normal people nor for mass production i hope that this guy one day find investor that will spent millions for house like this. I would like to see this thing build becouse then everything appears…until that moment i will not critic this object. And floor plans will be useful in this moment also. Neo neo neo ultra baroque style strike back:) /srry for eng:)

  22. Dekodex Says:

    great appology for autor … woman. DKDX

  23. . Says:

    eh Lyon called-they’d like their station back please!

  24. stefan Says:

    this is what hadid’s and calatrava’s child would look like…..hmmmm

  25. michael Says:

    Since when do student projects deserve a publication on this website? especially when they are pale copies of zaha, calatrava and others famous stararchitects? Is this just the stararchitect system already starting from school level? Is it now time for the starstudents?

    My god… architecture is lost… dezeen should better try to publish real, true approaches like the ELEMENTAL project in iquique, chile… that one was different and fresh

  26. mike Says:

    nice images… although design plagurism + does good design not warrant at least a hint of practicality and logic, not just sculptural??? hmm

  27. shape Says:

    It looks like a soup with “secret” ingredient of Zaha, Ross Lovegrove, Hernan Dias Alonso, Calatrava, Sarah Schneider and many others who we dont know of course…

  28. Jovanny Says:

    It’s a fantastic job! I love it!

  29. SouL Says:

    oh com’on admit it guys…you are all jealous of not being able to produce such beautiful renders like this…including myself…I wouldn’t say it’s bad or is copied of someone else’s design…try to think out of the box…this girl is already hadid and calatrava…she’s going to be much more in few years…so I say all you guys who are criticising, you better get your tools right and get some work done at least at this level in the coming years…lozerz…

  30. norm Says:

    why does future have to be so white and glossy?

  31. rodger Says:

    i can’t believe the stupid comments on this site. is anybody here actually a practicing architect, design or otherwise?

    the simple reason this project looks like so many others like hadid, et al, is because these people use the same software and modeling techniques and many are following the same ideological trends.

    that said, i like this project more than most. its well done, especially noteworthy for a student project.

    credit has to go tot he spiral stair, it does a good job of anchoring this project in conventional space.

    … and the program actually fits the formal language, unlike that ridiculous piece of marina side architecture from yesterday.

  32. Cano Says:

    If Sci-Fi has taught me anything, it’s that apocalypses attract gigantic space monsters. Do the exterior “spikes” prevent gigantic space monsters from eating it?
    Also, if “plants have the innate ability to adapt to their changing environment” why is this facility necessary?

  33. g Says:

    I agree with michael – i don’t really see the point to posting this – yes, the work (form making, rendering) is absolutely well done, but I see no evidence that the designer has even vaguely approached how this project would work and this is fundamental to design. The form making is certainly advanced but without having approached any of the issues specific to the project, I don’t think it has much design merit.

  34. Richie Says:

    It’s a beautiful piece of (conceptual) sculpture, but it looks like it was designed in a vacuum.. Have things like the possible placing\context of it on a site, the relationship and function of zones and spaces and the needs of human habitation within the building been considered, or is it just an excuse to render some nice flowing forms? It’s hard to get much of a sense of how it would actually operate.

  35. *MIRTEC* Says:

    “The major problem to overcome will be constructing architecture that will adapt to the changing and unpredictable future environment. Therefore the architecture will mimic the architecture of a plant, as plants have the innate ability to adapt to their changing environment.”
    = very easy concept.. unfortunately this building will be static and the plants will keep on growin’..
    nice images though..

  36. Minto Says:

    I think this is amazing, whether it be Hadid-like or not. I think people need to realize student projects are done in short timelines, WITH other papers going on – and this young lady has created and rendered something superior and far more detailed than Zaha Architects!

    Program is very present, MVRDVs post the other day had no program whatsoever visible, and they published pretty tacky renders.

    Absolutely awesome, its very scary to think that these young guns are coming into the workforce soon…

  37. Joe Says:

    It looks neat, yada yada… WHERE DO YOU PUT THE SEEDS? Another complete design failure. Concept above function. This is completely impractical and seems to have completely ignored the purpose. It looks neat, that’s it. It certainly is not a worthwhile project, all waste no utility. Someone needs to crack open a fresh can of reality check.

  38. Tyler Martiné Says:

    The formal complexities are extremely compelling here, clearly you have significantly advanced Maya skills. Your renderings are also stunning, so you’ve mastered Maxwell too. It takes a lot of talent and hard work to produce imagery of this quality. Congratulations.

    Clearly you admire Calatrava’s station in Lyon, as well as Lovegrove’s stair in his studio. And yes, Zaha has managed to infect your brain too. But let’s be honest, all students copy their idols, in style, technique, presentation, and supporting theory. However, borrowing form is never and elegant solution. While it’s true Hadid and Calatrava have very distinct styles, the implementation of those styles is highly site specific. To understand these masters is to understand their thinking, their process, and to then implement it in your own way, given the terms of your specific brief.

    You’ve neglected to work through the conceptual basis for this project to the same degree to which you’ve studied it’s formal qualities. I think a seed archive is an excellent brief to explore (kudos to your tutor) invoking novel notions of security, lifespan, and climatology. But morphogenesis is difficult to flush out as a formal strategy. Rather than suggest that the building grows, or has wings that flap, I might suggest your notions of movement and responsiveness be implemented at a much smaller scale. In other words, think nano rather than macro.

    A wonderful project. Well done.

    A quick message to DEZEEN. Keep publishing student work. Especially at this level. It’s inspiring, impressive, and keeps those of us in practice on our toes.

  39. sam Says:

    Nice to finally see some stuff from New Zealand up here. Well done, there is a lot of talent here and it would be great to see more. Awesome work Brittany!

  40. Jürgen Says:

    There’s not a single human being in these renderings… ? But maybe it’s not designed to be used by people, only to be rendered so it looks good…

  41. Fbot Says:

    Brittany! Well done on a very interesting project. I think so more detailled info on how the seeds are to be stored/ accessed would have been useful.

    Have you seen this?

    http://www.expatica.com/de/news/local_news/Secure-seed-bank-to-open-in-Arctic-region-off-Norway-.html

    It is an actual seed vault in the arctic circle. Good luck

  42. Hayden Says:

    As an ex Massey/Wellington student its great to see this calibre work coming out of lil ol nz. I think the concept is great, and would be well received in NZ, the perfect environment to document a collection of nature ! Does the orginal designer have a specific location ? id be interested to know where bouts in NZ this could/would be built.

    I did read a quick comment on the stairs . . they’re quite obviously a clone of Ross Love groves carbon fibre ones . . (a great staircase to copy tho!)

    I agree with Tylers comment – i bet few of you will even produce this level of work in your professional practice. This no doubt was done in ONE year, more specifically 26 weeks, so no – not every detail will be resolved.

    What happened to allowing students to EXPERIMENT at university, or do you just want to teach them how to draw up concrete boxes clad with alucobond.

  43. Fbot Says:

    Some pics here

    http://www.flickr.com/search/?q=Svalbard%20seed%20vault&w=all

  44. Sophie Lanske Says:

    This should be in the top ten for 2008-09

  45. Bozo Says:

    New Zealand. Punching above their weight again.
    Must be somethin in the water.

  46. sc hu yl er Says:

    Well, let’s not get carried away and call Calatrava a “Master!”

    Very sexy indeed, but I’m never really sold on architecture that is said to be capable of “growing and expanding,” because frankly, that’s nothing particularly new; buildings grow and expand all the time. If anything, buildings of this kind of formal freedom are actually harder to make “grow”. It sounds great, but ultimately is just a way of saying that your design can magically accommodate anything, anytime, when in fact there is very little in the design itself that convinces me this is actually true.

    Really compelling though…

  47. jeeeek Says:

    Minto Says:
    I think people need to realize student projects are done in short timelines, WITH other papers going on….

    oh c’moooon, just wait until you are in the real world when all this nice-looking conceptual imagergy has to be done waaaaay faster than when you are a student because, yup, you gotta BUILD it in the real world…! And that means adding the functional and budget parts…. (oh, and you will have more than one project in real life too, trust me….)

  48. nikolay Says:

    you cant be serious ???

  49. Luxury Larry Says:

    This could be really good for a sci-fi movie.

  50. skilistjenkins Says:

    to micheal

    you stuffy old bum, lighten up
    no one but you can second guess what constitutes as ’starchitecture’ except the the indivual levelling the accusation. These large arch practices like zaha are making alot of money, sure, but they are also raising the profile of architecture, bringing it into the publics eye- you’re correct in some respects that their work might not have the pure integrity of some smaller more finely honed projects- but their net impact is none the less probobly positive. I know before and when i started my architectural education i was totally enrapt with architects like ghery – after becoming interested i became more impressed by the subtle and deep talents of other more obscure or respected architects.

    architecture often lacks vision and wild imagination as its strangled by stuffy purists – i’d far rather see blade runner-esque cities cropping up (roll on OMA) than endless purist toss-

    theres a balance – and a place for both – the worlds really large!

  51. skilistjenkins Says:

    typo:

    i meant to put

    architecture often lacks vision and wild imagination as its strangled by stuffy purists – i’d far rather see blade runner-esque cities cropping up (roll on OMA) than endless purist toss- BUT THATS ONLY MY PERSONAL PREFERENCE

    theres a balance – and a place for both – the worlds really large!

  52. pennguy08 Says:

    i see great maya skills. the form isn’t that novel.

  53. gaque Says:

    I’d like to comment on the actual aesthetics and architecture of this project, not the background of Zaha nor circumstances of student work…

    I think there are some interesting spatial proposals, namely the bridge that swoops over the ground. There also appears to be a variety of different sizes of spaces..big, small, medium, and with different light qualities.

    I think the notion of a place with seldom human presence is exciting. It is a bit like a resort, except peak season is only once or twice a year when scientists drop by.

    Where these images fail for me is the materiality. I think the singularity of this white, mirroring material is overbearing and underdeveloped. Whereas you have determinedly chosen glass, one of the most traditional buildings materials, you also selected an imaginative material. Its apparent that materiality was not a focus, but there is a strong disconnection between tradition and invention here. Does glass suit such a project…?

    While the interior perspectives are exciting, the storage of the seeds is still unclear. The exterior images are awfully unsuccessful, because they give no statement about the building…not even as an object. I gather very little quality from these outside images. I also find the detailing of the exterior too fussy. Not over the top, just fussy.

    The starting concept does not appear in the actual project, in my opinion. This idea to grow and adapt seems also underdeveloped, as there is no hint or drawing of growth. In urban design proposals, you often see boring phasing diagrams (5 years, 15 years, 50 years), but we are not even given such a drawing to inspect.

    In terms of rendering, there isnt too much skill involved here. Any architecture student with a day on the computer can make such renderings. The modeling however is definitely showing talent.

    You seem have to have placed quite a bit of importance on the natural daylighting. I wonder if your material selection has anything to do with this–the reflections make a well lit, diffuse interior environment. Did you consider other environmental factors?

    Thats all for now…more student projects! But please something not Zaha-inspired…please. It’s sexy, but getting stale like my baguette from Tuesday…!

  54. MaRiAnO Says:

    i would hire her as a render-girl/3d modeller for my office… as a designer never!! ;)

  55. Peanut Says:

    I just have to say I went to university with her and she is actually really, really hot too. Some people.

  56. togon Says:

    hmm, nice but do we really need to house a tree in a funnel?? Or protect plants from..SUNLIGHT & HEAT? that’s what plants thrive on, sunlight and heat..

    But, good effort nonetheless, seems like lotsa material reference were taken from futuristic laboratories.

  57. Lawr09 Says:

    this is zaha hadid with calatrava

  58. steven Says:

    a nice imagination…but is it posible??mayb no such thing call imposible for a designer..but,back to logic…u dont think it waste quite a lot of space??
    anyways,its a very amazing design…i lov eit too…hee…

  59. peridotprince Says:

    No plans? no sections? Nothing to really measure this out as a whole – its just a bunch of highly polished renderings. Sure its all there, but I really don’t get ‘why’ I should be looking at any of these scenes?

    Really the whole ’seed sanctuary’ thing is just tacked on after the fact as a way to explain the formal topologies and make it ‘programmatic’.

    Vapid.

  60. majestictopaz Says:

    To everyone throwing names of designers: dont forget Colani!

  61. Tajima Says:

    Sexy!!! Very very Sexy!

  62. Arash Dailami Says:

    It’s really outstanding.congratulations!

  63. benson Says:

    some good images here?

    http://sarah-schneider.blogspot.com/

    Well done… i see your work is getting further attention!!

    your project has,.. erm, come along way?

  64. MenaMac Says:

    I love this so much…colors and atmosphere is just stunnin’! This is best organic design of the year…..eat ur heart out zaha!

  65. Sam Says:

    Check out Design Advance January issue – this project features! The designer is also a feature in January CG Magazine.

  66. AbFab Says:

    LOVELY! HOT! SEXY! this girl is a genius!

    Check here blog – GOODNESS!

    Brittany Bell take over Zaha Architects, Please…!

  67. Guy Says:

    Santiago Calatrava… melted ;)

  68. w Says:

    How do I drive a forklift around in that?

  69. reece Says:

    I really like the “melted” aesthetic, as Guy correctly states. It really works this time (as generally modern architecture seems to get melted ever-so-randomly). I think it works because where the “white stuff” (unknown futuristic material) completely melts away it exposes the inner workings and structural details. I think the beauty of this project is really in the fine detailing. For example each stair case is very individual and obviously made from scratch, not just thrown in standard stuff. Great work – Bravo!

  70. Morrisey Walt Says:

    Holy mother of organic!

  71. NoArt Says:

    I like the fourth image down, great seeing a hint of program. Also like how their are no scale people, gives a really great sense of atmosphere. Nice rendering and modeling skills, theory I am not to sure about – but would love to see more.

  72. Andrew Says:

    Wonderful vision… well done!
    There appears to be nothing but praise and jealousy in the comments above…. two very flattering things for any designer to have bestowed on them and a true indication of success!!!!!!! ; )
    If any of the above ‘critics’ have had their own work published (here or elsewhere) I would be pleased to compare their work against this project!
    Keep up the good work Brittany!
    A

  73. Brian Says:

    DUDE,
    GREAT GREAT PROJECT! i CANT GET ENOUGH OF THIS FIGURATIVE DESIGN! i JUST WISH THAT THESE ARE NOT LOST IN DIGITAL TRANSLATION.

    ARE WE DOING OUR STRUCTURAL ANALYSIS? CAN IT BE BUILT.

    IF NOT, THESE VERY VERY COMPETENT AND CREATIVE ARCHITECTS SHOULD BE DOING INDUSTRIAL DESIGN! (AT LEAST WE CAN MOULD THEM IN ONE PIECE!)

    KEEP ON THE CREATIVE CREST!

    bRIAN

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