New World Centre by Frank Gehry


New World Centre by Frank Gehry

The New World Symphony's orchestral academy designed by Frank Gehry opened yesterday in Miami Beach, Florida.

New World Centre by Frank Gehry

Called New World Centre, the building includes a 756-seat performance hall surrounded by 'sails' that reflect sound and act as projection screens.

New World Centre by Frank Gehry

The 80 foot-high glass curtain wall displays activity within to the surrounding neighbourhood and is designed to invite passers-by to enter the main atrium, where tumbling forms enclose the building's smaller rooms.

New World Centre by Frank Gehry

The facade features a 7,000 square-foot projection wall onto which live concerts can be projected and enjoyed by visitors in the adjacent 2.5-acre Miami Beach SoundScape landscaped park, designed by Dutch firm West 8.

New World Centre by Frank Gehry

More about Frank Gehry on Dezeen »

New World Centre by Frank Gehry

Photographs are by Claudia Uribe unless otherwise stated. Drawings are courtesy of New World Symphony.

The information below is from the New World Symphony:


New civic and cultural landmark, designed by Frank Gehry in close collaboration with Michael Tilson Thomas, is the first purpose-built home for New World Symphony

New World Symphony, America’s Orchestral Academy, marks a new era for classical music with the inauguration of the institution’s first purpose-built home, an extraordinary new facility in the center of Miami Beach. Designed by Frank Gehry in close collaboration with the New World Symphony’s founder and artistic director Michael Tilson Thomas, New World Center opens up exciting new possibilities in the way music is taught, presented and experienced and dramatically advances New World Symphony’s mission to provide exceptional professional training for the gifted young music school graduates who are its Fellows.

New World Centre by Frank Gehry

“The opening of this extraordinary building is the beginning of a wonderful adventure and exploration,” said Michael Tilson Thomas. ”Not only are we marking a new era for this organization and giving our musicians an unrivalled facility in which to learn and achieve their potential, but we are also inviting everyone to experience classical music in a new kind of space—one that is designed to engage and to energize, and that will move people from around the world to think about music in new ways.”

At the heart of New World Center is a flexible and technologically sophisticated 756-seat performance hall, featuring large acoustically reflective “sails” that surround the audience with sound and also serve as video projection surfaces.

New World Centre by Frank Gehry

Above image is by Todd Eberle. New World Symphony founder Michael Tilson Thomas in New World Center Atrium

Directly adjacent to the 100,641-square-foot building is the new Miami Beach SoundScape, a landscaped 2.5- acre public space into which New World Symphony will extend its programming. Together, the building and the public space create a dynamic new city center and a geographical “heart” from which civic, cultural, recreational, tourist and leisurely activity will radiate.

Six days of opening festivities will showcase the new building’s remarkable capabilities. Events include the world premiere of a commissioned work for orchestra by acclaimed composer Thomas Adès; video projections within the performance hall, including a new work by filmmaker Tal Rosner and the world premiere of a series of animations developed in collaboration with the University of Southern California (alma mater of Michael Tilson Thomas and Frank Gehry) and its School of Cinematic Arts; outdoor video projections of a new work by Tal Rosner and digital artist C.E.B. Reas; an outdoor wallcast of a live concert; the introduction of new concert formats designed to engage and broaden audiences; an architecture symposium; live outdoor entertainment; and fireworks.

New World Centre by Frank Gehry

Above image is by Tomas Loewy. New World Symphony founder Michael Tilson Thomas in New World Center Atrium

Frank Gehry stated, “I am very proud of this building, which results from a close working relationship with my lifelong friend Michael Tilson Thomas and brings to life his dream for New World Symphony and the entire world of classical music. I hope the spirit of creative engagement that Michael and I have enjoyed will live on in the building’s spaces. They are designed to encourage young musicians, their mentors and their audiences to try new things, interact in new ways and remain open to new experiences.”

According to Howard Herring, President and CEO of New World Symphony, “What we have with the opening of New World Center is a set of unprecedented opportunities. Opportunities for the best young orchestral musicians in the world, our Fellows, to learn to surpass themselves. Opportunities for the public, inside and outside this building, to become engaged in the Fellows’ journey, and feel their thrill of discovery. Opportunities to reinvent, and reimagine, the way classical music is taught, performed, programmed and experienced. From the infinitely varied projections on the outside of this building to the dazzling array of configurations and visual experiences you see inside this performance hall to our amazingly flexible and advanced spaces for teaching and rehearsal and media, everything at New World Center is designed to open fresh possibilities, and to keep opening them, not just today but every day.”

New World Centre by Frank Gehry

Major components of New World Center’s program-focused design are: a soaring, 80-foot-high glass facade providing a spectacular entrance and views of activities inside a skylit atrium where playful, tumbling geometric forms delineate the internal spaces, and where the public may relax at an illuminated glass bar with a blue titanium canopy; the 756-seat performance hall, with acoustic design led by Yasuhisa Toyota of Nagata Acoustics; a giant, 7,000-square-foot exterior projection wall for outdoor video presentations, including wallcastsTM of live concerts; a rooftop terrace offering panoramic views of Miami Beach, the Atlantic Ocean and Biscayne Bay; a music library; and numerous practice and rehearsal spaces and technology studios wired with 17 miles of fiber-optic cable for high-speed Internet2 transmissions.

Miami Beach SoundScape, commissioned by the City of Miami Beach and designed by the acclaimed Dutch firm West 8, is located to the east of New World Center. To the west of the new building lies Pennsylvania Avenue Garage, a new 550-car parking structure designed by Gehry Partners, LLP. These facilities, combined with the building, comprise the City Center redevelopment project that is injecting fresh vitality into the architecturally historic district of South Beach.

New World Centre by Frank Gehry

Above image is by Todd Eberle

About New World Center

The New World Center is a unique performance, education, production and creative space with state-of-the-art capabilities, owned and operated by the New World Symphony. A global hub for creative expression and collaboration and a laboratory for the ways music is taught, presented and experienced, the new building will enable the New World Symphony to continue its role as the leader in integrating technology with music education and concert presentation. It will be used by the New World Symphony for educational activities, musical and related cultural performances and events, rehearsals, Internet2 transmissions, recordings, broadcasts and webcasts. The venue will also be available for third-party uses on a rental basis.

Dedicated to classical music’s power to communicate and connect, the New World Center is at once exceptionally transparent and outgoing. The 7,000-square-foot projection wall located on the right side of the façade brings what happens inside the concert hall to the event space outside. The main viewing area, ExoStage@Miami Beach SoundScape, can accommodate up to 1,000 people and is surrounded by an immersive sound system designed to look like two giant, gently curving ballet barres, providing a first-rate listening experience to audiences. In addition to offering wallcastsTM of concerts, the projection wall will show presentations including the site-specific video mural, video art, films and informational shorts.

New World Centre by Frank Gehry

The main entrance of New World Center is set in a soaring, 80-foot-high glass curtain wall to the left of the projection wall, providing uninterrupted views of the skylit main atrium and the dramatic, tumbling forms delineating the interior spaces beyond. The entrance is distinguished by a white, wave-like canopy and opens out onto the Mary and Howard Frank Plaza and Miami Beach SoundScape. Built with glass with no iron content, the curtain wall is utterly clear and disappears when lit from within— by the atrium’s skylight during the day and by theatrical lighting at night. When lit at night by the space’s architectural lighting system, the tumbling forms within the frame of the curtain wall take on the character of performers on a proscenium stage, turning the building itself into a performance. A 650-square-foot LED light field is positioned at the top of the transparent wall, announcing its programming, and the campus’s box office is located next to the main entrance.

The atrium immediately conveys the feeling that New World Center is a place to be used and enjoyed. The floors are polished concrete, the walls are painted drywall, and the seating consists of baby-blue banquettes with plywood backing. A large, illuminated glass bar with an undulating, blue-tinted titanium canopy is situated at the back of lively, light-flooded space. The atrium also features Taboehan (2003), a monumental sculpture by artist Frank Stella. Donated by Miami collector Martin Z. Margulies, Taboehan is the only work of art permanently on view at New World Center.

New World Centre by Frank Gehry

Above image is by Tomas Loewy

Among the principal spaces that open onto the atrium is the SunTrust Pavilion: a large, multi-purpose room for full-orchestra rehearsals, small performances, film screenings, lectures, business meetings and recordings, many of which will be free and open to the public. The east wall of the pavilion is glass, allowing passersby to see the activity inside and be encouraged to enter the building. An upper terrace permits people to observe the activities in the Pavilion without disrupting them, while offering an expansive view over Miami Beach SoundScape.

To reach the performance hall through the atrium, concertgoers pass through one of two softly lit, serpentine corridors that gradually narrow as they wind along, before opening again dramatically to reveal the hall. Visitors arrive into the space by the front of the stage, in the center of the 50-foot-high, circular hall where tiers of seats rise on all sides. From the first moment in the hall, the design makes people participants rather than spectators—and once the audience members take their places, they remain involved, since no one in this intimate, 756-seat hall is more than 13 rows from the stage.

New World Centre by Frank Gehry

The collaboration of Gehry Partners with Nagata Acoustics and Theatre Projects Consultants has resulted in a performance hall that is virtually unlimited in the experiences it can offer. The stage is comprised of ten platforms, each on its own mechanical lift, with fourteen distinctive configurations for all kinds of performance experiences, from a solo recital with cabaret seating to a full-orchestra concert. It is also possible to lower all of the platforms, retract 247 of the seats and turn the central space into a dance floor for the New World Symphony’s series of Pulse concerts. Four built-in platforms set throughout the hall serve as satellite stages, allowing the focus of a concert to shift from the main stage to another part of the room instantaneously, with only a lighting change. Large, curved acoustical “sails” on all sides of the hall double as screens for 14 high definition projectors, allowing New World Symphony to immerse audiences in a visual experience during a concert, or simply show brief program information on a single screen above the stage.

Natural light in the performance hall is afforded via an overhead skylight and a large panoramic window behind the stage, overlooking 17th Street. The hall’s seats are upholstered in mottled patterns of blues and white – specially designed by Frank Gehry and produced by Poltrona Frau – which are inspired by the building’s tropical location and intended to bring imagery of the water and sky of Miami Beach into the performance hall.

New World Centre by Frank Gehry

As a facility dedicated to music education, New World Center contains twenty-four individual practice rooms and four ensemble rehearsal rooms where individuals or groups can choose to work either within or away from public view. The technological infrastructure and architectural design also establish links between the activities in these areas and the building’s other public functions. The Knight New Media Center on the building’s third floor contains video and audio editing suites, where New World Symphony can capture, produce and then distribute the audio and visual recordings of concerts, master classes, conversations with guest artists and more. Some of this material will come from the performance hall, which has ten built-in high-definition robotic cameras that can record 360 degrees of concerts and events. Other material will come from the practice rooms and ensemble rooms—two of which are located near the Knight New Media Center on the third floor, wrapped within a structure called The Flower, which is visible throughout the atrium and beyond the curtain wall of the façade. A total of 17 miles of high-speed fiber optic cable runs through the building, allowing every space to be connected to a global audience through next-generation Internet2.

New World Centre by Frank Gehry

Click above for larger image

Capping the architectural design are the public and program spaces on the sixth floor: notably the music library (which will be frequented by the Fellows), the Patrons’ Lounge and the rooftop terrace with panoramic views of Miami Beach, the Atlantic Ocean and Biscayne Bay. The latter space will be used not only by the Fellows and staff of New World Symphony but by patrons and concert ticket-buyers.

New World Centre by Frank Gehry

Click above for larger image

About New World Symphony

The New World Symphony, America’s Orchestral Academy (NWS), is dedicated to the artistic, professional and personal development of outstanding young musicians. Founded in 1987 by Michael Tilson Thomas and Ted Arison, its fellowship program provides top graduates of music programs in the United States the opportunity to enhance their music education with the finest professional training. The New World Symphony’s success may be measured in part by its hundreds of alumni who are active in the music profession worldwide in nearly all of America’s major orchestras, and in symphonies and chamber orchestras in Europe, South America and the Far East.

New World Centre by Frank Gehry

Click above for larger image

As a result of its unique educational environment, the New World Symphony has achieved an international reputation for creating new models of orchestral training and performance. NWS has built a global community of the world’s finest performers, educators and composers who impart their knowledge and insight to the Fellows both in Miami Beach and via Internet2. In addition to presenting a full season of concerts from October to May in Miami Beach and Miami, the New World Symphony has performed in prestigious venues throughout the world, including New York’s Carnegie Hall and Avery Fisher Hall, London’s The Barbican, Paris’ Bastille Opera, Cité de la Musique and Opéra Comique, Amsterdam’s Concertgebouw, Vienna’s Konzerthaus and Rome’s National Academy of Santa Cecilia. The New World Symphony’s eight recordings to date encompass a range of repertoire, from jazz-inspired works to Latin American classics to music by contemporary American composers.

New World Centre by Frank Gehry

Click above for larger image

See also:


Dr Chau Chak Wing Building
by Frank Gehry
Lou Ruvo Center
by Frank Gehry
Duplex by Frank Gehry
for Make it Right

Posted on Wednesday January 26th 2011 at 11:21 am by . Copyright policy | Comments policy

  • Andreas

    I kinda like it :p

  • dan

    great project …compared to his previous disaster.

  • James Balston

    remarkably un-Gehry exterior

  • eduardo

    good decision to put all the crazy stuff inside the box. That"ll at least prevent the leaks… The final result is surprising!

  • Miguel

    More of the same…

  • jake

    what's surprising? gehry is not an architect but a form maker. we're in a recession now, he wants money (obviously) for his fartwork, so he will do anything to get it including make right angles at every corner.

    • James

      Either that or you're a moron.

  • robert owen

    i like the bar but apart from that it is going to go out of date extremely quickly like all ridiculous gehry buildings.

  • Dents

    I live in Miami Beach and can honestly say it's one of gehry's best in terms of how the building contributes to the overall city…also, the urban planing was spot on….running parallel to the building (east side) is a very nice urban garden by West 8 that only enhances gehry's architecture.

  • Wild, its like looking though a EXTREMELY wide angle lens!

    A performance would be quite spectacular in the main hall. I am sure is must be acoustically sound?

  • Phew

    What a relief – finally the wild forms have been caged and now they don't seem so bad after all.
    Just goes to show that a bit of self-control doesn't do any harm.

  • Dani Zoe

    I think this is the first building from Frank Gehry that I've liked in quite some time. And West 8 is always amazing!

  • Nino

    I'm enjoying how Mr Michael Tilson Thomas enjoyed having his picture taken so much that he decided he needed a costume change half way through… hahaha!

  • This has a surprisingly tame exterior form for a Frank Gehry building.

  • Jack McAdam

    Finally Gehry has finally created something that appears to work. That is what happens when he has a partner in decision making such as Micheal Tilton Thomas, who can go wrong in designing a concert hall with talent like that. I'm listening to the opening night live concert right now on PBS and it sounds great, I have no idea on how it sounds in the concert hall, maybe a little sharp for the brass the way it looks.

  • luxor

    it's a toned-down-gehry creation. it has an effect to people if you step out a little from your signature designs. i don't know if it's good or bad if you do so. *scratches head*

  • david

    What is with all the Gehry hating on this site?

    I attended a lecture tonight in New York given by Gregg Pasquarelli, the founding principal of Shop Architects. His firm was hired to design a controversial stadium complex in Brooklyn after Frank Gehry, the previous architect, left the project. Shop Architects asked Gehry for his blessing before they took the job. At tonight's lecture Pasquarelli said that "architects are not in competition with each other. We are in competition with mediocrity. "

    • Jobe E

      That's like a prizefighter saying he loves and respects his opponent…after winning the fight. He's standing there with the commission. What else should he say? "I hate Gehry and his turd-chitecture?"

  • rommy reyes

    Won't be surprised if he slowly goes back to his roots and restarts using back his
    plywood boards, chainlink, corrugated alum.sheets etc. That wil be real fun…start
    getting rid of those computers Frank.

  • Roger Emmerson

    Now, say thank you nicely to Herr Scharoun who did it better, sublter, earlier and without a computer. Just because a programme lets you do it is no good reason for doing so.

  • mcmlxix

    Now I like a lot of Gehry's work. Fred & Ginger is remarkable, and I live a mile from one of his crumpled cans (not a term of derision), but I'm beginning to ask myself whether his 15 minutes are over. If it is, that's fine. He's already has left his legacy.

    • david

      "but I'm beginning to ask myself whether his 15 minutes are over"

      Are you basing this on blog comments alone? Your Warhol reference speaks volumes. We really should be careful not to defer to the Starchitect media machine when trying to understand an architect's career. The recently completed Beekman Tower in NYC is gorgeous and the project in this article is being very well received. There has always been this part of the design community that denied the strength of Gehry's work and always will. We shouldn't confuse that negative chatter with an actual sense of slipping quality.

      • mcmlxix

        I guess what I’m saying is that when he entered his (essentially) deconstructivist phase, I thought to myself, wow, if Gaudi had been postmodern this is what his work would have looked like.

        But then my perception changed. Take the Weisman as only one example. When you’re inside, there is no integrity as to what’s outside. And actually what’s outside is really a red brick box with a lot of metallic bling on two sides. This is a slap in the face to the honesty and integrity of the modernism’s liberation. I’m reminded of all of the suburban McMansions that aren’t much more than large bland boxes with fanciful gables and a frontal facade of “architecture”.

      • mcmlxix

        I’m not discounting his talent and career. The Guggenheim is genius. The Pritzker Pavilion, Disney Concert Hall, and as mentioned “Fred & Ginger” are likewise brilliant…although I haven’t experienced the latter two in person. But with this new project, Gehry has turned in on himself and the resulting facade is showing through.

        I hope that his next project proves me wrong, but I’m genuinely asking myself whether he’s done all he can do. This honest and critical questioning is something I’m sure will not sit well with commenters here, who seem to reflexively vote up adulation and vote down any criticism.

  • Fizz

    Just beautiful interior forms! My only concern is the name 'New World Centre'. I know it refers to the New World symphony orchestra but as long as some thick extremist doesn't get the wrong idea……. Surely not.

  • Tom Chuckman

    Hate the bar, the built-in furniture is hideous, the concert hall mehhh. overall a 4 for Gehry. i like how those forms almost touch at that one point. that's it.
    that's also a big swath of glass facade for a bldng with such high A/C demands, being in Miami – guessing no LEED Gold on this one??

  • DGA_DieHard