House in Sri Lanka by Tadao Ando
photographed by Edmund Sumner


House in Sri Lanka by Tadao Ando

Japanese architect Tadao Ando has completed a concrete house on the edge of a cliff in southern Sri Lanka, writes Yuki Sumner.

House in Sri Lanka by Tadao Ando

Designed for a married couple, the three-storey house incorporates a glazed study for the husband and an artist’s studio for his wife.

House in Sri Lanka by Tadao Ando

Light floods into this ground floor studio though a two storey-high window, which is divided into four by a large steel cross.

House in Sri Lanka by Tadao Ando

A staircase wraps around this room and leads up to a first floor mezzanine.

House in Sri Lanka by Tadao Ando

The glazed study is located on the first floor and is accessed via a zig-zagging staircase, which ascends from the 20 metre-long living room.

House in Sri Lanka by Tadao Ando

Outdoor terraces also step between the ground and first floors, while an infinity pool projects over the living room roof.

House in Sri Lanka by Tadao Ando

Furniture throughout the house is monochrome, including a teak and cardboard table designed by Shigeru Ban.

House in Sri Lanka by Tadao Ando

Tadao Ando also recently completed a misty water feature in London - see our earlier story here.

House in Sri Lanka by Tadao Ando

Photography is by Edmund Sumner.

House in Sri Lanka by Tadao Ando

The text below was written by Yuki Sumner:

The House in Sri Lanka, or so called by the Japanese architect Tadao Ando who designed it, is set against a paradise on earth.

House in Sri Lanka by Tadao Ando

White sandy beaches, dotted with coconut palm trees and huts draped with leaves from these trees, weave in and out of cliffs in Mirissa, located at the southern tip of Sri Lanka. Crocodiles and water snakes splash in its rivers, black monkeys, wild elephants and even leopards roam freely on its land. Local fishermen languorously wait for fish to swim towards them on wooden sticks firmly wedged into the sand along the edge of the sea.

House in Sri Lanka by Tadao Ando

The name of the house is perhaps enough to suggest its majestic presence: clad in exposed concrete, the house perches on top of a cliff, as if it were indeed a leopard whose claws edge towards the Indian Ocean.

House in Sri Lanka by Tadao Ando

The house was a gift from a husband to a wife. Sri Lanka has been the Belgian couple's home for the past 30 years. The inscription on a slab of stone placed outside the house gate at the end of a meandering private road is almost too romantic for me. It says: “To Saskia.”

House in Sri Lanka by Tadao Ando

Pierre Pringiers is an industrialist who has successfully built up a regional tire-manufacturing firm into a global business that now supplies over 40% of the industrial tires worldwide. He wanted his wife, Saskia, an established artist, to have her own studio.

House in Sri Lanka by Tadao Ando

Pierre tells me: “One day I asked her if she were to choose her favourite architect in the world, who would it be? She said Tadao Ando.” The iconic images of Ando’s Church of Light, built in 1989, had made a deep impression on the artist.

House in Sri Lanka by Tadao Ando

With this house, Ando has evidently taken a slightly different approach from his previous work, which tended to be introspective, with only small gaps for light to seep in.

House in Sri Lanka by Tadao Ando

Here, the architect abandons the house to the elements of nature. Saskia, who finds inspirations for her artwork in “the sky and the sea of this tropical island,” wanted to see nothing but the sky and the sea from the house. Ando says he “aimed to create an airy architecture like many of the native houses.”

House in Sri Lanka by Tadao Ando

The architect has parcelled the house, which threatens to take off, into four different sections. One box contains the reception, kitchen, master bedroom and Pierre’s “mediation room,” while the one parallel to it contains four guest bedrooms, each one complete with a sea view and an en-suite. Another box, containing the elongated living room almost 20 meters long, dynamically slices through these two parcels of concrete at an angle. The window at the end of this box can be made to roll down and dematerialise into the ocean below.

House in Sri Lanka by Tadao Ando

The interstitial spaces, or what we call ‘ma’ in Japan, created by the criss-crossing lines, are cleverly filled in. A grand stairway from the entrance patio gently unfolds onto a large airy loggia, the sprawling of which is accentuated by an infinity pool jutting out at an angle in one corner. The pool sits atop the living room, which means that it is as long and expansive as the room below it. There is the feeling that the parcels in this house have been left open.

House in Sri Lanka by Tadao Ando

And indeed, the panorama from this open loggia spans nearly 360 degrees, over the Indian Ocean to the front and over the jungle at the back. Solid square columns of concrete hold up the horizontal rooftop, which is also made of concrete, while a mixture of timber and stone floors subtly divide the area into smaller, more manageable sections.

House in Sri Lanka by Tadao Ando

From this loggia, we can see Geoffery Bawa’s Jayawardene House in the distance. It was the last project that the singularly most revered architect of Sri Lanka had worked on. You begin to understand then that this house is Ando’s nod to Regional Modernism, the likes of which was embraced by Bawa.

House in Sri Lanka by Tadao Ando

Where should the focus of a house with no apparent end be? Pierre’s study is snugly fitted right in the centre of the house, created inside the interstitial space on the ground floor. It is a room made of glass, playfully reached via the living room through a zigzagging ramp, which wraps around the triangle void created by a well of intersecting angles.

House in Sri Lanka by Tadao Ando

Hundreds of miles away from Japan, we can still witness the perfect detailing Ando is known for. Never mind the fact that the architect had actually never set his foot on site; every nook and corner of the house is still cleverly accounted for. The near-invisible room is not, however, the anchor of the house, even if it is placed at the centre of the house. The tour of this sprawling house ends with Saskia’s studio, the raison d'être of the house. The studio is purposefully set apart from the rest of the house.

House in Sri Lanka by Tadao Ando

A circuitous route from the upper level down to the lower level of the studio, complete with a floating steel bridge at the middle of the room, adds to its heightened religious feel. Saskia’s studio has a resonance with Ando’s Church of Light, except that it is set in reverse. Unlike the living room, the large window at the end stays put and is fitted with a steel framework that forms a large cross.

House in Sri Lanka by Tadao Ando

Here, the cross is made not with light but with shadow. Furnishing in the room, as in the rest of the house, is monochrome, complimenting Saskia’s paintings, as well as Ando’s play of light and shadow. Top Mouton, the design company based in Belgium responsible for the interior fit out of the house, knew not to bother with soft furnishing in Ando’s house.

House in Sri Lanka by Tadao Ando

Jacob Pringiers, one of the couple’s grown children, has some of his collection scattered around the house. Shigeru Ban, another Japanese architect who ended up designing a house for the client’s other son nearby as the result of Ban’s meeting with the industrialist on a tsunami relief project, has custom-made the couple’s dining room’s table with a teak top and cardboard legs, all painted suitably in black.

House in Sri Lanka by Tadao Ando

Saskia’s artworks are hung on the wall. The artist paints directly onto unstretched canvases, which are then stored rolled up like the Japanese emaki. Interestingly, the sky and the sea of Sri Lanka are always painted in dark grey in her work.

House in Sri Lanka by Tadao Ando

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The darkness comes perhaps from the artist’s own acknowledgement that paradise is not what it seems. In 2004, the work on the house had to be temporary halted after the area was badly hit by the tsunami.

House in Sri Lanka by Tadao Ando

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Her husband immediately put an effective rehabilitation programme together, drafting, for example, the Belgium army to set up the emergency housing for the locals who lost homes. In the end, he was able to raise enough funds to build 700 permanent houses, as well as a new community centre and a Buddhist temple, a new village, in fact, tucked away in the hills, away from the threatening sea.

House in Sri Lanka by Tadao Ando

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David Robson, who recently published the monograph of Geoffery Bawa, writes that Regional Modernism “rejects the banalities of mass consumerism but welcomes the positive achievements of globalization, while seeking to support and revalidate local cultures.” The House in Sri Lanka similarly stands at the juncture where regional and global forces meet.

House in Sri Lanka by Tadao Ando

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Its success comes from a collaboration of people from all over the world. Two Japanese specialists, Kiyoshi Aoki and Yukio Tanaka, flew out from Japan to oversee the entire process of casting concrete, which required the position of every plughole to be exact. Such skills, heretofore unknown in Sri Lanka, have now been passed onto the local engineers and builders.

House in Sri Lanka by Tadao Ando

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PWA Architects, the local architectural firm, played a vital role as a mediator, relaying messages to and fro Japan. The project architect Hidehiro Yano from TAAA made many trips to Sri Lanka to check on the progress and be the eye of Ando.

House in Sri Lanka by Tadao Ando

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Although it was Pierre and Saskia who approached Ando, it was apparently Ando who made the final decision to work with them. It took Ando nearly three weeks to reply yes to their request, and only after insisting that the client write an essay about who they were and what they liked about the architect’s work.

House in Sri Lanka by Tadao Ando

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Ando has always insisted that as an architect, he is merely designing a box, that it is the client who puts the soul into it. In Pierre and Saskia, then, the ex-boxer-com-visionary architect has finally met his match. The result of the match is a tour-de-force of concrete, as uncompromising and defiant as the humanistic idealism that is behind it.

  • Chris Brown

    How would a family live in this concrete box?

  • I am a heavy fan of Ando. But here we find nothing special, not like Ando on another projects.

    • Jez

      totally agree with this…

  • H-J

    Cause nobody can do it like Mix Master can!

  • Not from Sri Lanka

    Love Sri Lanka, love the people, love the project. Great execution if you factor in the heat, humidity and island life.

  • Nazneen Saifuddin

    i am a fan of ando's but this just does not look right!

  • Domilly

    Quite simply horrible.
    Another example of a beautiful building which fails spectacularly as a
    Look at Wigglesworth Tills Stock Orchard St. for an antidote to the tightness of these
    so called places to live.

    Think about it would you want to live in a building designed by an architect?

  • edward

    Wish the plans were readable. Ando's bare concrete aesthetic requires a rigorous almost classical simplicity to be successful it seems to me. This house veers off into more free form and the results are depressing.

  • Bill

    Sprawling mess none of the finesse you would expect from Ando

  • how concrete can be beautiful is shown in this project……..

  • Eduardo Alvares

    I love Ando's work, but here he lost his hand: is ugly and not cozy at all!
    Who would like to live on a house like that?

  • How many of you have been to an Ando Building? Its not about cosy comfy carpeted nonsense spaces … Ando strips away the decoration of life and leaves a wonderfully simple and pure celebration of material, light and form … the cornerstones of quality, intelligent architecture.

    You need to see it for real to believe if.

    • Rupesh


  • alex

    Ando's small houses are well designed, beautiful, but this one seems too large, too extravagant, too institutional. It's not without its charms, but I just don't see a home here.


    Aesthetically YES, practically NO

  • nico

    Funny because when I saw the second picture I thought the gesture of having this linear mass peeking out over the cliffside and ocean was quite powerful. But when I saw the rest of the house I was completely turned off. The spaces and adjacencies are awkward and, in my opinion, feel too institutional (and sure, the clients might be all about it). Having said that, the house does have some great moments. The concrete work is impeccable, the lighting/shadows are graceful, and I would take that infinity pool any day. In my opinion, however, Lautner's Arango residence, similarly massive in scale, still achieves a sense of place that a home should have and that this home lacks.

  • That is ugly concrete. How to destroy the beauty of the space and surrounding nature – lump concrete all over the place. The staircase – full of concrete – yuk! Is that a home or a shopping centre?

    • scott

      Do you even have taste?

  • Beautiful design, but too stark for most people to call a home.

    • Sisira Jayasuriya

      Do you know of any other building in Sri Lanka that Ando has been involved in?

      • Nandana abeysuriya

        No. This is the only building designed by Ando in Sri Lanka. I was the structural engineer of this building.

  • yeahno

    Surprise it's concrete!

  • rodger

    the grand staircase photo and the pool to the beach photo are most striking.
    this ando has plenty of magic contrary to some commentators think.

  • The architecture is wonderful, but the building looks bleak and cold.

  • Tex

    Auch! I was a big Ando's fan at university and my architectural is undoubtedly changed now, but I think Tadao is now out of our time.

  • He did it again!

  • Ramon Jimenez

    totally agree with alex, looks like ando can’t deal with big houses…

  • James

    Well it's good to see that he took the cultural context into his design ( I am being Sarcastic). What is it with architects that fell they need to impose their self expression within an area, a place, and create something that just doesn't work. Maybe in Japan but not here. He has lost his touch

  • noyz

    Let's talk straight, big houses are not "sexy", it's quite easy to lose the human and domestic scale. Only a few achieve good results, the above mentioned Lautner, Wright…One of Ando's weakest moments.

  • Zeemmee

    concrete Fortress

  • archone

    Looks aesthetic and all. But there is no ‘human touch’ to it. Its virtually unlivable.

  • Luis

    Nice Museum !

  • Rob

    Did the developer run off with the money before it was finished? Seems a little insensitive to the surrounds for me.

  • It looks like Ando neglected the excellent location and dramatic view of the property. With such sweeping views of the sea and beautiful tropical weather, why did he not maximize the location, the view and the breeze? I hope there's a good reason why the owners preferred this cold concrete building which does not blend with the environment.

  • haimana

    from seen photos, seems that Mr. Tadao Ando hasn't met the angel of that place, this time. only they know why..

  • Lia

    Nice Idea ^^…
    Ando, I like his simplicity

  • Abel

    Maybe the problem is Ando never was there.

  • Adrian

    I dont know what you are all on about – I LOVE IT!

    I would definitely live in that house.

  • jzi

    very nice architecture, close yet open…it seems that it really don't have an enclosure between the interiors and nature… it may not perfect for others, but it is well designed. rakenrol ando!

  • chk

    The 1st floor plan is missing?

  • Iman

    Not homely at all. The attempt to make slabs of slate look at home on a tropical island is a grave mistake. Perhaps against an equally dull landscape, this house could have passed off as "elegant" but here, even if it had been smaller, it simply stands out as ugly. Tropical islands are all about vibrant colours… if you want to see large homes, aesthetically pleasing and simplistic though elaborate, homes that blend into the tropical environment that takes your breath away, no one can beat Geoffrey Bawa's homes…

  • Darshana

    Nice Layout,but when it comes up?i expected more and more from Ando to suit Srilankan context.

  • minh tran

    not interesting anymore ! he destroy the island

  • Sí huevón

    Ando haters: it's about experienced space. If you judge the building based on photos, you have much to learn about architecture. There's no way to know what the building feels like unless you've there. After that you can give a more honest opinion.

  • Saman

    I like Ando’s work but this is quite horrible. It’s alien to the context. The second picture shows it.

    How can a family live in this concrete box without using enormous amounts of energy in that hot and humid environment? If Ando respected the regionalism, he shouldn’t have transplanted this in a tropical context.