OMA/Progress at the Barbican

| 4 comments

dezeen_OMAProgress at the Barbican_26

An exhibition documenting the working processes of international architecture practice OMA opens at the Barbican Art Gallery in London tomorrow. Update: watch Rem Koolhaas give us a private tour of the show on Dezeen Screen

dezeen_OMAProgress at the Barbican_01
Photograph by Jim Gourley, courtesy of Barbican Art Gallery

OMA/Progress presents a diverse collection of over 450 items from the practice's archive including sketches, documents, photographs, models and material samples.

dezeen_OMAProgress-at-the-Barbican_32

The exhibition is guest curated by Brussels-based collective Rotor, who wanted to represent OMA's intense productivity with a dense mixture of objects and documents.

dezeen_OMAProgress at the Barbican_05
Image copyright OMA, courtesy of Barbican Art Gallery

Models of familiar buildings such as the CCTV headquarters in Beijing are accompanied by sketches and transcripts relating to unfinished projects.

dezeen_OMAProgress at the Barbican_21

At the entrance to the show is a free public gallery containing an index of all of OMA's projects, videos of lectures by the firm's partners dating from the 1970s to the present and a shop.

dezeen_OMAProgress at the Barbican_02
Prada Transformer/OMA image copyright OMA, courtesy of Barbican Art Gallery

The main space presents OMA and their current projects. A large projection scrolls constantly through every image saved on OMA's server at a rate of 20 images per second, taking 48 hours to reach the end of the loop of almost 3.5 million pictures.

dezeen_OMAProgress at the Barbican_12
Photograph copyright Rotor, courtesy of Barbican Art Gallery

Upstairs, exhibits are grouped according to themes such as movement or colour and material, while one room is completely covered in waste paper that Rotor collected from OMA's offices.

dezeen_OMAProgress at the Barbican_10
Photograph copyright Rotor, courtesy of Barbican Art Gallery

The sculpture gallery features a 1:1 plan of the firm's most recent project, Maggie's Gartnavel Centre for cancer care in Glasgow, which opened this week - see our story here.

dezeen_OMAProgress at the Barbican_04
Image copyright Rotor, courtesy of Barbican Art Gallery

The exhibition runs from 6 October until 19 February 2012. See all of our stories about OMA here and some initial photos of the exhibition in our Facebook album.

dezeen_OMAProgress at the Barbican_14
Photograph copyright Rotor, courtesy of Barbican Art Gallery

Here is some more information from the Barbican:


OMA / Progress
6 Oct 2011 – 19 Feb 2012
Barbican Art Gallery, London

Supported by the Embassy of the Kingdom of the Netherlands and The Netherlands Architecture Fund and the Graham Foundation for Advanced Studies in the Fine Arts. Additional support provided by The Netherlands Foundation for Visual Arts, Design and Architecture and the Flemish Representation in the UK.Media Partner: Icon Magazine

‘Every architect carries the utopian gene.’
Rem Koolhaas

dezeen_OMAProgress at the Barbican_03
Photograph copyright OMA, courtesy of Barbican Art Gallery

This autumn Barbican Art Gallery is transformed by a major exhibition on OMA, co-founded by Rem Koolhaas in 1975, one of the most influential architecture practices working today. Known for their daring ideas, extraordinary buildings and obsession with the rapid pulse of modern life, OMA play an active role in the architectural, engineering and cultural ideas that are shaping our world.

dezeen_OMAProgress-at-the-Barbican_31

OMA/Progress is the first major presentation of OMA’s work in the UK and is guest curated and designed by the Brussels-based collective Rotor, who were responsible for the much praised Belgian Pavilion at the 2010 Venice Architecture Biennale. With unprecedented access to OMA’s archives and daily practice, Rotor has created a revealing portrait of OMA. They have selected and presented a wide range of materials, relics, documentation, imagery and models, yielding fresh perspectives on OMA’s built and unbuilt projects and conceptual work. The result is an exhibition that invites the visitor to discover first hand the breadth and depth of OMA’s output. Rotor comments: This exhibition gives an outsider view on the inside of a particular architecture office. OMA/Progress is a portrait that consists mostly of found materials, materials that exist for reasons other than this exhibition. It shows architecture as a practice, a messy process that changes with every good project .’

dezeen_OMAProgress at the Barbican_06
Photograph copyright Philippe Ruault, courtesy of Barbican Art Gallery

Delving into the inner workings of OMA’s intense productivity, OMA/Progress features diverse projects and a range of unexpected objects, photographs, films and findings from behind-the-scenes at OMA. The exhibition, designed re-using the build and scenography of the previous installation, is in three parts; the public zone, which includes a browsable index of all OMA’s projects, videos of lectures given by OMA partners from the 1970s to now and an OMA shop including seminal books and an exclusive collection of prints. Three lower-level gallery spaces introduce OMA and their current preoccupations, including a raw sequence of every single image from OMA’s server – almost 3.5 million – that runs on a 48-hour loop. The upper level is dedicated to a collection of around 450 items that illustrate the history and current practice of OMA, ranging from the iconic – such as models of the Maison à Bordeaux and the CCTV headquarters in Beijng – and never-before-seen artefacts including unpublished manuscripts of a never completed book on Lagos, Nigeria, and the ‘secret room’, a space completely covered in the waste paper collected by Rotor from the OMA offices over a month-long period.

dezeen_OMAProgress at the Barbican_11
Photograph copyright Rotor, courtesy of Barbican Art Gallery

Further highlights include insights into recent projects such as Cornell University’s Milstein Hall and the CCTV headquarters in Beijing; recent competition entries like the Broad Art Museum in Los Angeles; and those that are on-hold indefinitely, like the Dubai Renaissance tower. The array of objects take in Koolhaas’s hand-written faxes; a guide for cutting the form of the CCTV building from a block of foam in four easy steps; samples of the skin of the Prada Transformer Pavilion (Seoul 2009); the personal travertine collection of OMA Partner Ellen van Loon; and paintings reproduced in fabric for a wall covering from Rothschild Bank HQ. Displayed on their own or in series, the exhibits tell revealing and often surprising stories about OMA’s unprecedented and intuitive ways of working.

dezeen_OMAProgress at the Barbican_13
Photograph copyright Rotor, courtesy of Barbican Art Gallery

Triggered by OMA’s preoccupation with architectural preservation, the west entrance of Barbican Art Gallery is opened up for the first time in the building’s history, making the exhibition spaces directly accessible from the Highwalks of the surrounding Barbican Estate. With the existing entrance also in use, visitors are able to freely walk through and occupy the space in the way originally intended by Barbican architects, Chamberlin, Powell & Bon.

dezeen_OMAProgress-at-the-Barbican_30

Installed on the Barbican’s Sculpture Court, the exhibition also includes a 1:1 footprint of OMA’s design for the Maggie’s Centre in Glasgow, allowing visitors the opportunity to walk over, through and around the plan to investigate and imagine the building themselves.

dezeen_OMAProgress at the Barbican_15
Photograph copyright Rotor, courtesy of Barbican Art Gallery

A programme of live events will tackle the question of progress in architecture and society and illuminate the work of OMA. The headline event, OMA: Show & Tell on Tuesday 25 October in Barbican Theatre brings together all seven partners from OMA for the first time in public, to examine and debate the nature of society, progress and the built environment across the world today.

The Office for Metropolitan Architecture, OMA, currently comprises seven partners and a staff of around 280 architects, designers and researchers working in offices in Rotterdam, New York, Beijing and Hong Kong. OMA/Progress coincides with a focus on the UK by OMA as it completes its first two buildings here: Maggie’s Centre in Gartnavel, Glasgow and the Rothschild Bank HQ overlooking the Bank of England in the City of London.

dezeen_OMAProgress at the Barbican_22

OMA

OMA is a leading international partnership practicing architecture, urbanism, and cultural analysis. Through AMO, its research and design studio, the practice works in areas beyond architecture that today have an increasing influence on architecture itself: media, politics, renewable energy, technology, publishing and fashion. OMA is led by seven partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten and Managing Partner, Victor van der Chijs. The work of OMA’s partners and Rem Koolhaas has received several awards, including the Pritzker Prize for architecture in 2000 and the Golden Lion for Lifetime Achievement at 2010 Venice Architecture Biennale. This is the first major exhibition on OMA following Content at the Neue Nationalgalerie, Berlin in 2003.

dezeen_OMAProgress-at-the-Barbican_28

ROTOR

Curators of the acclaimed Belgian Pavilion at the 2010 Venice Architecture Biennale, Rotor is a collective based in Brussels. Founded in 2005, Rotor is a collective of people sharing a common interest in the material flows in industry and construction. On a practical level, Rotor handles the conception and realization of design and architectural projects. On a theoretical level, Rotor develops critical positions on design, material resources, and waste through research, exhibitions, writings and conferences.

dezeen_OMAProgress-at-the-Barbican_29

BARBICAN ART GALLERY

One of the leading art spaces in the UK, Barbican Art Gallery presents the best of international visual art with a dynamic mix of art, architecture, design, fashion and photography. From acclaimed architects to Turner prize-winning artists, the Gallery exhibits innovators of the 20th and 21st centuries: key players who have shaped developments and stimulated change. Based within an iconic London landmark of considerable architectural interest and importance, Barbican Art Gallery has an international reputation for delivering agenda-setting architectural exhibitions designed to challenge assumptions and encourage debate. Previous architectural exhibitions include Future City: Experiment and Utopia in Architecture 1956 – 2006 (2006); Alvar Aalto: Through the Eyes of Shigeru Ban, (2007) and Le Corbusier – The Art of Architecture (2009).Architecture as Air, a new installation by Japanese architect Junya Ishigami is on show in The Curve until 16 October 2011.

  • edward

    While one is in awe of what Koolhaas has achieved in a œuvre, the pic with the sands of Arabia in the foreground, whatever it represents, stands as a testimony to the failure of society too achieve a mode of civilization that answers the requirements of humans so well achieved in past epochs.

  • roel

    the picture with the buildings in the desert shows that several modern architects have gone completely out of their mind. it's not about beauty but more about the weirder the better.

    • Steve

      but weirder IS better

  • Daryl

    This is one of the worst exhibitions I have been to about architecture. The curator (Rotor) should be highly embarrassed. Very disappointing assemblage of stuff; like a brain-dump gone bad. There is little descriptive text and non-architects will be simply confused. It exemplifies the us-and-them attitude not something I would have expected. OMA are influential but the connection between research and realised building is too great and the exhibition is confusing. I was bored and certainly not inspired… I am not the only one.