News: New York architect Steven Holl has won a competition to design four museums in Qingdao, China, with a concept for a series of "art islands" linked by a looping route of galleries and pathways (+ movie).
The Culture and Art Centre of Qingdao will occupy an 18-hectare site to the north of Jiaozhou Bay, creating a complex of museums dedicated to classic art, modern art, public art and performing arts.
Steven Holl's plan features a snaking tunnel structure designed to reference the form of the nearby Jiaozhou Bay Bridge - the world's longest bridge over water. This "light loop" will connect the four museums, accommodating a trail of galleries inside.
"The project starts with a very unique connection to Qingdao and the idea of actually connecting to the morphology of the Jiaozhou Bay Bridge," says Holl in a movie accompanying the competition entry. "It inspires the possibility of this whole project to become related to that linear idea."
Three of the museums will comprise cube-shaped structures positioned at intervals along the route, while the fourth will be positioned around a public square at the centre of the complex.
The surrounding spaces will be filled with gardens, pools of water and an outdoor sculpture park.
"There's a great porosity and a great fusion between the movement across the site and the movement in the gallery system above," says the architect. "It will have breezes coming in from the ocean that cool the entire landscape."
A mixture of sanded aluminium and stained concrete will be used to construct the new buildings.
Here are some extra details from Steven Holl Architects:
Steven Holl Architects Wins Invited Competition for the Culture and Art Centre of Qingdao City
Steven Holl Architects has been selected by near unanimous jury decision as the winner of the new Culture and Art Centre of Qingdao City competition, besting OMA and Zaha Hadid Architects. The 2 million sq ft project for four museums is the heart of the new extension of Qingdao, China, planned for a population of 700,000.
The winning design for the new Culture and Art Centre begins with a connection to Qingdao. The linear form of the Jiaozhou Bay Bridge - the world's longest bridge over water - is carried into the large site, in the form of a Light Loop, which contains gallery spaces and connects all aspects of the landscape and public spaces. The raised Light Loop allows maximum porosity and movement across the site, and permits natural sound bound breezes that blow in off the ocean to flow across the site.
Set within the master plan are Art Islands, or Yishudao, which take the form of three sculpted cubes, and four small landscape art islands that form outdoor sculpture gardens. Five terraced reflecting pools animate the landscape and bring light to levels below via skylights.
The Light Loop and Yishudao concepts facilitate the shaping of public space. A great central square for large gatherings is at the centre of the site overlooking a large water garden. The Modern Art Museum shapes the central square. The Public Arts Museum forms the main experience of entry from the south. The North Yishudao contains the Classic Art Museum, with a hotel at its top levels, and the South Yishudao, which floats over the large south reflecting pool, holds the Performing Arts Program.
In the Light Loop, all horizontal galleries receive natural light from the roof that can be controlled with 20% screens as well as blackout options. The 20 metre wide section of the Light Loop allows side lighting to the lower level galleries, and provides space for two galleries side by side, avoiding dead-end circulation.
The basic architecture is in simple monochrome of sanded marine aluminium and stained concrete, with the undersides of the Light Loops in rich polychrome colours of ancient Chinese architecture. These soffits are washed with light at night to become landscape lighting in shimmering reflected colours.
The entire project uses the most sustainable green technologies. Placed between the skylights on the Light Loop, photovoltaic cells will provide 80% of the museum’s electrical needs. The reflecting ponds with recycle water, while 480 geothermal wells provide heating and cooling.