Tom Ravenscroft
Tom is the editor-in-chief of Dezeen.
He holds masters in architectural history from both Edinburgh and The Bartlett, where his writing focused on the architecture of data centres.
Tom has worked for several publications in architecture and construction, including the Architects' Journal and Construction Manager. He has also contributed to RIBA Journal, Icon, BD, City Metric, Architectural Review and ArchDaily. Videos on the built environment featuring Tom have had over five million views on YouTube.
Follow Tom on Instagram and X (formerly Twitter).
Stories by Tom Ravenscroft
This week we revealed a treetop walkway in Norway
MSCHF creates microscopic Louis Vuitton handbag
Boano Prišmontas creates art gallery that “is unmistakably a barn”
This week we unveiled the 2023 Serpentine Pavilion
Norman Foster launches academic institute to “improve the quality of life in cities”
Lina Ghotmeh’s timber Serpentine Pavilion revealed
Philippe Starck designs school to “revitalise creative production in Qatar”
“We stand by our reporting” says Alison Killing in response to China criticism of Venice installation
The Line height “is a bit stupid” says Peter Cook
Bugatti unveils design for first residential skyscraper
Inverted neon house installed in Kosovo pavilion at the Venice Architecture Biennale
Venice Architecture Biennale “does not show any architecture” says Patrik Schumacher
Apple reveals Battersea Power Station store as latest “evolution of the Apple Store”
David Beckham designs pair of Maseratis informed by his “passion for classic cars”
Bjarke Ingels designs Vollebak Island home to demonstrate “philosophy of hedonistic sustainability”
Serpentine Pavilion “a reflection of the times” says Lina Ghotmeh
This week we revealed Philippe Starck’s Ecuadorian skyscraper
“Neom’s unwelcome presence in Venice reinforces the need for radical change”
Philippe Starck unveils design for Ecuadorian skyscraper
Eleven key pavilions at the Venice Architecture Biennale
Turkey presents Ghost Stories of abandoned buildings at Venice Architecture Biennale
The Line “does not touch the poetry of the desert” says Massimiliano Fuksas
