High-tech architecture aligned with the revival of Victorian values in the 1980s, but did not end up producing the factories of a new period of British creativity, says Owen Hatherley. More
Holly Brockwell is unimpressed by the sexist advertising for the gold folding phone launched by Pablo Escobar's brother, but is not surprised. More
Pantone played it safe and still missed the mark by picking Classic Blue as its colour of the year for 2020, says Michelle Ogundehin. More
Continuing our high-tech architecture series, Catherine Slessor looks at how the women in Team 4 helped shape the narrative of the movement. More
The leading parties' manifestos contain bold pledges that will change Britain's cities for generations, says Phineas Harper. He takes a look at the architecture and housing policies ahead of the UK's general election. More
Following protests about working conditions at well-known museums – like the Marciano Art Foundation and MoMA – Mimi Zeiger says it's time to address architecture's relationship to unfair labour practices. More
Tesla's electric Cybertruck is billed as a radical redefinition of the car, but in fact draws on old-fashioned ideas of escape, argues Elizabeth Bisley, co-curator of the V&A museum's new exhibition about car design. More
The current way architecture is critiqued and presented at biennials and exhibitions is ugly, but it doesn't need to be, argues Aaron Betsky. More
By voting for Brexit, the British people have shown a greater appetite for risk than the creative sector, which needs to take the public more seriously or risk becoming irrelevant, says Martyn Perks of the Dissenters Design Network. More
High-tech architecture has strayed far from its environmentally conscientious beginnings, but could rise again if it returns to them, writes Phineas Harper. More
In the wake of recent controversies surrounding the funding of major institutions – dubbed "toxic philanthropy" – we must rethink the system for supporting culture, says Forensic Architecture researcher Robert Trafford. More
Charles Jencks, the critic who helped bring postmodernism into existence, died this week. With populism on the rise, the pluralism of the movement is needed now more than ever, argues Owen Hopkins. More
Designers' efforts to reduce the environmental impact of their products are being hampered by confusion over terminology and rampant greenwashing, writes Marcus Fairs. More
Architects and designers can't design ways to protect mass terror attacks in America's public spaces, but they should join the fight to eliminate the problem at its cause, argues Aaron Betsky. More
As Poland goes to the polls on Sunday, the churches that were built in the 1970s and 1980s as a sanctuary against an oppressive state are now instruments in a political debate, writes Owen Hatherley. More
At a time when everything in the UK looks bleak, an environmentally conscious social housing scheme winning the Stirling Prize is a rare moment of hope, writes Piers Taylor. More
The use of facial recognition in Hong Kong and London's King's Cross demonstrates the need to control access to the technology in the same way other dangerous items are regulated, says Owen Hopkins. More
Measuring people's happiness with architecture is a step towards trying to control them, says Reinier de Graaf.
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Dulux chose Tranquil Dawn as its colour of the year for 2020, but something bolder would have better represented the year ahead, says Michelle Ogundehin. More
The pursuit of infinite economic growth is driving climate breakdown and producing ecologically toxic architecture, argues Phineas Harper, one of the chief curators of the Oslo Architecture Triennale. More
