Aaron Betsky examines the emergence and popularity of Jenga-style towers and pixelated buildings around the world, and hopes that future examples don't tumble into mediocrity. More
Despite changing needs and tastes, Venturi Scott Brown's threatened extension to the Museum of Contemporary Art San Diego warrants preservation simply because their names are attached to it, says Mimi Zeiger. More
Museum collections are being hijacked by political agendas, argues Owen Hopkins, and the recent battle to acquire the Trump Baby blimp is proof. More
Walmart's textureless surfaces are intended to look as cheap as possible. But surely, mulls Aaron Betsky, even a little tactility could improve the stores and other similar spaces without breaking the bank. More
Architects must consider not just the environmental, but the social and economic repercussions of building in places at risk from climate change, urges Jesse M Keenan, co-author of a recent study into Climate Gentrification. More
The Venice Biennale manifesto of Grafton Architects is proof that vapid commentary can diminish great architecture, says Owen Hatherley. More
The Cambridge Analytica scandal revealed how personal data is being mistreated. But used responsibly, this information could be hugely beneficial for developing our cities, says Eleanor Jolliffe. More
The internet offers a world of opportunities for architects, says Amanda Baillieu, but they have to learn to embrace it. More
Glasgow School of Art must be rebuilt, argues Mark Cousins, not just because it's Charles Rennie Mackintosh's masterpiece, but because it's an invaluable showcase for Scottish craft skills. More
Glasgow School of Art is gone, says Alan Dunlop, and to honour Charles Rennie Mackintosh's legacy, we need to come up with new ideas for its replacement. More
A new book that traces the rise and fall of New York design store Moss, written by its former owners, has made Aaron Betsky nostalgic for the "theatre" of retail they created. More
This week marked the 150th anniversary of Charles Rennie Mackintosh's birthday. But the Scottish architect would not be amused by the quality of Glasgow's new architecture, says Richard Murphy. More
When New York lighting studio Apparatus held a party themed around Tehran in the 1970s, guests turned up as camel salesmen and belly dancers. Designers should know better than to resort to such lazy cultural stereotypes, says Sina Sohrab. More
With the 16th Venice Architecture Biennale about to open, Sean Griffiths asks: is the era of the architect-personality finally coming to an end? And should we care? More
The cohesive core of Casablanca, Morocco, is unmatched by few city centres and shows how modernism can be used to its full potential on a large scale, says recent visitor Aaron Betsky. More
The late Will Alsop wasn't always right, nor was his work always great – but his wild imagination and generous spirit were much needed in British architecture, says Sam Jacob. More
Forensic Architecture's Turner Prize shortlisting is a warning for architects to be vigilant of the arts world co-opting their work as grisly entertainment, argues Phineas Harper. More
The sensual and autobiographical qualities of the house Mexican architect Luis Barragán built for himself are rarely found in today's buildings, says Aaron Betsky. More
High-tech architecture is not on the verge of a comeback. It actually never went away, says Owen Hatherley. More
The buildings of Facebook, Google, and Amazon reveal a lot about how these tech giants see themselves, says Owen Hopkins. More
