Bila used a flexible beech timber to create the ribbed forms, which recall organic structures like shells and skeletons. Swarovski crystals also line the thin edges of some of the pieces.
"The collection is an exploration of the ability of jewellery to enhance our perception of the human form," Bila told Dezeen. "Linear sculptures extend, encase, rest upon and surround the body creating a new human architecture."
Bila received a scholarship from Swarovski for the final year of her degree at Central Saint Martins and was also selected to participate in this year's International Jewellery London show as part of the Bright Young Gems initiative for new designers.
This week we've also featured a jewellery collection made from silicone rubber flaps that look like skin and nipples.
- Tenon by Yota Kakuda
- CDSea by Bruce Munro
- Ross Lovegrove exhibits sculptural light…s in Barrisol pavilion at Biennale Interieur 2014
- Hair Typography by Monique Goossens
- Stefan Borselius develops Tondo chair in…to sofa system for Fogia
- Any Kinda Tape measure by Sunghoon Jung
- Rewrite by GamFratesi for Ligne Roset
- Zaha Hadid to exhibit work by her favour…ite fashion designer
- Knitted tree and creatures by Donna Wils…on for the Stepney Green Design Collection
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