Art school extension with wooden stairs and
bridges by Feilden Clegg Bradley Studios

| 8 comments
 

A series of steel-braced oak staircases and bridges connect the different levels of this extension to the Manchester School of Art by Feilden Clegg Bradley Studios (+ slideshow).

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

London architects Feilden Clegg Bradley Studios designed the extension to link the original nineteenth century art school building to a 1960s tower, which was also refurbished as part of the project.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

A bank of lifts ascends from next to the entrance to every storey of the tower, with bridges and staircases helping to unite the old and new buildings.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

The new building provides additional studio, workshop and exhibition spaces for the school's 3500 students and features a seven-storey glazed facade, which creates an exhibition and events space that can be seen from the street outside.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Behind the gallery-like facade is a longer, lower building containing studios, workshops and teaching areas, which were designed in an open plan format to encourage interaction between students from the 30 disciplines that share the space.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

"Private spaces no longer exist," described John Brooks, vice chancellor at Manchester Metropolitan University, of which the art school is now a faculty. "What you'll find are lots of spaces that are intersected by passageways, walkways, stairwells and glass partitions, so whatever you're doing is almost like a performance."

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Referencing the aesthetic of traditional local warehouses, the architects applied industrial materials including concrete, steel and glass throughout the interior, while the open spaces and comprehensive use of glazing fill the building with natural light.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

"This building is all about light," said architect Keith Bradley. "The way that we've created a series of cascading floorplates, almost like a landscape of floors, allows light deep into the space so that we can still get the combination of people working together but also get good natural daylight."

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Concrete is treated with different surface finishes to demarcate the spaces; smooth in most areas, but with a rough texture created by casting it against chunky chipboard on the walls of the staircases.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Four of the double-height columns inside the studio and workshop building feature a decorative pattern that was produced during the concrete casting process. The pattern was designed in the early twentieth century by Lewis F. Day, a former tutor at the school.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Oak was used to line the staircases and linking corridors, and provide a warm and tactile contrast to the raw materials that dominate the interior.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Photography is by Hufton + Crow.

Here's a project description from the architects:


Manchester School of Art

Context

Celebrating its 175th birthday in 2013, Manchester School of Art is one of the oldest institutions of its kind in the UK. The school was established in the 19th Century to help keep the region competitive in an international market and support regional industry in a wider marketplace.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Now a faculty of Manchester Metropolitan University this remains an important objective for the Art school and a key part of the brief was to help the school bridge the gap between education and professional life.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

The new building celebrates the inter relation of the various art & design disciplines and encourages 21st century students to work alongside each other and enjoy the crossover rather than concentrating always on the differences. With a huge front window, it is also a building that is proud of its product and shows the work to everyone who passes by.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Now one of the leading Art & Design courses in the country, the School has around 3500 FTE students across its various disciplines. Housed within a range of late Victorian and post-war buildings, the School forms the southern edge of All Saints' Park, a green square at the heart of the city centre campus. The Art School Extension consists of an 8600-metre-squared new building of studios, workshops and a gallery; and a 9000m2 refurbishment of a 1960s Arts tower and plinth.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Concept

FCB's design of the Manchester School of Art has provided an engaging and lively environment in which to work and study and helped re-assert both the art school and the university's profile on the national stage. The Dean of the School, Professor David Crow, describes the scheme as "a hugely exciting arena where anything is possible and everything is relevant."

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

The working heart of the building comprises open studios, workshops and teaching spaces (known as the Design Shed.) A second element is a seven storey Vertical Gallery. This is the linking piece between the existing 1960s arts tower (known as the Chatham Building) and the new studio building. This vertical gallery provides a showcase space for the output of the School and acts as a shop window to the school itself.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Hybrid Studio Space

The open studio space places a great focus on collaborative working in an atmosphere that is inherently creative. Students and MSA staff from a broad spectrum of contemporary design disciplines can work on projects in close communal proximity. This proximity encourages the sharing of ideas, techniques and methodologies in a way that was previously impossible.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

The Hybrid Studio is also an environment in which students can proudly display their work in a setting that is light and easy to explore.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Materials

As a building for designers, and a place for teaching and learning about Art & Design the clarity and articulation of materials was crucial, as was the tonal and textural quality of the interior. The interiors are a study in concrete, with three distinct grades creating different atmospheres. Rough is used in back stairwells giving a sense of rawness and a factory aesthetic; double height cast concrete columns articulate the central spaces of the design shed, punctuated by four very special decorative concrete columns which were developed from an early 20th century wallpaper design by Lewis F Day, an eminent designer of his period, contemporary of Walter Crane a tutor at Manchester School of Art.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

A secondary but important material is the use of oak linings to the stairs and linking corridors which span the vertical gallery. These provide a warmth to soften the hard edges of steel and concrete which form the structure.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Collaboration

Working with clients who are artists and designers on a building for training artists & designers was a wonderfully rich experience for us. The level of collaboration was exceptionally high and we worked with the client by testing processes, recrafting ideas and always seeing the design as an iterative, creative process.

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

Client: Manchester Metropolitan University
Construction value: £23 million
Commissioned: June 2009
Construction Start Date: April 2011
Completion: April 2013
Project Gross Area: 17320sqm
Cost Consultant: Turner and Townsend
Contractor: Morgan Sindall
Structural engineer: Arup

Manchester Metropolitan University art school extension with wooden stairs and bridges by Feilden Clegg Bradley Studios

  • gonzalo

    How did you manage on such a low budget? Or are those numbers wrong?

  • Simon

    That staircase in the first couple of photos is far too narrow, especially in an art school when people are often carrying things. Are you supposed to wait if you see someone already using it?

    • bob

      It’s ok, you just shuffle past like a crab. Actually very few people use the staircase. It’s an 8-storey building so people head straight for the lift. It’s a massive waste of space, but it looks good.

      • Guest

        “It’s a massive waste of space, but it looks good” – sounds like Whitehall.

  • Ex Student

    “Private spaces no longer exist.”

    As an ex-user of the building, I can tell you it isn’t helpful when other students are selfish with the space. Before the building we all had places to work, now most retreat to home where it’s quiet and there’s always a place to work!

  • generalpopulation

    To be an art student.

  • Student

    Yeah it’s more like a giant cafe than a place to work

  • h30

    Nope, he said – ‘looks good’