This brooding electro-pop song is by a UK duo called Twin Pod Cloud Car. Taken from their album Don't Panic, Gravity combines a ferocious electronic beat with chant-like repeating vocal melodies and lyrics that provide, in the band's own words, "a simple science lesson".
We continue our exploration of tracks by artists on music label Anova Music with this enchanting song by Israeli singer and actress Efrat Ben Zur. Bee is Ben Zur's lulling, almost hypnotic interpretation of the Emily Dickinson poem Bee! I'm Expecting You, and is taken from her 2012 album Robin, which contains eight other Dickinson poems set to music.
Our second track of the week from Israeli music label Anova Music is a summery, psychedelic pop song by Tel Aviv-based band Underwater Firemen. With its hazy harmonies and wall of fuzzy keyboard and guitar sounds, Burning Flowers wouldn't sound out of place on an Of Montreal or Animal Collective album.
Make sure you check out yesterday's track by another Anova Music band called Kitzu, and head over to Anova Music's Soundcloud page to hear tracks by the other artists on their books.
Israeli music label Anova Music have sent us over so many great tracks recently that we couldn't just choose one, so we're going to feature a track by one of their artists each day for the rest of the week on Dezeen Music Project.
First up is this slick track by Jerusalem-based band Kitzu. Taken from their recently released debut album, Going Far combines glitchy, post-rock instrumentation with a solid bass groove and infectious vocal hook.
We've been getting a lot of great remixes submitted to Dezeen Music Project recently, and this one by It Takes Two to Tango is no exception. The track is a competition entry in an Indaba Music contest to remix Settle Down by New Zealand singer-songwriter Kimbra, a voice you'll recognise from Gotye's 2011 hit Somebody That I Used to Know.
This song by Moscow-based musician Jekka shows what you can do with just a laptop, a microKORG and some talent. Layers of looped vocal samples and a full-blooded synth bass combine to provide a platform for Jekka's powerful, dynamic vocal melody. It's a bold and energetic style that draws favourable comparisons with the excellent Tune-Yards album of last year.
The remix builds on the original track's reverb-drenched vocals, but breaks up the wall of post-punk distorted guitars underneath to end up with a track that's lush, ethereal as well as a little bit glitchy.
Dezeen Music Project was behind the decks at PearsonLloyd and Bene's Docklands preview at Hackney House last night. You can check out a few snaps from the event on Facebook here.
This lo-fi track by Yair Kass went down well with the crowd, who were clearly feeling the vintage vibe. As with his track End of the Day that we featured earlier in the year, Baby on My Back gets its retro feel from the old 70s keyboards Yair Kass exclusively used to make it.
We've got a four-day weekend to look forward to here in England, so we thought we should find an upbeat track to end the week on a high with. BEAKR haven't let us down before in this respect, and this remix of a song by Chicago three-piece The Welcome is no exception.
You can listen to BEAKR's other remixes here.
Here's another collaboration between UK producer Mykus and singer Fruit Shoes, although Carrots is a much mellower, more light-hearted offering compared to the dark and glitchy track that we featured on Dezeen Music Project a couple of months ago. Here we've got cute, catchy vocals and a refreshingly lo-fi, almost clunky bass-line that sets the tone for the track as a whole.
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