The mono-material, monobloc seat was born from the desire to find a new purpose for The New Raw's own scrap materials by turning them into durable "zero-waste" objects.
"The New Raw does a lot of research by design, which by nature is very wasteful," said founders Panos Sakkas and Foteini Setaki.
"Failures and their critical evaluation is an integral part of our method."
"Nevertheless at the end, we often leave a lot of material that needs to be managed properly," the duo continued.
"Finding a way to reuse this material and reduce the volume of waste coming from the research and development of the studio became the starting point to create this limited series."
Sakkas and Setaki forewent all the adhesives, resins and additional finishings used in traditional furniture manufacturing, allowing the design to be fully and easily recycled at the end of its life.
Since the final product is made from plastic that has already been recycled, this creates what the studio describes as "an infinite loop of plastic waste", assuming that the material does not degrade in quality over time.
The process begins with the designers shredding their 3D-printing waste into granules that are between three to five millimetres in size.
This is fed directly into the studio's advanced 3D printer, which melts the material to create a recycled plastic filament that is then applied layer by layer to form the chair.
Beyond minimising waste, this process also gives the design its distinctive texture and pastel-coloured gradient, which varies slightly from chair to chair.
Sakkas and Setaki compare the tactile effect of the 3D-printed layers to the rings of a tree or the veins of marble.
"When the recycled plastic enters the 3D-printing process, it turns into a different material with distinctive properties," they explained.
"The orientation and proportions of the 3D-printed lines define the behaviour of the material and provide its distinctive ornaments. These lines are the bits and atoms of the Ermis chair."
The Ermis Chair won the public vote for seating design of the year at the 2021 Dezeen Awards.
The photography is by Michèle Margot.