Interviews
Black-and-white Hong Kong cinema interior evokes “old movies”
Cambodia hotel features tiny terraced rooms that “look like houses”
“People who don’t like Comic Sans don’t know anything about design”
Xintiandi Penthouse by Joyce Wang is “a celebration of metal”
Abedian School of Architecture by CRAB Studio was “designed from the inside out”
Design studio Raw Edges “feels like part of the Moroso family”
Clive Wilkinson’s office for The Barbarian Group is “one huge table through a room”
São Paulo bookstore walls are “clad with books” from floor to ceiling
Gallery extension proposal by 5468796 “recreates the quality of light of a rainforest”
Issey Miyake’s focus is “being innovative with technology” says head of womenswear
Moroso “gave me a chance,” says designer Ross Lovegrove
Ron Arad’s Spring furniture collection “turned the direction of Moroso”
Craig Robins: “The one thing you can’t do is replace something truly historical”
MPH Architects transforms “magnificent” former car factory into education centre
Milan universities team up to launch “unique” food design degree
The interface between technology and design holds “answers to the future”
Singapore university research centre ceiling consists of “6,000 moveable lights”
Benjamin Hubert and Moroso “share a passion for innovations in textile”
Doshi Levien’s furniture for Moroso “challenges people’s perceptions”
OMA reveals trio of “peanut-shaped” towers for Miami’s Coconut Grove
Tord Boontje and Moroso brought “the excitement of fashion into furniture”
Integrating programming and design will “totally change the world”
“Design and architecture has been a key influence” says COS managing director
