Shanshui City exhibition
by Ma Yansong

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Ma Yansong of Chinese studio MAD is exhibiting architectural models and sculptures in a Beijing courtyard to illustrate his vision for a future city influenced by nature and shaped by human emotion (+ slideshow).

Shanshui City exhibition by Ma Yansong

The exhibition centres around an architectural model of Shanshui City, a new urban development proposed by MAD for Guiyang, China. Inspired by a concept first developed in the 1980s by Chinese scientists, the city is named after the Chinese words for mountains and water and is intended as a model of how cities and their inhabitants can reconnect with the natural world.

Shanshui City exhibition by Ma Yansong
Urban Forest

In an accompanying book, Ma Yansong explains: "The city of the future development will be shifted from the pursuit of material civilisation to the pursuit of nature. This is what happens after human beings experience industrial civilisation at the expense of the natural environment."

Shanshui City exhibition by Ma Yansong
Shanshui City

The Shanshui City exhibition also contains more than 20 models and artworks added to further demonstrate the importance of nature and human emotion in architecture. They include a skyscraper with gardens on every level and a village of apartments blocks in the Huangshan Mountains.

Shanshui City exhibition by Ma Yansong
Shanshui City

All of the models are nestled amongst bamboo stems, stone walls and pools of water in the Qing Dynasty courtyard garden of the WUHAO design store in Beijing, which houses seasonal installations by young designers and brands.

Shanshui City exhibition by Ma Yansong

Ma Yansong leads MAD alongside partners Dang Qun and Yosuke Hayano. See more architecture by MAD on Dezeen, including a museum for wooden sculptures and a pair of curvaceous twisted skyscrapers.

Shanshui City exhibition by Ma Yansong

Read on for more information from MAD:


Ma Yansong's "Shanshui City" Book Launch and Exhibition Held in Beijing

On June 6, 2013, Ma Yansong's "Shanshui City" exhibition officially opened; the exhibition is displayed in a Qing Dynasty courtyard garden at Wu Hao in Beijing. More than twenty architectural models and works of art are scattered around the ancient courtyard. Among rocks, screen walls, bamboo groves, pools of water and beneath the sky, the scale of each piece varies and collectively they form a futuristic utopian urban landscape.

Shanshui City exhibition by Ma Yansong

The pieces on display range from a fish tank to the conceptual model of the "Shanshui City" which represents a proposal of hundreds of thousands of square metres in size. All the pieces exhibited express the sentiment of humans towards nature and depict the "Shanshui City" as the social ideal of the future. The newly issued book "Shanshui City" - released simultaneously with the exhibition - is an important turning point for Ma Yansong's ten years of architectural practice and theory.

Shanshui City exhibition by Ma Yansong

In the book, he says: "The city of the future development will be shifted from the pursuit of material civilisation to the pursuit of nature. This is what happens after human beings experience industrial civilisation at the expense of the natural environment. The emotional harmonious relationship between nature and man will be rebuilt upon the 'Shanshui City.'" This small brochure illustrates the young Chinese architect's ideals concerning futuristic habitation. "It would be a great pity if the vigorous urbanisation could not breed new urban civilisation and ideal."

Shanshui City exhibition by Ma Yansong
Fake Hills

The famous Chinese scientist Qian Xuesen proposed the concept of "Shanshui City" in the 1980s. In view of the emerging large-scale cement construction, he put forward a new model of urban development based on Chinese Shanshui spirit, which was meant to allow people to "stay out of nature and return to nature."

Shanshui City exhibition by Ma Yansong

However, this idealistic urban concept was not put into practice. As the world's largest manufacturing base, a large number of soulless "shelf cities" appeared in contemporary China due to the lack of cultural spirit.

Shanshui City exhibition by Ma Yansong

Qian Xuesen pointed out that modern cities' worship of power and capital leads to maximisation and utilitarianism. "Buildings in cities should not become living machines. Even the most powerful technology and tools can never endow the city with a soul."

Shanshui City exhibition by Ma Yansong
Absolute Towers

To Ma Yansong, Shanshui does not just refer to nature; it is also the individual's emotional response to the surrounding world. "Shanshui City" is a combination of city density, functionality and the artistic conception of natural landscape. It aims at composing a future city that takes human spirit and emotion at their cores.

Shanshui City exhibition by Ma Yansong
Huangshan Mountain Village

In the opening forum of "Shanshui City," a round-table dialogue was held with the participation of Liu Xiaochun, Li Xianting, Bao Pao, Wang Mingxian, Jin Qiuye and Ma Yansong, leading to be, undoubtedly, a historic moment. Perhaps the "Shanshui City" ideology is the very progress that China's urbanisation can contribute to the world.

  • zizi

    Great concepts, great vision of a world with no more square boxes.

  • christine

    Impressive! Those models make total sense in this garden.

  • http://www.dailygrail.com Red Pill Junkie

    Our cities are already shaped by a human emotion: GREED.

  • vic

    Pretentious.

  • Gavin

    It’s straight lines that set us architects apart from God. Why all the fuss with curves?

    • Desk

      Good comment, but most of Ma’s forms are quite nice and palatable.