Emerald Art Glass House
by Fisher Architecture

| 7 comments
 

This house in Pittsburgh by American architect Eric Fisher cantilevers by 16 metres to hover over the roof of a glass factory (+ slideshow).

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Designed to house the owners of the factory, the Corten steel-clad Emerald Glass House was completed by Fisher Architecture in 2011.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

The impressive cantilever forms the uppermost floor of the four-storey residence, which is set into a hillside to the south of the city. "It floats above the owner's glass manufacturing facility like a foreman's shack," said Fisher.

Emerald Art Glass by Eric Fisher

The architect used Corten steel, mesh and exposed steel columns to create an industrial aesthetic, then added large areas of glazing to recognise the trade of the house's residents.

Emerald Art Glass by Eric Fisher

This includes a fully glazed facade, designed as a beacon for visitors to the factory. Behind the facade, a living room occupies the whole cantilevered space, allowing the structure to function as a giant viewfinder.

Emerald Art Glass by Eric Fisher

Glass also surrounds the interior surfaces of the house's concrete block core and was used for staircase balustrades and a breakfast counter in the kitchen.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Other cantilevered houses we've featured on Dezeen include a Seattle house with a twisted top floor and a house that extends over a river in Wales.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

See more cantilevered buildings »
See more American houses on Dezeen »

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Photography is by the architect, apart from where otherwise indicated.

Emerald Art Glass by Eric Fisher

Here's a project description from Eric Fisher:


Emerald Art Glass House

The Emerald Art Glass House is a site-sensitive, cantilevered home for the owners of a glass company. This is contextual design: Located on Pittsburgh's South Side slopes, it floats above the owner's glass manufacturing facility like a foreman's shack.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

The home's industrial forms and Corten steel siding relate to the factory below while a living roof connects the house visually to the verdant slopes beyond. In a building this public, it's possible to make larger references: Pittsburgh's neighbourhoods are cut off from one another both geographically and culturally. The new horizontally massed house and the US Steel tower, Pittsburgh's tallest building, are Corten steel peers. Together, they establish a small but meaningful new dialogue between the residential slopes and the commercial city centre.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Glass products are featured throughout, celebrating the owner's craft: A radical, north-facing, butted, "Greenheat" radiant-heated glass facade functions from outside as a sign for the glass factory and from inside as a view catcher. A unique, glass rain-screen system clads a concrete block core. Inside the core, a glass stairway winds its way from the ground floor to the kitchen.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

And it's green: 21st century architects must learn to recycle space in the same way we recycle our garbage - finding value in waste. Here, we are putting to use the unused space above the owner's warehouse in this dense urban neighbourhood. Recycled materials are used throughout. As well, geothermal well-generated forced air complements the radiant heated floors and glass.

Emerald Art Glass by Eric Fisher
Photograph by Eric Roth

Extending three times farther than nearby Falling Water, the Emerald Art Glass House may be the world's longest residential cantilever. As Jean Paul Sartre once wrote, 'The human body always extends across the tool that it utilises: it is at the end of the telescope, which shows me the stars; it is my adaptation to those tools. When a structure cantilevers in a daring way, we imagine ourselves leaning out over the space below, which explains why it moves us. This is the thing with feathers, an object that disrupts daily life just enough to make one believe that there is maybe more to life than the humdrum.

Emerald Art Glass by Eric Fisher
Long section north to south
Emerald Art Glass by Eric Fisher
Detailed long section south to north - click for larger image
  • Kris

    Dreadful interior.

    • tin

      …with fake Eames Aluminium Chairs!

  • Mo Bo

    I like this idea of parasitic architecture. Why let zoning get in the way of taking advantage of a great location?

  • http://blgn.mn/owen Owen

    I really like the idea of the owner being able to stand by that glass window and look out over his peons, making sure there is no dissent or indolence in his factory.

  • http://www.architecture.com Joni Tyer

    Why would you want to hover over a working factory?

  • mik

    Show off. “Hey look at me. I am a good architect because I can design huge cantilevers.”

  • Julian

    Finally! Pittsburgh gets a piece of daring domestic architecture (again, if you include Fallingwater in Pittsburgh). This isn´t an architect nor client showing off. It is the pair simply saying they are bored stiff with the bland aluminium-siding, double-pitched roof stuff that is stifling the domestic construction market in Pittsburgh and far beyond. Congratulations to both patron for having the vision and courage to commission a daring design delivered by an evidently very talented, imaginative, yet context-aware architect.