Artist Ai Weiwei has used traditional Chinese kite-making techniques to create mythological characters and creatures for windows, atriums and the gallery at Paris department store Le Bon Marché (+ slideshow).
The controversial Beijing-based artist titled the installation Er Xi, which translates as "child's play".
"This exhibition speaks to our inner child," said Ai. "Introducing the fantastic within a retail space strikes the imagination of customers, visitors, passersby."
The characters are taken from Shan Hai Jing, also known as Classic of Mountains and Seas – a collection of tales told to children that dates back over 2,000 years.
Ai worked with an expert craftsman and team of artisans from Shandong Province to create the sculptures, using an age-old technique that involves stretching silk or paper over bamboo frames.
"These characters are technical feats," said Ai. "At the same time, it's a very simple handicraft. Anyone can make a kite."
The Er Xi exhibition is spilt into three parts, with the first set of sculptures located across 10 window displays.
These two-dimensional pieces aim to tell a story using symbols from various art movements, contemporary and historic events, and motifs from Ai's previous projects.
In the store's atriums, 3D representations of dragons, chimeras, fish and other creatures are suspended from the ceiling by a series of ropes.
Lights installed within the bamboo structures illuminate the monstrous shapes like paper lanterns.
Visitors can get closer to the sculptures in Le Bon Marché's gallery, which include a large dragon woven from a bamboo lattice.
Er Xi opened on 16 January 2016 and will remain on show until 20 February 2016 at Le Bon Marché Rive Gauche, located on Rue de Sèvres in Paris' 7th arrondissement.
Ai's previous projects include the 2012 Serpentine Gallery Pavilion with Herzog & de Meuron and an installation of 100 million handmade replica sunflower seeds at London's Tate Modern.
Since then, the artist has accused Lego of censorship after the Danish toy company refused to supply an order for an exhibition in Australia, and launched a jewellery collection modelled on construction reinforcing bars.
Photography is by Gabriel de la Chapelle, unless otherwise stated.
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