Interviews
“Data replicates the existing systems of power” says Pulitzer Prize-winner Mona Chalabi
Sharjah triennial rethinks architecture that “results from conditions of scarcity” says Tosin Oshinowo
Plant trees in cities to curb deadly heatwaves says Arup’s Dima Zogheib
Turkey-Syria earthquake rebuild “most sophisticated urban problem in the world” says Mehmet Kalyoncu
Production design makes you “feel like a detective” says Killers of the Flower Moon designer Jack Fisk
Concrete-based urban areas “will fail due to their non-resilience” says Kongjian Yu
“Tradition has to evolve or it dies” says Ozwald Boateng
“I’m filled with dread” over climate change says Liam Young
Pritzker “has given me courage” says Diébédo Francis Kéré
Sydney Design Week has a “clear-eyed view of the work ahead of us” says curator Keinton Butler
Apple partners need to be “absolutely committed to transparency” says retail sustainability lead
Working on The Line a “tricky argument” for studios boycotting Russia says Wolf Prix
Worsening natural hazards an “opportunity” to rethink cities says Amy Chester
Landscape architects “could be very important” to Africa’s Great Green Wall says Elvis Paul Tangem
Disasters “very rarely not a design failure” says expert Lucy Easthope
“I don’t want to make crazy buildings” says Junya Ishigami
Heatherwick’s Humanise campaign launched to “spark public conversation about the way buildings make us feel”
“Everything we do is going to be looked at more” says Prince Carl Philip as studio launches own brand
Ane Crabtree designs The Changeling costumes as a “respectful nod to Black history”
“Emerging talents require nurture” says Jan Hendzel
Live music shows are all starting to look “kind of the same” says The 1975’s set designer
Grassroots organisations will “be holding me to account” says RIBA president Muyiwa Oki
“It’s hard to collaborate with architects” says Longchamp’s Sophie Delafontaine
