Sam Jacob
“What would you do with a piece of Thatcher memorabilia?”
“Chicago boldly imagines its own definition of what a biennial might be”
“The destruction of the ancient city of Palmyra is an assault on human culture”
“Postmodernism’s real qualities are mean and difficult, yet also psychedelically positive”
“Cities that score well barely qualify as cities”
“Experience a version of history without the homework”
“Marketing, architecture and development can be an incredibly powerful combination”
“We’ve got 99 problems but architecture ain’t one”
“These flip flops are politics disguised as leisurewear”
“Architecture might have to become less architectural”
“It’s time to refigure the design problem of the London street”
“The history of human culture is written not in text but in objects”
“Eames has become a vaguely suggestive word applied to alchemise junk shop remnants”
Sam Jacob Studio creates Lenin’s Urn for Soane Museum’s “pieces” exhibition
“Kink and fetish has much to teach mainstream design culture”
“The Garden Bridge is a magic bullet for a certain idea of the contemporary British city”
British pavilion is “a call to arms for contemporary architecture”
FAT bring together postwar towns and pop culture for British Pavilion in Venice
“National Parks are synthesised products of urbanisation”
“Alongside every dream home is its nightmare twin”
FAT architects announce studio closure
“Christmas decorations are winter as skeuomorphism”
“The digital is a lens through which we can view the entire history of design”
