The Sainsbury Laboratory provides facilities for botanical research, spread over two upper storeys and a basement.
The stone piers screen a glass curtain wall on the north and east elevations, whilst the south and east facades feature gridded windows that overlook a courtyard.
Glass-fronted laboratories allow scientists to see across a double-height circulation corridor to the courtyard beyond.
This continuous corridor winds through the building and provides informal meeting areas.
Elsewhere, the building contains a herbarium, an auditorium, meeting rooms, a public cafe, garden-staff quarters and social spaces.
The laboratory is named after Lord Sainsbury, whose charitable foundation was responsible for funding the project.
The columned facade of the building presents a similar mix of modernism and classicism to David Chipperfield's Museum of Modern Literature completed in 2006 - see our earlier story.
Other laboratories from the Dezeen archive facilitate research into natural history, genomics and nanotechnology to name a few - see all our stories about laboratories here.
Photography is by Hufton + Crow.
Here are some more details from Stanton Williams:
The Sainsbury Laboratory, an 11,000 sq.m. plant science research centre set in the University of Cambridge’s Botanic Garden, brings together world-leading scientists in a working environment of the highest quality. The design reconciles complex scientific requirements with the need for a piece of architecture that also responds to its landscape setting.
It provides a collegial, stimulating environment for innovative research and collaboration. The building is situated within the private, ‘working’ part of the Garden, and houses research laboratories and their associated support areas. It also contains the University’s Herbarium, meeting rooms, an auditorium, social spaces, and upgraded ancillary areas for Botanic Garden staff, plus a new public café. The project was completed in December 2010.
Cambridge University Botanic Garden was conceived in 1831 by Charles Darwin’s guide and mentor, Professor Henslow, as a working research tool in which the diversity of plant species would be systematically ordered and catalogued. The Sainsbury Laboratory develops Henslow’s agenda in seeking to advance understanding of how this diversity comes about. Its design was therefore shaped by the intention that the Laboratory’s architecture would express its integral relationship with the Garden beyond.
The building as a whole is rooted in its setting. There are two storeys visible above ground and a further subterranean level, partly in order to ensure efficient environmental control, but also to reduce the height of the building. The overall effect is strongly horizontal as a result. Solidity is implied by the use of bands of limestone and exposed insitu concrete, recalling geological strata and indeed the Darwinian idea of evolution over time as well as the permanence which one might expect of a major research centre. At the same time, however, permeability and connections – both real and visual – between the building and the Garden have been central to its conception.
The building’s identity is established externally by the way in which it is expressed and experienced as a series of interlinked yet distinct volumes of differing height grouped around three sides of a central courtyard, the fourth side of which is made up of trees planted by Henslow in the nineteenth century. The internal circulation and communal areas focus upon this central court, opening into it at ground level and onto a raised terrace above in order to provide immediate physical connections between the Laboratory and its surroundings.
Further visual connections are created by the careful use of glazing in the building. At ground level, extensive windows provide views of the courtyard and the Garden beyond, allowing these internal areas to be read as integral elements of the outdoor landscape. The first floor is also largely glazed. Its windows are screened by narrow vertical bands of stone that imbue the elevation with a regular consistency, behind which the pattern of fenestration could potentially be altered in response to future requirements.
Related to the conception of the building in terms of its landscape setting is the way that its internal areas are connected by a continuous route which recalls Darwin’s ‘thinking path’, a way to reconcile nature and thought through the activity of walking. Here the ‘thinking path’ functions as a space for reflection and debate.
It is intended to promote encounters and interaction between the scientists working in the building, and between them and the landscape. With glazed windows facing the court on one side and internal windows offering glimpses of the laboratories on the other, it operates as a transitional zone between the top-lit working areas at the centre of the building and the Botanic Garden itself. In this respect, the ‘path’ reinterprets the tradition of the Greek stoa, the monastic cloister, and the collegiate court, all of which were intended to some extent as semi-outdoor spaces for contemplation and meetings. As a result, past, present, and future are connected. The work of the laboratories will seek to understand the plant diversity that is glorified by the arrangement of the historic Botanic Garden in which it is set and which, though pleasant to visit, continues to function as a working space devoted to groundbreaking research.
Professor Sir Leszek Borysiewicz, Vice-Chancellor of the University of Cambridge, said: “Cambridge has a strong record in the study of plant biology – a science which is now accepted as critical for our planet. This makes the Gatsby Foundation’s award to the University both natural and transformational – we are truly grateful.”
Lord Sainsbury said: “This is one of the most exciting projects with which my Charitable Foundation has been involved. It combines an inspirational research programme, an historic site in the Botanic Garden and a beautiful laboratory designed by Stanton Williams, and I believe it will become a worldclass centre of excellent plant science.”
Professor John Parker, the recently retired Director of the Botanic Garden who has been the sole representative of the Garden at project meetings, said: “The Garden looks forward in the 21st Century to maintaining its position with the study of plant diversity in the most modern way. The Laboratory will be dedicated to the advancement of curiosity-driven research. However it is hard to imagine that increasing our knowledge of the fundamental mechanisms of plant development is not going to have a very significant impact on the improvement of agriculture in years to come.”
Project Value: £82 million
Contract value: £69 million
Construction value: £65 million (contract value less the consultants fees)
Cost per sq m: £4,975/sq m for the main laboratory
Construction Start date: February 2008
Completion Date: December 2010
Date of Occupation: January 2011
Project Duration: June 2006 – January 2011
Planning phase: June 2006 – February 2008
Construction phase: February 2008 - January 2011
Postal Address: The Sainsbury Laboratory, Bateman Street,
Cambridge, CB2 1LR
Number of Occupants: 150
Gross Internal Area: 11,000m2 (incl. all buildings, excl. external landscaped areas)
Click above for larger image
Client: The University of Cambridge
Funder: The Gatsby Charitable Foundation
Strategic Project Manager: Stuart A. Johnson Consulting Ltd
Project and Contract Administrator: Hannah – Reed
Project Officer: University of Cambridge Estate Management
Representative Users: Cambridge University Botanic Garden,
The Gatsby Charitable Foundation
Main Contractor: Kier Regional
Architect: Stanton Williams
Civil and Structural Engineer: Adams Kara Taylor
Building Services Engineer: Arup
Cost Consultant: Gardiner & Theobald
Landscape Architects:Christopher Bradley-Hole Landscape and
Schoenaich Landscape Architects
CDM Coordinator: Hannah – Reed
Approved Building Inspector: Cambridge City Council
- Serpentine Gallery Pavilion 2011 by Pete…r Zumthor
- Stirling Prize shortlist 2011
- Renzo Piano's "prodigiously misassembled…" Whitney Museum is a grower, say critics
- The Cat House by Key Operation
- Pormetxeta Square by Xpiral and MTM Arqu…itectos
- Pavilion Siegen by Ian Shaw Architekten
- Mirante do Horto House by Flavio Castro
- Tree House by Mount Fuji Architects Stud…io
- Camp Nou by Foster + Partners
Sign up for a daily roundup
of all our stories