This tiny house in northeast Los Angeles by local studio Anonymous Architects contains only three rooms and is lifted off the hillside on a set of concrete pilotis (+ slideshow).

Named BIG & small House, the two-storey residence was designed to maximise space, as it occupies a plot around half the size of its neighbours.

Rather than squeeze in lots of small rooms, Anonymous Architects chose to add just one large living room, a single bathroom and a mezzanine bedroom. "What the house lacks in square footage it provides in volume," explains the architect.

A single-car parking garage run along the side of the house, and the mezzanine bedroom stretches out over the top, allowing the combined living and dining room to become a double-height space.

To increase natural light inside the house, interior partions don't meet the ceiling. This was intended to create an "open-lofted feeling".

The shape of the house is defined by the outline of its sloping site. The base of the building barely touches the declining ground, but is held firmly in place by concrete-pile foundations.

"The house is a completely isolated object," architect Simon Storey told Dezeen. "It's almost like a industrial shed compared to it's neighbours, however the undulating roof softens the house just enough that it feels part of the neighborhood."

Seamed metal sheets clad the entire exterior, while interior walls and floors are lined with timber.

Anonymous Architects previously worked on another house on a small plot in Los Angeles and named it Eel's Nest after the narrow residences found in Japanese cities.

See more recently completed houses in the US, including an aluminium-clad country house in upstate New York.
Here's a project description from Anonymous Architects:
BIG & small HOUSE
Starting with a vacant lot that was half of the typical minimum lot size, the objective was to compensate for the relatively small footprint of the house.

To achieve this there are only two full height walls inside the house which makes the main interior room nearly as large as the building footprint. This gives the house an open-lofted feeling with very high ceilings and abundant natural light.

It is an inversion of expectation, so that the smallest house contains the largest room. What the house lacks in square footage it provides in volume.

The free plan of the vacant lot is preserved since the house touches the ground only at the four small piles, giving full access to use the space between the house and the lot. The footprint of the foundation is in fact less than 20 sq.ft. and the house doesn’t touch the ground at any point.

The plan of the house follows the shape of the site which is an asymmetric parallelogram. This form resulted in unusual geometry inside and outside the dwelling and explains the shape of the house. The elevations of the house are designed to mirror the plan.

Date of completion: April 2012
Clients: Jon Behar/ Joyce Campbell
Lot Area: 2,500 sq.ft
Building Area: 1,200 sq.ft
Cost per sq.ft: $175
Single story with loft
Building footprint: 900 sq.ft
Method of construction: concrete pile foundation; steel (primary floor structure - cantilevers); wood floor, walls and roof
Primary materials: standing seam metal roofing and siding, aluminum dual glazed windows, white oak floors, feature wall and kitchen countertop
Above: site plan - click for larger image
Above: ground floor plan - click for larger image
Above: first floor plan - click for larger image
Above: long section - click for larger image
Above: cross section - click for larger image
Above: front elevation - click for larger image
Above: side elevation - click for larger image
Above: rear elevation - click for larger image
Above: side elevation - click for larger image










A barely mediocre execution of inoffensive intentions. I suppose there are worse things to be than the embodiment of bourgeois Dwell-ness, but if this place had the intention of being something of significance, it has erred in its use of the most boring details and components imaginable.
If you examine the materials more closely, they’re every bit as lacklustre and characterless as the fittings you’d find in budget condo buildings all over Vancouver and other new cities. On a purely formal level, there is a glaring resistance to 90 degree angles and a more composed set of elevations and plans, which seems like a missed opportunity.
If you look more closely, you'll see that the walls parallel the property lines, which are not orthogonal but maximize the permitted area.
I need this house. Great sense of well being. That’s what architecture is for.
This tiny house is not so tiny. It maybe perceived as so, if you choose to spend your time in north-east Los Angeles, but where I (in fact, where most people) live this is a plenty large abode.
It’s an interesting house but I’d be terrified to live in a home on the side of a hill resting on pylons in LA. Builders wedge homes into spaces where there should not be any. Too many issues with landslides, earthquakes and brushfires.
Handsome enough inside; shame about the exterior. Maybe if it was finished in Californian colours – pinks, blues, aquas, lemons – I’d like it better than the battleship grey chosen.
I’m sorry more attention wasn’t paid to the underside of the house, which is in full view to those below. Otherwise, a nice project.
Again, an much overused exterior finish. Where is the creativity, guys? I have the feeling I’ve seen this house sprouting up all around the world!
I think it works really well. Good design doesn’t always have to try to reinvent the wheel. The view from below could have been given more thought, though.