Shortlisted designs for Latvian Museum of Contemporary Art revealed

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Designs by Adjaye and Henning Larsen revealed on Latvian Museum of Contemporary Art shortlist

Adjaye Associates, Henning Larsen Architects and Caruso St John are among the seven shortlisted teams whose designs for a major new art museum in the Latvian capital have been unveiled today (+ slideshow).

LA studio wHY, Helsinki firm Lahdelma & Mahlamäki, Berlin office Sauerbruch Hutton and Rotterdam practice Neutelings Riedijk also feature on the shortlist for the Latvian Museum of Contemporary Art, proposed for Riga.

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Adjaye Associates proposes a building with an angular roofscape

Set to open in 2021, the €30 million (£24 million) cultural building aims to become the "most-visited art museum in the Baltic states". It will showcase art and visual culture from Latvia and the Baltic Sea region, from the 1960s to the present day.

Latvia's minister for culture Dace Melbārde said the building will become a catalyst for changes in Latvia.

"It is a source of pride that we can experience the first example in Latvia’s history of cultural patronage on such a scale," he said.

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Referencing traditional domestic Latvian architecture, Adjaye's design aims to bring northern light down into the galleries from above

All seven shortlisted teams include at least one local studio. Their designs were unveiled today by competition organiser Malcolm Reading Consultants.

David Adjaye's London-based firm is partnering with AB3D. They propose a building with an angular roofscape, referencing traditional domestic Latvian architecture, to bring northern light down into the galleries.

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Henning Larsen Architects envisions a structure that twists to create two sculptural entrances

The late Henning Larsen's office, which is based in Copenhagen, envisions a structure that twists to create two sculptural entrances – one facing the city, the other opening out to a new city garden. It partners with MARK Arhitekti.

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Caruso St John has designed an "almost Arcadian composition of buildings and gardens"

London-based Caruso St John – whose previous projects include Damien Hirst's Newport Street Gallery and the renovation of Tate Britain – has designed an "almost Arcadian composition of buildings and gardens", working with Jaunromāns un Ābele.

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Sauerbruch Hutton proposes a "non-iconic" design, intended to look like a simple shed or warehouse

Sauerbruch Hutton and partner Arhitekts Ingurds Lazdiņš have opted for a "non-iconic" design, intended to look like a simple shed or warehouse.

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Neutelings Riedijk Architects have designed "a long white canopy over a black treasure box"

Similarly, Neutelings Riedijk Architects and partner Brigita Bula propose a rectilinear structure with a filigree white concrete skin. They describe their design as "a long white canopy over a black treasure box".

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Lahdelma & Mahlamäki Architects suggests a flexible container-like museum

Lahdelma & Mahlamäki Architects – the firm behind the Finlandia Prize-winning Museum of the History of Polish Jews – has teamed up with MADE Arhitekti on its design for a flexible container-like museum.

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Lahdelma & Mahlamäki Architects intends the building to reference the Latvian timber legacy

Meanwhile, wHY is working with Outofbox and ALPS. Their design is described as a streetscape, closed up during the winter but opened to the landscape in the summer.

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wHY describes its design as a streetscape, closed up during the winter but opened to the landscape in the summer

The seven shortlisted entries were selected by a team of judges including OMA partner Reinier de Graaf, Italian architect Gianni Botsford and Latvian architect Uldis Balodis.

The museum will be built as part of New Hanza City, a new district at a former railway goods station in the north of the city. Comprising 24.5 hectares, the development also includes offices, apartments, a hotel, a nursery school and a public garden.

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wHY imagines the building becoming a hub for the developing district around it

The building is scheduled to open on 18 November 2021. It will receive part of its funding from the government but will mainly be financed through the Boris and Inara Teterev Foundation and the ABLV Charitable Foundation.

"The ambitiousness of the project proves that, by involving the private sector, it is possible to embark on the construction of large-scale, nationally important infrastructure," added Melbārde. "The creation of the museum is also a huge investment in the shaping of Latvia's international image."