Opinion: an unloved relic of 1950s socialist Yugoslavia is one of the finest buildings of its era. But in modern Serbia, its overtly political message doesn't chime well with the prevailing ideology, says Owen Hatherley. More about "It's no surprise that the government were reluctant to let members of the public in"
Opinion: sometimes it becomes important to save a building that doesn't seem to work. Such is the case for Michael Graves' Postmodernist exemplar, the Portland Building, says Alexandra Lange. More about "History does change perception"
Opinion: from Chicago's rat problem to transport startups like Bridj and Uber, data is being used to predict behaviour and manage our cities. But the idea of the "Predictive City" should be treated with a healthy dose of scepticism, argues Dan Hill. More about "A city is more than just the sum of its previous behaviours"
Opinion: the refurbishment of London's Imperial War Museum by Norman Foster is a "botched" job, but it's hardly surprising given the UK's strange attitude to its own history, says Owen Hatherley. More about "So spectacularly ill-judged that you almost long for Libeskind's earnestness"
Opinion: designers today are being swamped with visual information that has been stripped of its historical context. Making personal connections across generations can help fill the gaps, says Mimi Zeiger. More about "History has become a trove of artefacts ready for appropriation"
Opinion: with the petrol heads stuck firmly in rut, there's an opportunity for designers to do something different with the new wave of electric cars. Elon Musk's Tesla is among those leading the way, says Lucas Verweij. More about "The car is dead, long live the car"
Opinion: driven by economics and overly concerned with "iconic" design and star names, international design fairs have lost their way. But BIO 50, the design biennial in Ljublana, offers a refreshing alternative, says Louise Schouwenberg. More about "Design fairs fail to represent what's going on in the rest of the world"
Opinion: with the opening of the latest attention-grabbing attraction at a skyscraper in Melbourne, Will Wiles asks if the advent of Google Maps has created a public too jaded to simply appreciate a spectacular view. More about "Have we reached peak peak?"
Opinion: the way we consume architecture online has changed thanks to social media, creating a new genre of imagery – meme-tecture. Alexandra Lange offers her guide to making an architectural meme. More about "Six points of viral architecture"
Opinion: Apple's latest launches show it has become reactive rather than innovative, but after leading the market for 30 years it could still have an important role to play, says Karim Rashid. More about "Apple has taken the minimal aesthetic too far"
Brutalism: challenging, idealistic and serious – Brutalism is architecture for grown ups, says Jonathan Meades. More about "There was good brutalism and bad, but even the bad was done in earnest"
Opinion: Scotland once boasted its own distinct regional building styles, but since devolution began in the 1990s Scottish architecture has fallen foul of the profit-chasing short-termism that has blighted the rest of the UK, says Owen Hatherley. More about "What might the future of Scottish architecture be in an independent state?"
Opinion: increasingly popular lists that judge cities on "liveability" and "quality of life" are dangerous for the future development of our metropoles, says Sam Jacob. More about "Cities that score well barely qualify as cities"
Opinion: is the Internet of Broken Things the logical conclusion to the ever-escalating cycle of technological development and built-in obsolesce in our gadgets, asks Justin McGuirk. More about "No one will ever write a book called Zen and the Art of iPhone Maintenance"
Opinion: sober, well-mannered and increasingly well made – London's new housing developments are hiding their yuppie-dom behind a polite facade of brickwork that wouldn't look out of place in the 1960s, says Owen Hatherley. More about "London's new typology: the tasteful modernist non-dom investment"
Opinion: when the creative industries across Europe go offline for the holiday season, the archetypal English country cottage becomes an incubator for problem-solving design brilliance says Kieran Long. More about "Holidays bring out the best in designers"
Opinion: officials are racing to bring big architectural names like Zumthor, Gehry and Piano to Los Angeles' Museum Mile, but the lack of an overarching masterplan is leaving the street itself sad and neglected, says Mimi Zeiger. More about "A blob, a bridge, a tower, and a subway stop"
Opinion: the AstroTurf lawn installed on the roof of New York's Metropolitan Museum of Art symbolises the next step in our acceptance and desire for artificial nature, says Alexandra Lange. More about "There's still one more park taboo to be broken"
Opinion: Glasgow's Commonwealth Games is the latest major international sports event to be mired in controversy over the relocation of residents to make way for grand urban projects and "regeneration", says Neil Gray. More about "Regeneration is simply a sugar-coated euphemism for gentrification"
Opinion: Dubrovnik, with its Game of Thrones-buoyed tourism industry, is a historical drag act that exposes conflicting tensions between history, reconstruction and modernity, says Sam Jacob. More about "Experience a version of history without the homework"