Whitechapel Gallery by Robbrecht en Daem and
Witherford Watson Mann Architects

| 12 comments

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Belgian architects Robbrecht en Daem and London office Witherford Watson Mann Architects have completed an extension to the Whitechapel gallery in London, UK.

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The project involved creating new galleries for collections and commissions, a permanent gallery and research room, study rooms, and studios.

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The new galleries were designed in collaboration with artist Rachel Whiteread.

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The building will open to the public on 5 April.

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Photos by Richard Bryant.

Here's some more information from the gallery:

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Whitechapel Gallery to open on 5 April 2009

The Whitechapel Gallery will open to the public on Sunday 5 April 2009 following its ambitious £13.5 million expansion. The Heritage Lottery Fund supported project has transformed the former library building next to the Gallery, increasing gallery space by 78%.

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Designed by leading Belgian architects Robbrecht en Daem (with London practice Witherford Watson Mann Architects), the expanded Whitechapel Gallery provides one of the most exciting new cultural buildings in Europe.

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Included in the expanded building are new galleries dedicated to presenting collections and new commissions; a permanent gallery and research room for the Whitechapel Gallery’s historic archive, and an Education and Research Tower including study and creative studios.

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These beautiful spaces for art have been designed by the architects in collaboration with leading artist Rachel Whiteread. The original exhibition spaces in the Whitechapel Gallery have been beautifully renovated and will be the site for a landmark exhibition of German sculptor Isa Genzken, the first major retrospective of her work, until 21 June 2009.

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The Bloomberg Commission gives a new platform for an annual art commission. It launches with a site specific artwork by Goshka Macuga, who has been inspired by Picasso’s Guernica coming to the Whitechapel Gallery in 1939 on its first and only visit to the UK.

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The Whitechapel Gallery will provide unprecedented public access to important art collections. The inaugural display of rarely seen works from the British Council collection is supported by specialist insurers, Hiscox.

The Gallery’s 100 year-old archive is brought to life with displays of rare documents and artists’ letters. The first exhibition, The Whitechapel Boys, looks at the moment when artists David Bomberg, Mark Gertler and Isaac Rosenberg contributed to forming the Vorticist movement in the former Whitechapel Library.

Two new project galleries show the work of Mexican artist Minerva Cuevas and the primary schools education project Archive Adventures.

Iwona Blazwick OBE, Director, Whitechapel Gallery, said ‘This century old institution is the artists’ gallery for everyone. The exciting expansion enables the Whitechapel Gallery to open all year round so there will always be something free to see. The Gallery will become a major cultural resource and a destination for the arts.’

Exhibition highlights for 2009/10 include: painter Elizabeth Peyton (summer 2009); the return of the East End Academy (summer 2009); Sophie Calle (autumn 2009); a major exhibition looking at photography from south Asia from the 1840s to the present day (winter 2010); changing displays from the British Council collection and from the Gallery’s archives; and project gallery exhibitions by Julie Ault and Melanie Manchot.

The development of the Whitechapel Gallery is much needed: previously the Gallery had to close for up to 10 weeks each year to allow for exhibition installations. The Gallery’s former Education Studio could not accommodate full class sizes and the overwhelming number of schools wishing to use its facilities. Previously there was limited access for disabled people to the Gallery and there was no wheelchair access to the former library.

The development unifies two landmark buildings; the Whitechapel Gallery and the adjoining Passmore Edwards Library. The project has enabled the restoration and preservation of an historically and culturally important building, keeping it open to the public. It also makes an important contribution to the regeneration of east London.

The Gallery has already raised £13 million towards its £13.5 million capital campaign target. This includes major awards from Heritage Lottery Fund, London Borough of Tower Hamlets, Arts Council England, European Regional Development fund, and the London Development Agency. £2 million was raised from charitable trusts and individual donors; and £2.5million from an auction of artworks donated by artists in 2006.

The Whitechapel Gallery was founded in 1901 to bring great art to the people of east London. The Gallery’s history is a history of firsts: in 1939 Picasso’s masterpiece, Guernica was displayed at the Whitechapel Gallery on its first and only visit to Britain; in 1958 the Gallery presented the first major show in Britain of seminal American abstract expressionist Jackson Pollock; and in 1970 and 1971 the first shows of David Hockney, Gilbert & George and Richard Long were staged to great acclaim.

Recent shows have included Janet Cardiff & George Bures Miller, Liam Gillick, Nan Goldin, Cristina Iglesias, Paul McCarthy, Mark Wallinger and Franz West. The Gallery is internationally renowned for its exhibitions of modern and contemporary art and its pioneering education and public events programmes.

  • jet

    Great work, excellent clean details

  • estudante

    nicely detailed! congratulations!

  • Luxury Larry

    Am please they choose the right team for this project. Robbrecht en Daem is the best!

  • http://jjohnson.carbonmade.com Jeremiah

    The simple pallet and clean execution make this project timeless and comfortable; something a great deal of ‘new’ gallery spaces cannot boast. The ceiling of that open gallery space is amazing! I would probably spend as much time looking at that as I would looking at the artwork.

  • joe

    yeah, a bit dull eh…

  • Indi

    A gallery designed with an artist not by a starchitect- who would of thought an artist might want the attention thrown onto the works! Archetypal London space – all sorts of bits & bobs- beautifully resolved

  • Matthew L

    wow look at thaws plug sockets. are they 3pin?

  • kurosheep

    is design simply about “nice” detailing?

  • jeroen

    as much as it is about spectacle.

  • The Big Black & White Zebra

    “… provides one of the most exciting new cultural buildings in Europe”

    I’m am seriously not seeing this, or the finesse of the details, for there is nothing of merit to detail.

    It’s a fairly simple collection of seventies, clichéd finishes and fixtures…
    Slat ceiling and suspended globe lights… come on!

    If I am being generous I would say the architects are tongue in cheek about the British reserve and heritage, but…

    This is the finest turn of the century ‘Nouveau buildings in the UK if not the World. Surely we could have done so much better…

    were there mitigating circumstances?

  • http://www.seesawdesigns.blogspot.com Raquel Raney

    those ceilings…

  • Suffino

    Very nice space. Lighting Desingn wise (IF tehy’ve used Lighting Designers) I must say: rather poor.