Dezeen Music Project: this surreal music video for Dutch production trio Kraak & Smaak's new single Good for the City blends live action with an assortment of animated characters taken from old cartoons. More »
Dezeen Music Project
Here's a remix of a house track called Down with Me by Bristol-based DJ/production duo Tyro.
Tyro don't mess unnecessarily with the four-to-the-floor house formula of the original track by Real Connoisseur, but freshen it up with a more garage-like manipulation of the vocal sample and an unexpected dose of sub-bass.
You can listen to the original track here.
Man Oeuvre is a former acid house DJ based in Berlin, who has turned his hand to making electronica tracks inspired by world music artists.
This track, Ask (The Garden), features flute and shehnai samples from two pieces of Indian music: Gentle Breeze by Rakeesh Chaurasia and Ganesh Paath by Aklahk Hussain.
Her Lips is a dark, brooding electronica record by a Munich-based producer called Berunto. The track starts off with a pulsing and deceptively syncopated synth line, which sets it up for a wonderfully unexpected bass line to kick in a few moments later.
Here's another track by South Korean production duo Save Martin. Capitalism is a ferocious, in-your-face dance track, which features samples from the 2011 sci-fi movie Limitless.
The music we used on today's movie about Domaine de Boisbuchet in France is a track called Filtered Sunshine by Jordan Thomas Mitchell, which we featured on Dezeen Music Project last year.
Here's another track by Jordan Thomas Mitchell called Dead Messenger, which features a similarly gentle acoustic guitar pattern alongside a bluesy electric guitar riff and samples of bird song.
French producer Aimedeuxhaine has sent us his latest track, a lazy, hazy but bass-heavy summer anthem called Atlantique. Like previous tracks we've featured on Dezeen Music Project, the record was released by French label Atelier du Sample.
The music we used on the soundtrack to today's movie about this year's Blickfang designworkshop is a track called Gettin' Funky by Wave Crushers, which we featured on Dezeen Music Project in June.
Here's another great house record by the same producers, released by German label Aux Audio. We think it might be even funkier than their previous track.
French producer Junior Size takes us back to the eighties with this acid house-inspired track featuring suitably squelchy synths and a catchy vocal sample.
Australian musician Arms Were Youth has sent us a new track called The Introduction Of Strong Magic, which features pulsing synths and electronic drums over the top of a fractured acoustic guitar part.
Like Sharply Towards Hell, the previous Arms Were Youth track we featured on Dezeen Music Project, it takes a bit of listening to get accustomed to the different sounds, but the patience soon pays off.
Here's a melodic and hypnotic new electronica track by French production whizz-kid Aimedeuxhaine.
UK band King No One have crafted a short, sweet and no-nonsense indie-pop song with this track called Vulpix. The band have avoided any fancy production tricks and created a refreshingly stripped-back record that lets the song shine through.
This deep house track by German producers Wave Crushers has a wonderfully laid-back groove - the perfect way to ease into the weekend.
The track was submitted to Dezeen Music Project by German label Aux Audio.
The music we used on our first Dezeen and MINI World Tour report from Berlin is a tech-house track by Cardiff producer Simplex. We featured the track on Dezeen Music Project last year, and FM002 is another track taken from the same EP, albeit with a very different vibe.
The music we used on today's Clerkenwell Design Week movie is a track called Octave by French producer Junior Size. It's taken from his recent two-track EP called Trauma, released on the excellent Atelier du Sample record label.
The EP is currently available for free download.
The production is quite a departure from the stripped-down sound of LogOut's previous album, Paper Plane Flight Recorder, which we featured a track from last year. But his ear for a catchy melody remains unchanged.
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