The prototype device has a "human finger" made from silicone attached to a mechanical arm. The implement is used to shape clay in much the same way a real finger would.
The system relies on a design programme that uses machine learning and an algorithm to generate its own creations.
The software gathers images of vases online and interprets their outlines as basic, common shapes to create a "DNA of vases".
It then combines features together to create a new vase that mixes contrasting traits from different designs. Currently the robot has no feedback mechanism, however, so it's unable to learn from mistakes or improve on its designs.
"The project isn't meant as a serious proposal to put potters out of work, rather as a way of asking questions," Nordmoen told Dezeen.
The designer has developed the robot so it only needs to rely on people for "menial tasks" like preparing clay and performing maintenance.
"It aims to go beyond the practical aspect of technological unemployment and to ask what happens if a robot takes on the role of an artisan," added Nordmoen.
Currently the designer is seeking collaborators with experience in machine learning and robotics to further develop the potential of the Humanmade system.
Nordmoen created the robot as part of the Material Futures MA and showed it at Central Saint Martins' end-of-year show. Also included in the exhibition was Lesley Ann-Daly's set of implants that let wearers monitor their health using sound and Giulia Tomasello's home-grown sanitary pad kit.