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“History has become a trove of artefacts ready for appropriation”
Dezeen Mail #224
Elsa Urquijo’s campus for a Spanish charity is made up of “serene” white buildings
Football pitch hovers above basketball courts in winning UFCSPA campus design
Pedrali to launch office furniture collections at Orgatec 2014
Terraces are cut out of the curved green roof of NL Architects’ Funen Blok K
UK’s “first amphibious house” can float on floodwater like a boat in a dock
The Broad gallery by Diller Scofidio + Renfro speeds towards completion in Los Angeles
Nendo creates pastel optical illusions for Japanese design exhibition display
Jaime Hayón refurbishes Room 506 in Arne Jacobsen’s SAS Hotel
Carey House redirect
Carey House by Henry Goss: “Visualisation played a vital role in design decisions”
Henning Larsen Architects to design train station for new Danish town
MVRDV’s zigzagging buildings come top in Mainz basin contest
Google rolls out Material Design guidelines with Lollipop Android update
Andrea Rekalidis’ ceramic desk-tidies take the form of Italian landmarks
Piet Hein Eek prints Rijksmuseum artworks onto flatpack stools
GER Mood Sweater by Sensoree indicates emotions with LEDs
“The car is dead, long live the car”
Architects could become “closer to game designers or filmmakers”
MFRMGR creates house-like cubicles with windows inside a Polish office
Neville Brody rebrands studio: “Clients weren’t quite clear on what we were offering”
Marc Fornes creates pink “envelope of experiential tension” for Situation Room installation
