Interviews
Diébédo Francis Kéré says school that launched his career is “not a traditional African building”
High-rise buildings should only be used to house the very rich, says Neave Brown
Braun philosophy is about “reducing the bling-bling” says designer Dietrich Lubs
Second Chicago Architecture Biennial will “look back to look forward” say artistic directors
David Chipperfield: “Brexit will isolate the UK”
“Technology should look like something in your grandmother’s room” says Oki Sato
Mies van der Rohe had a lasting effect on my aesthetic, says Virgil Abloh
Barcelona and Amsterdam are world-leading “smart cities” says Jason Pomeroy
Smartwatches have “reignited the analogue watch market” says designer Samuel Wilkinson
I’m trying to change my mysterious reputation, says Peter Zumthor
“London is looking more and more like Dubai” says architect Adam Caruso
“I might become Mies van der Rohe” says Frank Gehry
English seaside towns will transform “like Brooklyn” says artist Bob and Roberta Smith
Thomas Heatherwick: “There was a real worry about whether we could get people to come inside”
Minimalism is an “expression of obsession” says The Girl Before author JP Delaney
My costumes are part of a “quiet uprising” among women, says Handmaid’s Tale designer
India’s young architects must be taught to appreciate their design heritage, says Balkrishna Doshi
Burkina Faso’s new parliament building “responds to needs of the people” says Diébédo Francis Kéré
“If I was misogynist would I hire a woman as my CEO?” says Bjarke Ingels
“The hotel industry is in denial about Airbnb” says Ian Schrager as Public hotel opens in New York
“Furniture is still a relative bargain” compared to art, says artist Wendell Castle
“It is necessary to oppose Trump” says Anish Kapoor
Tinie Tempah: “I bought a zebra so the giraffe could have a friend in the house”
