Venice Architecture Biennale
Hiroshi Sugimoto’s glass cube hosts Japanese tea ceremonies in Venice
Kinetic Wall by Barkow Leibinger explores “utopian dream of moving architecture”
Canadian Pavilion examines move “from igloos to internet” in Inuit communities
Wooden huts demonstrate regional building techniques at the Finnish Pavilion
“Elements makes you unutterably sad for Koolhaas and what he thinks architecture is”
Cedric Price is “like Marcel Duchamp” says Hans Ulrich Obrist
Chilean Pavilion in Venice centres around a politically charged concrete wall
Japan’s biennale pavilion celebrates radical 1970s architecture
Le Corbusier’s Maison Dom-ino realised at Venice Architecture Biennale
Korea wins Golden Lion for best pavilion at Venice Architecture Biennale
Rem Koolhaas’ Elements exhibition in Venice aims to “modernise architectural thinking”
Israeli Pavilion uses “sand printers” to trace plans of urban sprawl
Rem Koolhaas: I wanted my biennale to “disconnect from contemporary architecture”
Jimenez Lai explores domestic cultures of Taiwan with colourful “houses” installation
Rem Koolhaas uses architecture, dance and film to represent the “current condition of Italy”
Golden Lion award for Korean pavilion could help “trigger the reality” of a unified Korea
Ai Weiwei’s Forever Bicycles installed at Palazzo Franchetti in Venice
Strelka transforms Russian Pavilion into a trade fair of architectural ideas
Rem Koolhaas is stating “the end” of his career, says Peter Eisenman
Belgian Pavilion at Venice biennale exhibits components of modern domestic interiors
Kosovo Pavilion explores “erasure of regional identity” with spiky tower installation
Mass Studies brings together North and South Korea with Venice biennale pavilion
Critics give verdicts on Rem’s Venice Architecture Biennale “without any architecture in sight”
