Video
"I was so poor and I had no studio" says Christo. "I started working with little tin cans of paint"
In the first of two exclusive video interviews with Christo, the artist explains how the giant London Mastaba installation on the Serpentine lake is the culmination of over 60 years of working with stacked barrels. More about "I was so poor and I had no studio" says Christo. "I started working with little tin cans of paint"