In this interview from our series filmed at the OMA/Progress exhibition at the Barbican in London, OMA partner Iyad Alsaka talks about the firm's presence in Arab countries, starting with a 2007 exhibition about the Gulf Region and leading up to their current projects in Saudi Arabia and Qatar. More »
Dezeen Wire: London's Barbican Art Gallery will broadcast a live stream of a debate featuring all seven partners of architecture practice OMA in public conversation for the first time ever at 7pm this evening.
In this next movie from our series filmed at the OMA/Progress exhibition at the Barbican in London, OMA partner Reinier de Graaf talks about the Dutch architecture studio's preoccupation with the megacity and its hinterland - "the vacuum left in the wake of the city's expansion." He suggests that we're moving to an era of city states and this is leading to a potential new relevance for architects as civic leaders. More »
In this interview we filmed at the opening of OMA/Progress at the Barbican in London, OMA partner Reinier de Graaf talks about the architecture firm's current preoccupations, including the city of London. More »
Dezeen Wire: last week Dezeen reported on the opening of a new exhibition examining the creative processes of architecture practice OMA at the Barbican. Here's what the critics have been saying about the show. More »
In the second instalment of our video interview with Rem Koolhaas, the OMA co-founder discusses two of his current preoccupations: the countryside, which he is addressing for the first time; and generic architecture, which could result in neutral, copyright-free building forms.
Both topics are discussed in the OMA/Progress exhibition which opened at Barbican Art Gallery in London last week.
In the first of a series of movies filmed by Dezeen at the opening of OMA/Progress at the Barbican in London earlier this week, OMA co-founder Rem Koolhaas gives us a private tour of the show.
Dezeen Wire: Nicolai Ouroussoff, outgoing architecture critic at the New York Times, reviews the Central China Television building in Beijing by Rem Koolhaas of OMA: "The forms are a reworking of classical perspective; the irregular structure is an attack on Modernist ideas about structural purity".
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